Australian politics, society & culture

Culture

Image from The Get Down
Netflix’s hip-hop drama ‘The Get Down’ squanders its potential
By Luke Davies
Image of Joy Williams
Celebrated short-story practitioner Joy Williams turns to micro fiction in ‘Ninety-Nine Stories of God’
By Barry Hill
National anthems reflect all the complexities – and oddities – of the countries they represent
By Andrew Ford
‘Mike Parr: Foreign Looking’ brings the anti-institutional artist to the National Gallery of Australia
By Fiona McGregor
Six stories of 100 words
By Paul Connolly
Image of Force Majeure’s Never Did Me Any Harm
The arts funding cuts are just a symptom of a broader malaise in Australia
By Alison Croggon
Image of Nauru
Richard Flanagan delivers the inaugural Boisbouvier Lecture
By Richard Flanagan
Illustration
The late historian leaves behind a stunning body of scholarship
By Tom Griffiths
Illustration
Helen Pynor’s bio-art explores life after death
By Rebecca Giggs
Illustration
Video artist Heath Franco is making a name as a provocateur
By Darryn King
Still from Catastrophe
Season two; ABC2
By Harry Windsor
Cover of The Hate Race
Hachette; $32.99
By Brenda Walker
Image of Angel Olsen
Angel Olsen’s ‘My Woman’ and Sarah Mary Chadwick’s ‘Roses Always Die’
By Anwen Crawford
Still from Captain Fantastic
Matt Ross’ ‘Captain Fantastic’ is a portrait of a family in the wilderness
By Luke Davies
Cover of The Hatred of Poetry
Ben Lerner’s ‘The Hatred of Poetry’ brings together questions of art and politics
By Justin Clemens
Cover of East West Street
Philippe Sands’ ‘East West Street’ mixes memoir, biography and thriller to explain the origins of ‘crimes against humanity’ and ‘genocide’
By Martin Krygier
Image of Roald Dahl in his writing hut
The life and legacy of Roald Dahl
By Anwen Crawford
Durbach Block Jaggers is a practice in argument
By Erik Jensen

Pages

×
×