August 2005

Arts & Letters

Drought essay: Recognising the derision as fear

By Les Murray

Death gets into the suburbs, but sleek

turnover highrise keeps it out of mind

 

and wilderness, wrapped in its own deaths,

scarcely points us at ours,

 

but furred rusty machines, and grey

boards unglazed for heritage or holiday –

 

you can’t truck in enough bricks.

Settled country is the land of the dead,

 

there you are taught love as mourning,

you shop in boarded-up places.

 

It’s great to follow car-dust

out towards the Mistake,

 

way past a working people’s farm,

long widowed, standing in space.

Les Murray

Les Murray is an award-winning Australian poet with more than 30 published collections of work, including Taller When ProneThe Biplane HousesWaiting for the Past and The Best 100 Poems of Les Murray. His work has been translated into ten foreign languages.

Cover: August 2005

August 2005

From the front page

At the gateway to Cape Fear

After the storm, North Carolina is a glimpse into a climate-changed future

Illustration

Feliks Zemdegs, Rubik’s champion

Meet the world’s fastest cuber

What Price the Pacific?

The environment minister’s gaffe exposes the Australian malaise

Image from ‘The Insult’

The personal is political in ‘The Insult’

Ziad Doueiri’s tense film excavates Lebanon’s violent past


In This Issue

Comment

The true daughter

Illustration by Jeff Fisher.

Sarah has an interview

A dandy comes a cropper

It’s a very Australian thing to glorfy the rich, famous and dead. And yet Rene Rivkin was never really one of us, was he?

More in The Monthly Essays

Image of Nakkiah Lui

A golden age of popular Indigenous storytelling

Against the blinding whiteness on Australian stage and screens

Image of Liane Moriarty

The alluring world of Liane Moriarty

Australia’s bestselling author isn’t interested in repeating herself

Image of cannabis crop

Drugs: on medication, legalisation and pleasure

What role can cannabis and psychedelics play in modern medicine?

Image of David Sinclair

Can David Sinclair cure old age?

The Australian geneticist believes ageing is a disease we can treat


Read on

Image from ‘The Insult’

The personal is political in ‘The Insult’

Ziad Doueiri’s tense film excavates Lebanon’s violent past

Image from ‘A Star Is Born’

Lady Gaga mesmerises in the uneven ‘A Star Is Born’

After a beguiling first act, director Bradley Cooper struggles to maintain momentum

Image of ‘The Arsonist’ by Chloe Hooper

The Detectives

Inside the hunt for the Black Saturday arsonist – an extract

Image of Sydney Opera House

Promo ScoMo and commodifying public space

The crass commercialism of last week’s promotion on the Opera House was a step too far


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