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‘John Mawurndjul: I Am the Old and the New’ at the MCA, Sydney

The celebrated bark painter’s ethos guides this retrospective exhibition

Low’s ‘Double Negative’: studies in slow transformation

Twelve albums in, the Minnesota three-piece can still surprise in their unique way

‘One Hundred Years of Dirt’ by Rick Morton

A social affairs reporter turns the pen on himself

The hermitic world of Debra Granik’s ‘Leave No Trace’

The ‘Winter’s Bone’ director takes her exploration of family ties off the grid

Walking the Wukalina Walk

A new four-day tour in Tasmania is owned and guided by Aboriginal people

‘The Lady and the Unicorn’ at the Art Gallery of New South Wales

Six exquisite tapestries form one of the great works of medieval art

‘Axiomatic’ by Maria Tumarkin

This collection of bracing essays interrogates how we view the past

The elevated horror of Ari Aster’s ‘Hereditary’

This debut feature will test the mettle of even the most hardened genre fans

The Cure’s permanent twilight

Robert Smith and co. are celebrating 40 years of the band. Why do they still inspire such love?

Collingwood

A song cycle in 5 parts

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