Art

Histories personal and national inform Helen Johnson’s large-scale canvases
By Quentin Sprague
Image of Gerhard Richter, September (Ed. 139)
Gerhard Richter’s GOMA exhibition finds beauty in banality, meaning in the arbitrary
By Sebastian Smee
Reko Rennie, ‘OA_RR’ (detail), 2017
‘Defying Empire: 3rd National Indigenous Art Triennial’ at Canberra’s National Gallery of Australia
By Sebastian Smee
Australia’s Tracey Moffatt leads the way at the 57th Venice Biennale
By Julie Ewington
Image of ‘Snow-covered Field with a Harrow (After Millet)’
‘Van Gogh and the Seasons’ at the National Gallery of Victoria
By Sebastian Smee
Image of Rose Nolan, Big Words – To keep going, breathing helps (circle work), 2016–17
What does ‘The National’ say about contemporary Australian art?
By Julie Ewington
Image of PixCell-Double Deer#4 (2010), by Kohei Nawa
‘Sugar Spin’ at GOMA aims to please and to challenge
By Sebastian Smee
Image of Ram’s Head, Blue Morning Glory by Georgia O’Keefe
‘O’Keefe, Preston, Cossington Smith: Making Modernism’ brings together three giants of modernism
By Julie Ewington
‘Mike Parr: Foreign Looking’ brings the anti-institutional artist to the National Gallery of Australia
By Fiona McGregor
Puzzling out the singular Degas at the National Gallery of Victoria
By Sebastian Smee
Conscious Sleep by Chiharu Shiota
The 20th Biennale of Sydney
By Julie Ewington
Convergence and contradiction at the NGV’s ‘Andy Warhol / Ai Weiwei’
By Julie Ewington
Dugong figure, Tudu Island, Torres Strait.
The National Museum of Australia’s ‘Encounters’ and the politics of collection
By Quentin Sprague
Catherine the Great still reigns in the NGV’s ‘Masterpieces from the Hermitage’
By Julie Ewington
Icon as exhibit at ACMI’s ‘David Bowie Is’
By Anwen Crawford
Marina Abramović in Australia
By Fiona McGregor
Power and resistance at the 56th Venice Biennale
By Julie Ewington
‘James Turrell: A Retrospective’ at the National Gallery of Australia, Canberra
By Benjamin Law

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