July, 2022
‘Vivienne Binns: On and through the Surface’ at the MCA
The major survey of work by the pioneering feminist artist reveals her preoccupations with the body and abstraction
July, 2022
Mission statement: Daniel Boyd’s ‘Treasure Island’
An AGNSW exhibition traces the development of the Indigenous artist’s idiosyncratic technique, which questions ideas of perception
July, 2022
The dream machine: The 59th Venice Biennale
Curator Cecilia Alemani’s long overdue Biennale overwhelmingly features female artists and champions indigenous voices and other minorities
June, 2022
‘The Picasso Century’ at the NGV
The NGV’s exhibition offers a fascinating history of the avant-garde across the Spanish artist’s lifetime
June, 2022
Standing and ceremony: The 4th National Indigenous Art Triennial
Themed around ‘Ceremony’, the NGA exhibition provides a moving examination of what it means to be Indigenous in 2022
April, 2022
A new kind of history: ‘Know My Name’
A radical exhibition of women artists at the NGA draws wondrous connections across time and between disciplines
April, 2022
Art heist: The landmark conviction of an Aboriginal art centre’s manager
The jailing of Mornington Island Art’s chief executive for dishonest dealing has shone a light on ethics and colonialism in the Indigenous art world
March, 2022
Altered states: Adelaide Biennial 2022
Sebastian Goldspink’s curation, titled ‘Free/State’, doesn’t quite measure up to expectations
March, 2022
Ken Whisson: A life made in art
The late Australian painter offered a profound example of how to forge a path as an artist
March, 2022
Market of the apes: NFTs and digital art
NFTs have transformed the art market, but artificial intelligence might transform art itself