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Female fandom and Jessica Leski’s ‘I Used to be Normal’
They’ve been dismissed and patronised, but Beatlemaniacs, Directioners and other fangirls are very self-aware about their boy band ‘affliction’
The queen of reinvention turns her attention to the works of ABBA
A bigger, shinier cage: Julia Holter’s ‘Aviary’
A classically schooled composer seeks shelter from the cacophony of modern life
Low’s ‘Double Negative’: studies in slow transformation
Twelve albums in, the Minnesota three-piece can still surprise in their unique way
Leonard Bernstein: show tunes and symphonies
Centenary celebrations highlight the composer’s broad ambitions and appeal
The disappointment of The Carters’ ‘Everything Is Love’ and Kanye West’s ‘Ye’
New albums from Beyoncé and Jay-Z and Kanye West bare all yet share nothing
Angélique Kidjo reinvents Talking Heads’ ‘Remain in Light’
This remake of the 1980 classic insists on the connections between musical traditions
Robert Smith and co. are celebrating 40 years of the band. Why do they still inspire such love?
The Scottish group’s third album proves they don’t sound like anyone else
Primitive Motion’s ‘House in the Wave’ and Totally Mild’s ‘Her’
Two Australian groups use vocals to swoon-worthy effect