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Currents of joy: Stephen Bram and John Nixon
Overlapping exhibitions by the two abstract artists convey their shared radical modernism
‘Know My Name’ at the National Gallery of Australia
An exhilarating exhibition considers a persistent gender bias in the visual arts
‘The Dry’ directed by Robert Connolly
Eric Bana stars as a troubled investigator dragged back to his home town in a sombre Australian thriller
History and suffering matter in the latest instalment of the American author’s Gilead novels
They came, they saw: Tamara Kotevska and Ljubomir Stefanov’s ‘Honeyland’
A breathtaking North Macedonian film about Europe’s last female keeper of wild bees exists compellingly at the intersection of documentary and fiction
Plans never imagined: Architect Timothy Hill
The ‘Longhouse’ and the ‘Multihouse’ confirm the director of Partners Hill as the country’s most important and influential architect of the past 30 years
Think less, feel more: ‘Honey Boy’
Shia LaBeouf’s disarming autobiographical film-as-therapy dissolves the line between cheap image reparation and authentic mea culpa
Director Robert Icke on rewriting the classic Austrian play to explore contemporary moral conundrums
Celebrating beauty’s passing: ‘Requiem’
Italian director Romeo Castellucci on his radical reimagining of Mozart’s classic
Wildlife’s whispered traces: ‘Extinction Studies’
Lucienne Rickard’s durational art performance at the Tasmanian Museum and Art Gallery reckons with extinct species