Australian politics, society & culture

Arts & Letters

Steven Avery
True crime and entertainment in Netflix’s ‘Making a Murderer’
By Anna Goldsworthy
Trumbo image
Doing the right thing in Jay Roach’s ‘Trumbo’ and László Nemes’ ‘Son of Saul’
By Luke Davies
Rihanna
Rihanna’s ‘ANTI’ and Future’s ‘EVOL’
By Anwen Crawford
Jonathan Cape; $32.99
By Stephanie Bishop
Giramondo Publishing; $26.95
By Barry Hill
Knopf; $39.99
By Brenda Walker
Convergence and contradiction at the NGV’s ‘Andy Warhol / Ai Weiwei’
By Julie Ewington
Stravinsky’s works, collected
By Andrew Ford
John Blaxland’s ‘The Protest Years: The Official History of ASIO 1963–1975’
By David McKnight
The Triffids’ ‘Born Sandy Devotional’ 30 years on
By Anwen Crawford
Survival tactics in ‘The Revenant’ and ‘The Big Short’
By Luke Davies
Words: Shane Maloney | Illustration: Chris Grosz
By Shane Maloney and Chris Grosz
Cover of The Natural Way of Things
Allen & Unwin; $29.99
By James Bradley
Cover of The Gap of Time
Hogarth; $29.99
By Helen Elliott
Dusan Marek, Scientific Priest, 1965
NGV Australia, Melbourne (until 31 January 2016)
Alan Bond, 1987.
Deconstructing a decade in Frank Bongiorno’s ‘The Eighties’
By Judith Brett
Paul Keating and Bob Hawke in 1989.
Chris Bowen’s ‘The Money Men’ and the ideal treasurer
By Andrew Charlton
Grimes
Grimes’ puzzling ‘Art Angels’
By Anwen Crawford

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