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A black woman in space: Solange’s ‘When I Get Home’
Songs distilled from the quiet expanses of high art and black culture
Clicks, plinks, hoots and thuds: Matmos’s ‘Plastic Anniversary’
The American experimental duo embrace the ‘sounds’ of a ubiquitous material
The Monthly music wrap: March 2019
Koffee’s debut EP brings a jolt of youthful energy, and new releases from local projects with global sensibilities
The Monthly music wrap: February 2019
On the precarious state of live music in NSW and the impact of proposed festival-licensing laws
Low’s ‘Double Negative’: studies in slow transformation
Twelve albums in, the Minnesota three-piece can still surprise in their unique way
Leonard Bernstein: show tunes and symphonies
Centenary celebrations highlight the composer’s broad ambitions and appeal
The Queen is dead; long live the Queen
The disappointment of The Carters’ ‘Everything Is Love’ and Kanye West’s ‘Ye’
New albums from Beyoncé and Jay-Z and Kanye West bare all yet share nothing
Angélique Kidjo reinvents Talking Heads’ ‘Remain in Light’
This remake of the 1980 classic insists on the connections between musical traditions
Incarceration is a recurring theme at Mona’s 2018 winter arts festival