Can a young wartime couple pick up where they left off?
By Anna Goldsworthy
How the Monthly changed its typeface
By Patrick Witton
Victoria Lee takes on the Victoria’s Secret runway
By Darryn King
This retrospective raises questions about how consciousness affects memory and experience
By Kali Myers
Image of installation view of Mira Gojak / Elizabeth Newman at Neon Parc
‘Mira Gojak / Elizabeth Newman’ illustrates the possibilities for curated shows in commercial galleries
By Quentin Sprague
Can Netflix’s breakout supernatural hit transcend its nostalgia-fuelled premise?
By Myke Bartlett
The director of ‘The Lobster’ can’t quite pull off this high-concept dance between the grandiose and the grotesque
By Luke Goodsell
Still from BoJack Horseman
An animated satire about an anthropomorphic former sitcom star gets surprisingly real
By Craig Mathieson
In a new series, prolific documentarian Ken Burns finally acknowledges that American stories have an impact on the stories of others
By Matthew Clayfield
The annual festival of experimental art energised Sydney’s Carriageworks over ten days
By Fiona McGregor
Nat Randall plays a five-minute scene of attempted reconciliation – with 100 different men over 24 hours
By Fiona McGregor
Still from The Deuce
David Simon’s new series shines amid the sleaze of the New York porn industry
By Harry Windsor
Picador; $32.99
By Stephanie Bishop
Image of Drake
The exhausting omnipotence of Drake
By Anwen Crawford
Cover of Radical Technologies
Adam Greenfield’s ‘Radical Technologies’ is an essential guide to the tech revolution
By Scott Ludlam
Image of Oliver Sacks
Oliver Sacks’ brilliant ideas echo on through ‘The River of Consciousness’
By Kate Cole-Adams
Still from Blade Runner
Denis Villeneuve’s ‘Blade Runner 2049’ is maddeningly close to a classic
By Shane Danielsen
Image of Harvey Weinstein
Robyn Davidson’s ‘Tracks’ vs Harvey Weinstein
By Robert Drewe