Film

Tasmanian torments: Jennifer Kent’s ‘The Nightingale’

The Babadook director talks about the necessity of violence in her colonial drama

Swan song: Documenting the Adam Goodes saga

Two documentaries consider how racism ended the AFL star’s career

Popcorn maker: Quentin Tarantino’s ‘Once Upon a Time… in Hollywood’

The tide may have turned against the director’s juvenile instincts and misogynist violence

Art life: Florian Henckel von Donnersmarck’s ‘Never Look Away’ and Bong Joon-ho’s ‘Parasite’

By barely disguising an account of the life of Gerhard Richter, the German director fails the artist and filmgoers

A master’s misstep: Claire Denis’ ‘High Life’

The French auteur chooses a sci-fi film to start over-explaining things

Killer instincts: The ‘John Wick’ franchise

Keanu Reeves hones his stardom in the hyperreal violence of an assassin’s tale

Haruki to Highsmith: Lee Chang-dong’s ‘Burning’

Mr Ripley echoes through a masterful tale of class tensions in Seoul

A French Western? Jacques Audiard on ‘The Sisters Brothers’

The celebrated director explains how he made a Hollywood staple his own

The spectacle of a political scandal: Jason Reitman’s ‘The Front Runner’ and Paolo Sorrentino’s ‘Loro’

New films about ’80s presidential hopeful Gary Hart and Italy’s controversial Silvio Berlusconi both miss the mark

Pawel Pawlikowski’s perfectly formed ‘Cold War’

Not a moment is wasted in what could be the Polish director’s masterpiece

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