Film

Late style: Martin Scorsese’s ‘The Irishman’

Reuniting with De Niro, Pacino and Pesci, the acclaimed director has delivered less of a Mob film than a morality play

No one’s laughing now: Todd Phillips’ ‘Joker’

A gripping psychological study of psychosis offers a surprising change of pace in the superhero genre

Tasmanian torments: Jennifer Kent’s ‘The Nightingale’

The Babadook director talks about the necessity of violence in her colonial drama

Popcorn maker: Quentin Tarantino’s ‘Once Upon a Time… in Hollywood’

The tide may have turned against the director’s juvenile instincts and misogynist violence

The elevated horror of Ari Aster’s ‘Hereditary’

This debut feature will test the mettle of even the most hardened genre fans

Steven Soderbergh’s ‘Unsane’

The prolific director hits his own limits with this experiment in technology

Armando Iannucci’s ‘The Death of Stalin’

This Soviet satire pushes comedy’s tragedy-plus-time formula to the limit

Robin Campillo’s ‘BPM’

The French-Moroccan director presents a clear-eyed portrayal of true activism during the AIDS epidemic

Warwick Thornton’s ‘Sweet Country’

The Indigenous Australian filmmaker redefines the Western

The perfection of youth

Luca Guadagnino’s ‘Call Me By Your Name’ is a passionate, positive tale of first love

×
×