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Interplanetary, mostly ordinary: James Gray’s ‘Ad Astra’
Brad Pitt’s interstellar family-therapy odyssey struggles with earthbound sentiment
Venice International Film Festival 2019
Théo Court’s masterful ‘Blanco en Blanco’ is a bright point in a largely lacklustre line-up
‘Here We Are’ at the Art Gallery of NSW
An opportunity for rethinking the position of women in contemporary art
Girls, interrupted: Sophie Hyde’s ‘Animals’
This untamed depiction of female friendship moves beyond basic binaries of freedom and control
The promise and politics of livestreaming in ‘Present.Perfect.’ and ‘Jawline’
‘The Godmother’ by Hannelore Cayre
A sardonic French bestseller about a godmother, in the organised crime sense of the word
‘Here Until August’ by Josephine Rowe
The Australian author’s second short-story collection focuses on the precipice of change rather than its culmination
Director Jeffrey Walker blends ripe melodrama and Gothic thriller in his TV series about three wayward nuns
Tasmanian torments: Jennifer Kent’s ‘The Nightingale’
The Babadook director talks about the necessity of violence in her colonial drama
How can we be transformed by music if online platforms mean we will always remain ourselves?