Film

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The Bond market: ‘Dune’ and ‘No Time To Die’

Blockbuster season begins with a middling 007 and a must-see sci-fi epic

Ranch dressing: ‘The Power of the Dog’

Jane Campion’s new film takes to a 1920s Montana ranch for its story of repressed sexuality

An eye on the outlier: ‘Nitram’

Justin Kurzel’s biopic of the Port Arthur killer is a warning on suburban neglect and gun control

The life solipsistic: ‘The French Dispatch’

Wes Anderson’s film about a New Yorker–style magazine is simultaneously trivial and exhausting

The death of cool: Michel Piccoli, 1925–2020

Re-watching the films of the most successful screen actor of the 20th century

Her too: ‘The Assistant’

Melbourne-born, New York–based filmmaker Kitty Green’s powerfully underplayed portrait of Hollywood’s abusive culture

Properly British: Armando Iannucci’s ‘The Personal History of David Copperfield’

A multicultural vision underscores the acclaimed British satirist’s endearing Dickensian romp

They came, they saw: Tamara Kotevska and Ljubomir Stefanov’s ‘Honeyland’

A breathtaking North Macedonian film about Europe’s last female keeper of wild bees exists compellingly at the intersection of documentary and fiction

Kills, frills and Kelly aches: Justin Kurzel’s ‘True History of the Kelly Gang’

The Australian director brings a welcome sense of style to the unusually malleable story