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The spectacle of a political scandal: Jason Reitman’s ‘The Front Runner’ and Paolo Sorrentino’s ‘Loro’

New films about ’80s presidential hopeful Gary Hart and Italy’s controversial Silvio Berlusconi both miss the mark

‘The Old Man and the Gun’ and the outlaw Robert Redford

David Lowery’s new film pays too much tribute to the Sundance Kid

Pawel Pawlikowski’s perfectly formed ‘Cold War’

Not a moment is wasted in what could be the Polish director’s masterpiece

A man and his bear: Marc Forster’s ‘Christopher Robin’

Adults will find this new tale of Winnie the Pooh surprisingly moving

Creatures of the night

Dan Gilroy’s ‘Nightcrawler’ and Alejandro González Iñárritu’s ‘Birdman’

Pecking orders

Jean-Pierre and Luc Dardenne’s ‘Two Days, One Night’ and Damien Chazelle’s ‘Whiplash’

Overthinking

A journey through time and mind in Hugh Sullivan’s ‘The Infinite Man’

More human than human

Taika Waititi’s ‘What We Do in the Shadows’

Troubled souls

David Gulpilil brings Rolf de Heer’s ‘Charlie’s Country’ alive, but Nick Cave can’t save Iain Forsyth and Jane Pollard’s ‘20,000 Days on Earth’

A priest walks into an abattoir

Art and artifice in John Michael McDonagh’s ‘Calvary’

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