The author of ‘The Hidden Life of Trees’ argues that animals experience emotions like we do
By Jessica Au
The Justified Ancients of Mu Mu (aka the KLF) redefine the book launch
By Jenny Valentish
The so-called bad-boy celebrity chef has always offered a smarter take – and now we’re beginning to notice
By Matthew Clayfield
Cover of City of Crows
Picador; $32.99
By Helen Elliott
Image of Tony Matelli, Josh (2010)
National Gallery of Australia, Canberra, until 18 February 2018
By Miriam Cosic
Still from Call Me By Your Name
Luca Guadagnino’s ‘Call Me By Your Name’ is a passionate, positive tale of first love
By Luke Davies
Image of Björk
Björk moves towards renewal on ‘Utopia’
By Anwen Crawford
Histories personal and national inform Helen Johnson’s large-scale canvases
By Quentin Sprague
Image of Gerhard Richter, September (Ed. 139)
Gerhard Richter’s GOMA exhibition finds beauty in banality, meaning in the arbitrary
By Sebastian Smee
A poem
By Les Murray
Can a young wartime couple pick up where they left off?
By Anna Goldsworthy
How the Monthly changed its typeface
By Patrick Witton
Victoria Lee takes on the Victoria’s Secret runway
By Darryn King
This retrospective raises questions about how consciousness affects memory and experience
By Kali Myers
Image of installation view of Mira Gojak / Elizabeth Newman at Neon Parc
‘Mira Gojak / Elizabeth Newman’ illustrates the possibilities for curated shows in commercial galleries
By Quentin Sprague
Can Netflix’s breakout supernatural hit transcend its nostalgia-fuelled premise?
By Myke Bartlett
The director of ‘The Lobster’ can’t quite pull off this high-concept dance between the grandiose and the grotesque
By Luke Goodsell
Still from BoJack Horseman
An animated satire about an anthropomorphic former sitcom star gets surprisingly real
By Craig Mathieson


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