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‘John Mawurndjul: I Am the Old and the New’ at the MCA, Sydney

The celebrated bark painter’s ethos guides this retrospective exhibition

Low’s ‘Double Negative’: studies in slow transformation

Twelve albums in, the Minnesota three-piece can still surprise in their unique way

‘One Hundred Years of Dirt’ by Rick Morton

A social affairs reporter turns the pen on himself

The hermitic world of Debra Granik’s ‘Leave No Trace’

The ‘Winter’s Bone’ director takes her exploration of family ties off the grid

Zadie Smith’s ‘Feel Free’

In this collection of essays, Smith shines when she’s addressing the personal

Tim Winton’s ‘The Shepherd’s Hut’

One of Australia’s most acclaimed novelists offers a painful and beautiful story of redemption

Young Fathers’ ‘Cocoa Sugar’

The Scottish group’s third album proves they don’t sound like anyone else

Armando Iannucci’s ‘The Death of Stalin’

This Soviet satire pushes comedy’s tragedy-plus-time formula to the limit

Ceridwen Dovey’s ‘In the Garden of the Fugitives’

Reality flexes at the edges of Dovey’s second novel

‘Lady Bird’ directed by Greta Gerwig

The debut director goes home to make a funny, touching film about wanting to leave it

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