Film

Properly British: Armando Iannucci’s ‘The Personal History of David Copperfield’

A multicultural vision underscores the acclaimed British satirist’s endearing Dickensian romp

They came, they saw: Tamara Kotevska and Ljubomir Stefanov’s ‘Honeyland’

A breathtaking North Macedonian film about Europe’s last female keeper of wild bees exists compellingly at the intersection of documentary and fiction

Kills, frills and Kelly aches: Justin Kurzel’s ‘True History of the Kelly Gang’

The Australian director brings a welcome sense of style to the unusually malleable story

Late style: Martin Scorsese’s ‘The Irishman’

Reuniting with De Niro, Pacino and Pesci, the acclaimed director has delivered less of a Mob film than a morality play

No one’s laughing now: Todd Phillips’ ‘Joker’

A gripping psychological study of psychosis offers a surprising change of pace in the superhero genre

Tasmanian torments: Jennifer Kent’s ‘The Nightingale’

The Babadook director talks about the necessity of violence in her colonial drama

Popcorn maker: Quentin Tarantino’s ‘Once Upon a Time… in Hollywood’

The tide may have turned against the director’s juvenile instincts and misogynist violence

Swan song: Documenting the Adam Goodes saga

Two documentaries consider how racism ended the AFL star’s career

Art life: Florian Henckel von Donnersmarck’s ‘Never Look Away’ and Bong Joon-ho’s ‘Parasite’

By barely disguising an account of the life of Gerhard Richter, the German director fails the artist and filmgoers

A master’s misstep: Claire Denis’ ‘High Life’

The French auteur chooses a sci-fi film to start over-explaining things

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