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‘The Lady and the Unicorn’ at the Art Gallery of New South Wales

Six exquisite tapestries form one of the great works of medieval art

The elevated horror of Ari Aster’s ‘Hereditary’

This debut feature will test the mettle of even the most hardened genre fans

‘Axiomatic’ by Maria Tumarkin

This collection of bracing essays interrogates how we view the past

The Cure’s permanent twilight

Robert Smith and co. are celebrating 40 years of the band. Why do they still inspire such love?

Parallel universes

With their two new other-worldly albums, Shabazz Palaces continue to evade categorisation

Sweeping us up

Jennifer Peedom’s ‘Mountain’ is a meditation on the allure of the climb

Politics gets personal

Laura Poitras’ ‘Risk’ sidesteps the biggest question about Julian Assange

Her eloquent heart

Arundhati Roy’s ‘The Ministry of Utmost Happiness’ was worth the 20-year wait

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