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‘American Masters’ at the National Gallery of Australia

The best of the US, drawn from Canberra’s own collection

‘The Old Man and the Gun’ and the outlaw Robert Redford

David Lowery’s new film pays too much tribute to the Sundance Kid

‘Killing Commendatore’ by Haruki Murakami

Art, music and mystery abound in the Japanese author’s latest novel

A bigger, shinier cage: Julia Holter’s ‘Aviary’

A classically schooled composer seeks shelter from the cacophony of modern life

‘John Mawurndjul: I Am the Old and the New’ at the MCA, Sydney

The celebrated bark painter’s ethos guides this retrospective exhibition

‘One Hundred Years of Dirt’ by Rick Morton

A social affairs reporter turns the pen on himself

Low’s ‘Double Negative’: studies in slow transformation

Twelve albums in, the Minnesota three-piece can still surprise in their unique way

The hermitic world of Debra Granik’s ‘Leave No Trace’

The ‘Winter’s Bone’ director takes her exploration of family ties off the grid

Leonard Bernstein: show tunes and symphonies

Centenary celebrations highlight the composer’s broad ambitions and appeal

Hannah Gadsby: ‘Nanette’

Believe the hype about the Tasmanian comedian’s Netflix special

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