culture

Hirokazu Kore-eda’s ‘The Truth’

The Palme D’Or winner on working with the iconic Catherine Deneuve in his first film set outside Japan

Four seasons in 11 days: ‘Portrait of a Lady on Fire’

Céline Sciamma’s impeccable study of desire and freedom is a slow burn

Big in Morocco

Australian cinema finds a new audience at the Marrakech International Film Festival

Mati Diop’s haunting ‘Atlantics’

The French-Senegalese director channels ancient fables and contemporary nightmares in this ghostly love story

What ‘The Great Hack’ overlooks

Cambridge Analytica is part of the system, not an aberration

Interrogating the interrogators: ‘The Report’

This tale of the investigation into CIA torture during the War on Terror places too much faith in government procedure

You could drive a person crazy: Noah Baumbach’s ‘Marriage Story’

Adam Driver and Scarlett Johansson are at their career best in this bittersweet tale of divorce

Late style: Martin Scorsese’s ‘The Irishman’

Reuniting with De Niro, Pacino and Pesci, the acclaimed director has delivered less of a Mob film than a morality play

David Michôd’s ‘The King’

The Australian director on his Timothée Chalamet–starring adaptation of Shakespeare’s history plays

We don’t need another superhero

Are superheroes the form of entertainment we deserve, but not the one we need right now?

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