July, 2022
Mission statement: Daniel Boyd’s ‘Treasure Island’
An AGNSW exhibition traces the development of the Indigenous artist’s idiosyncratic technique, which questions ideas of perception
July, 2022
The dream machine: The 59th Venice Biennale
Curator Cecilia Alemani’s long overdue Biennale overwhelmingly features female artists and champions indigenous voices and other minorities
June, 2022
Standing and ceremony: The 4th National Indigenous Art Triennial
Themed around ‘Ceremony’, the NGA exhibition provides a moving examination of what it means to be Indigenous in 2022
April, 2022
A new kind of history: ‘Know My Name’
A radical exhibition of women artists at the NGA draws wondrous connections across time and between disciplines
April, 2022
Art heist: The landmark conviction of an Aboriginal art centre’s manager
The jailing of Mornington Island Art’s chief executive for dishonest dealing has shone a light on ethics and colonialism in the Indigenous art world
March, 2022
Market of the apes: NFTs and digital art
NFTs have transformed the art market, but artificial intelligence might transform art itself
February, 2022
From little things: 23rd Biennale of Sydney
The story behind the 40-year-old tree centring ‘rīvus’, José Roca’s Biennale
October, 2021
Artful lodgers: The Heide Museum of Modern Art
The story of John and Sunday Reed’s influence on Sidney Nolan and other live-in protégés
September, 2021
A shock of renewal: ‘Hilma af Klint: The Secret Paintings’
The transcendent works of the modernist who regarded herself not an artist but a medium
June, 2021
Boston and Japan: ‘French Impressionism from the Museum of Fine Arts, Boston’
What connects Boston’s peerless collections of French Impressionism and historic Japanese art and design?