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Celebrating beauty’s passing: ‘Requiem’
Italian director Romeo Castellucci on his radical reimagining of Mozart’s classic
Wildlife’s whispered traces: ‘Extinction Studies’
Lucienne Rickard’s durational art performance at the Tasmanian Museum and Art Gallery reckons with extinct species
Party of three: ‘Everything’s Gonna Be Okay’
Australian comedian Josh Thomas brings his unique brand of comedy to the classic American sitcom format
A dream within a dream: ‘Tao of Glass’
Theatremaker Phelim McDermott on his highly personal collaboration with Philip Glass
Adam Sandler does what he does best in the Safdie brothers’ cosmic indie thriller
‘Hecate’: honouring two storytelling traditions
Australia’s first major Shakespearean production in Noongar language will retell ‘Macbeth’ at Perth Festival
Searching for the truth in Yuendumu
Very little has been learnt from the death in custody on Palm Island
True colours: ‘All Auras Touch’ at Carriageworks
Work matters in artist Kate Mitchell’s exploration of the fundamental connections between people
Kills, frills and Kelly aches: Justin Kurzel’s ‘True History of the Kelly Gang’
The Australian director brings a welcome sense of style to the unusually malleable story
Hirokazu Kore-eda’s ‘The Truth’
The Palme D’Or winner on working with the iconic Catherine Deneuve in his first film set outside Japan