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‘John Mawurndjul: I Am the Old and the New’ at the MCA, Sydney
The celebrated bark painter’s ethos guides this retrospective exhibition
Low’s ‘Double Negative’: studies in slow transformation
Twelve albums in, the Minnesota three-piece can still surprise in their unique way
‘One Hundred Years of Dirt’ by Rick Morton
A social affairs reporter turns the pen on himself
The hermitic world of Debra Granik’s ‘Leave No Trace’
The ‘Winter’s Bone’ director takes her exploration of family ties off the grid
Leonard Bernstein: show tunes and symphonies
Centenary celebrations highlight the composer’s broad ambitions and appeal
Believe the hype about the Tasmanian comedian’s Netflix special
The Pulitzer Prize–winning novel is an engaging story of love and literary misadventure
The disappointment of The Carters’ ‘Everything Is Love’ and Kanye West’s ‘Ye’
New albums from Beyoncé and Jay-Z and Kanye West bare all yet share nothing
To have or not to have: Sheila Heti’s ‘Motherhood’ and Jacqueline Rose’s ‘Mothers’
Heti’s novel asks if a woman should have a child; Rose’s nonfiction considers how society treats her if she does
Mike Parr’s invisible performance and Tasmania’s complex past
Underneath the bitumen in Hobart, history becomes art