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‘John Mawurndjul: I Am the Old and the New’ at the MCA, Sydney

The celebrated bark painter’s ethos guides this retrospective exhibition

Low’s ‘Double Negative’: studies in slow transformation

Twelve albums in, the Minnesota three-piece can still surprise in their unique way

‘One Hundred Years of Dirt’ by Rick Morton

A social affairs reporter turns the pen on himself

The hermitic world of Debra Granik’s ‘Leave No Trace’

The ‘Winter’s Bone’ director takes her exploration of family ties off the grid

Torch songs

Lana Del Rey gets a little happier on ‘Lust for Life’

The script changed

James Gray’s ‘The Lost City of Z’

A certain madness

Beneath the surface comedy of Samuel Beckett’s ‘Watt’ lies a metaphysical quest to know the unknowable

Sly late style

JM Coetzee’s ‘Late Essays: 2006–2017’ shows his deep respect and sympathy for fellow writers

Success dogged him

Judith Brett’s ‘The Enigmatic Mr Deakin’ is a skilful portrait of Australia’s second prime minister

‘Bennelong’ by Bangarra Dance Theatre

Sydney Opera House (touring Canberra, Brisbane, Melbourne)

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