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Neil Armfield’s direction of ‘A Midsummer Night’s Dream’ at the Adelaide Festival didn’t quite rise to the occasion
Robyn Nevin’s performance as Goebbels’ secretary is mesmerising
Productions now hire advisers to help performers navigate intimate and violent scenes
Reimagining ‘Breaking the Waves’
The creators of this opera on how it adds new depths and agency to von Trier’s 1996 film
Patricia Cornelius: No going gently
‘Anthem’ marks the return of the Australian playwright’s working-class theatre
On Humphries’s brand of confronting comedy and the renaming of the Barry Award
‘Manus’: troubling and obligatory viewing
An Iranian play brings stories of Australia’s offshore detention centres to the Adelaide Festival
Barrie Kosky’s reimagined ‘The Magic Flute’ heads for Australia
The director on why his film-inspired production almost didn’t happen
Ned Kelly as you’ve never seen him before
Composer Luke Styles on his opera that casts the bushranger in a new light
Performing philosophy: ‘La Passion de Simone’ at the Sydney Festival
The creatives behind this Sydney Chamber Opera production on the extreme empathy of Simone Weil