Still from BPM
The French-Moroccan director presents a clear-eyed portrayal of true activism during the AIDS epidemic
By Harry Windsor
Still from Sweet Country
The Indigenous Australian filmmaker redefines the Western
By Shane Danielsen
Still from Call Me By Your Name
Luca Guadagnino’s ‘Call Me By Your Name’ is a passionate, positive tale of first love
By Luke Davies
Still from The Greatest Showman
Michael Gracey makes his directorial debut with the Hugh Jackman–starring ‘The Greatest Showman’
By Darryn King
Still from Blade Runner
Denis Villeneuve’s ‘Blade Runner 2049’ is maddeningly close to a classic
By Shane Danielsen
Still from mother!
A creative’s mea culpa? An allegory for environmental devastation? Either way, Darren Aronofsky’s ‘mother!’ is an exhausting film.
By Shane Danielsen
James Gray’s ‘The Lost City of Z’
By Shane Danielsen
David Lowery’s ‘A Ghost Story’ successfully combines sorrow, absurdity and the supernatural
By Luke Davies
Jennifer Peedom’s ‘Mountain’ is a meditation on the allure of the climb
By Sebastian Smee
Laura Poitras’ ‘Risk’ sidesteps the biggest question about Julian Assange
By Robert Manne
Still from Hounds of Love
Ben Young’s ‘Hounds of Love’ presents horror in all-too-familiar surrounds
By Shane Danielsen
Still from Get Out
‘Get Out’ is a sharp mix of horror, satire and racial commentary
By Shane Danielsen
Still from Loving
eOne Films
By Harry Windsor
Still from The Salesman
The domestic disquiet of Asghar Farhadi’s ‘The Salesman’ gives way to suspense
By Luke Davies
Still from Toni Erdmann
Maren Ade’s ‘Toni Erdmann’ is one of the most misread movies of the year
By Shane Danielsen
Still from American Honey
Andrea Arnold’s ‘American Honey’ is an exuberant, if meandering, trip
By Luke Davies
Still from Collisions
Lynette Wallworth’s ‘Collisions’ brings virtual reality to the Western Desert
By Quentin Sprague
Still from Captain Fantastic
Matt Ross’ ‘Captain Fantastic’ is a portrait of a family in the wilderness
By Luke Davies