Arts & Letters

Helen Garner’s work collected in ‘Everywhere I Look’
By Anna Goldsworthy
Still from Sherpa
The economics of Everest in Jennifer Peedom’s ‘Sherpa’
By Luke Davies
The Drones
Gareth Liddiard on The Drones’ ‘Feelin Kinda Free’
By Anwen Crawford
Museum of Contemporary Art Australia, Sydney, until 1 May 2016
By Julie Ewington
Bloomsbury; $29.99
By Helen Elliott
Crown Sydney image
Why is Australia planning so many new casinos?
By David Neustein
Steven Avery
True crime and entertainment in Netflix’s ‘Making a Murderer’
By Anna Goldsworthy
Trumbo image
Doing the right thing in Jay Roach’s ‘Trumbo’ and László Nemes’ ‘Son of Saul’
By Luke Davies
Rihanna’s ‘ANTI’ and Future’s ‘EVOL’
By Anwen Crawford
Jonathan Cape; $32.99
By Stephanie Bishop
Giramondo Publishing; $26.95
By Barry Hill
Knopf; $39.99
By Brenda Walker
Convergence and contradiction at the NGV’s ‘Andy Warhol / Ai Weiwei’
By Julie Ewington
Stravinsky’s works, collected
By Andrew Ford
John Blaxland’s ‘The Protest Years: The Official History of ASIO 1963–1975’
By David McKnight
The Triffids’ ‘Born Sandy Devotional’ 30 years on
By Anwen Crawford
Survival tactics in ‘The Revenant’ and ‘The Big Short’
By Luke Davies
Words: Shane Maloney | Illustration: Chris Grosz
By Shane Maloney and Chris Grosz