Film

Under the covers

David Lowery’s ‘A Ghost Story’ successfully combines sorrow, absurdity and the supernatural

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Sweeping us up

Jennifer Peedom’s ‘Mountain’ is a meditation on the allure of the climb

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Politics gets personal

Laura Poitras’ ‘Risk’ sidesteps the biggest question about Julian Assange

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Lowlife in the suburbs

Ben Young’s ‘Hounds of Love’ presents horror in all-too-familiar surrounds

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Long time coming

‘Get Out’ is a sharp mix of horror, satire and racial commentary

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‘Loving’ directed by Jeff Nichols

eOne Films

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Backstage drama

The domestic disquiet of Asghar Farhadi’s ‘The Salesman’ gives way to suspense

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A German comedy?

Maren Ade’s ‘Toni Erdmann’ is one of the most misread movies of the year

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Powerless agents

Andrea Arnold’s ‘American Honey’ is an exuberant, if meandering, trip

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Seeing visions

Lynette Wallworth’s ‘Collisions’ brings virtual reality to the Western Desert

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Off the grid

Matt Ross’ ‘Captain Fantastic’ is a portrait of a family in the wilderness

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Shamania

Ciro Guerra’s ‘Embrace of the Serpent’ brings together two Amazonian encounters

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Who’s up, who’s down

Josh Kriegman and Elyse Steinberg’s documentary ‘Weiner’ charts the fall of a congressman who can’t keep out of the spotlight

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Image of Aaron Pedersen and Alex Russell in Goldstone

Mirrors to the landscape

Cultural conflicts in Ivan Sen’s ‘Goldstone’ and the ABC’s ‘Cleverman’

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Don’t lose that Ricky

The Kiwi charm of Taika Waititi’s ‘Hunt for the Wilderpeople’

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Everyone’s a critic

‘Batman v. Superman’ v. the internet

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Blind obsession

The economics of Everest in Jennifer Peedom’s ‘Sherpa’

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Black lists

Doing the right thing in Jay Roach’s ‘Trumbo’ and László Nemes’ ‘Son of Saul’

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