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On Humphries’s brand of confronting comedy and the renaming of the Barry Award
Barrie Kosky’s reimagined ‘The Magic Flute’ heads for Australia
The director on why his film-inspired production almost didn’t happen
‘Manus’: troubling and obligatory viewing
An Iranian play brings stories of Australia’s offshore detention centres to the Adelaide Festival
Ned Kelly as you’ve never seen him before
Composer Luke Styles on his opera that casts the bushranger in a new light
‘Barbara and the Camp Dogs’: politics and heart in the pub
Part cracking musical, part Indigenous family drama, Belvoir’s latest production deserves to go far
Liveworks in review: ambitious, engrossing
The annual festival of experimental art energised Sydney’s Carriageworks over ten days
‘The Second Woman’: a triumph of endurance theatre
Nat Randall plays a five-minute scene of attempted reconciliation – with 100 different men over 24 hours
The strange magic of ‘Rhetorical Chorus’
Agatha Gothe-Snape’s performance work interrogates and celebrates one of the great conceptual artists
Audio describers bring theatre to life for the vision impaired
Taylor Mac’s ‘HIR’ at Belvoir is not your average kitchen-sink drama