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‘The Old Man and the Gun’ and the outlaw Robert Redford

David Lowery’s new film pays too much tribute to the Sundance Kid

The hermitic world of Debra Granik’s ‘Leave No Trace’

The ‘Winter’s Bone’ director takes her exploration of family ties off the grid

A man and his bear: Marc Forster’s ‘Christopher Robin’

Adults will find this new tale of Winnie the Pooh surprisingly moving

Dirty work in Clayton Jacobson’s ‘Brothers’ Nest’

The filmmakers behind ‘Kenny’ take a darker turn

The elevated horror of Ari Aster’s ‘Hereditary’

This debut feature will test the mettle of even the most hardened genre fans

Steven Soderbergh’s ‘Unsane’

The prolific director hits his own limits with this experiment in technology

Armando Iannucci’s ‘The Death of Stalin’

This Soviet satire pushes comedy’s tragedy-plus-time formula to the limit

Robin Campillo’s ‘BPM’

The French-Moroccan director presents a clear-eyed portrayal of true activism during the AIDS epidemic

Warwick Thornton’s ‘Sweet Country’

The Indigenous Australian filmmaker redefines the Western

The perfection of youth

Luca Guadagnino’s ‘Call Me By Your Name’ is a passionate, positive tale of first love

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