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Film
Properly British: Armando Iannucci’s ‘The Personal History of David Copperfield’
A multicultural vision underscores the acclaimed British satirist’s endearing Dickensian romp
They came, they saw: Tamara Kotevska and Ljubomir Stefanov’s ‘Honeyland’
A breathtaking North Macedonian film about Europe’s last female keeper of wild bees exists compellingly at the intersection of documentary and fiction
Kills, frills and Kelly aches: Justin Kurzel’s ‘True History of the Kelly Gang’
The Australian director brings a welcome sense of style to the unusually malleable story
Late style: Martin Scorsese’s ‘The Irishman’
Reuniting with De Niro, Pacino and Pesci, the acclaimed director has delivered less of a Mob film than a morality play
No one’s laughing now: Todd Phillips’ ‘Joker’
A gripping psychological study of psychosis offers a surprising change of pace in the superhero genre
Tasmanian torments: Jennifer Kent’s ‘The Nightingale’
The Babadook director talks about the necessity of violence in her colonial drama
Popcorn maker: Quentin Tarantino’s ‘Once Upon a Time… in Hollywood’
The tide may have turned against the director’s juvenile instincts and misogynist violence
Swan song: Documenting the Adam Goodes saga
Two documentaries consider how racism ended the AFL star’s career
Art life: Florian Henckel von Donnersmarck’s ‘Never Look Away’ and Bong Joon-ho’s ‘Parasite’
By barely disguising an account of the life of Gerhard Richter, the German director fails the artist and filmgoers
A master’s misstep: Claire Denis’ ‘High Life’
The French auteur chooses a sci-fi film to start over-explaining things