October 2011

Arts & Letters

Stand-up comedy masterpiece

By Tim Ferguson

Justin Hamilton - ‘Circular’, 2011

Justin Hamilton is the stand-up comedian of the decade. His latest one-man show Circular is the masterpiece towards which this most dynamic and daring comedian has been building since beginning his stand-up career in 1994. Of all his work, Circular takes the biggest risks, and the gags are hilarious.

Receiving a message on his phone from an unknown number, Justin hears a voice he doesn’t recognise tell him that a friend he’s never heard of is dead. To solve the mystery, Justin goes to the funeral. He finds that everyone he meets has mistaken him for someone else. The show’s theme regards connection versus dislocation; despite our ability to communicate with anyone anywhere anytime, we’re each struggling to project a unique identity. In every story Hamilton tells, people are being mistaken for someone else. Their confusion turns to terror.

Hamilton’s shows eschew traditional structures and standard subject matter. His work consistently challenges his audiences, asking important questions about history, truth, death and identity. It reveals a razor-sharp intellect and fearless questing heart. His humour is dangerous, offering perspectives that can be frightening in scope and intent. He may well be Australia’s own Bill Hicks.

Tim Ferguson

Cover: October 2011
View Edition

From the front page

Net-zero detail

The Nationals are so proud of the concessions they have won for the regions that they are unwilling to share them

Still from ‘The French Dispatch’

The life solipsistic: ‘The French Dispatch’

Wes Anderson’s film about a New Yorker–style magazine is simultaneously trivial and exhausting

Image of Qantas CEO Alan Joyce, Prime Minister Scott Morrison, NSW Premier Dominic Perrottet and Jetstar CEO Gareth Evans standing in front of a Qantas plane. Image via Facebook

How you finish the race

The PM is looking to the finish line, in more ways than one

Image of Supermoon over Footscray. Image © Tim McCartney 2015

Lunar orbit

The strange paths taken by the mind when overwhelmed by fear


In This Issue

Scene from 'The Theft of Sita'. Image courtesy of Melbourne Festival.

Music theatre masterpiece

An Australian–Indonesian production - ‘The Theft of Sita’, 2000

Words: Shane Maloney | Illustration: Chris Grosz

Robert Helpmann & Anna Pavlova

Theatre masterpiece

Tom Wright & Benedict Andrews - ‘The War of the Roses’, 2009

The incendiary Meow Meow, 2011. © Magnus Hastings

Queen of the night

Meeting Meow Meow


More in Arts & Letters

Photo: “Breakfast at Heide” (from left: Sidney Nolan, Max Harris, Sunday Reed and John Reed), circa 1945

Artful lodgers: The Heide Museum of Modern Art

The story of John and Sunday Reed’s influence on Sidney Nolan and other live-in protégés

Still from ‘The French Dispatch’

The life solipsistic: ‘The French Dispatch’

Wes Anderson’s film about a New Yorker–style magazine is simultaneously trivial and exhausting

Still from ‘Nitram’

An eye on the outlier: ‘Nitram’

Justin Kurzel’s biopic of the Port Arthur killer is a warning on suburban neglect and gun control

Still from Steven Soderbergh’s ‘No Sudden Move’

True to form: ‘No Sudden Move’

Steven Soderbergh’s Detroit crime movie is another formal experiment with commercial trappings


More in Masterpieces

Poetry masterpiece

Jennifer Maiden - ‘Friendly Fire’, 2005

© Sergio Dionisio/Getty Images

Design masterpiece

Marc Newson - ‘Qantas A380 Economy Seat’, 2008

Fiction masterpiece

JM Coetzee - ‘Summertime’, 2009

© Chris Harvey

Architecture masterpiece

Lindsay & Kerry Clare - ‘Gallery of Modern Art’, Queensland, 2006


Read on

Image of Supermoon over Footscray. Image © Tim McCartney 2015

Lunar orbit

The strange paths taken by the mind when overwhelmed by fear

Cover image for Karl Ove Knausgaard’s ‘The Morning Star’

Hell’s kitchen: Karl Ove Knausgaard’s ‘The Morning Star’

The ‘My Struggle’ author’s first novel in 17 years considers the mundanity of everyday acts amid apocalyptic events

Image of Jeremy Strong as Kendall Roy in HBO’s Succession season 3. Photograph by David Russell/HBO

Ties that bind: ‘Succession’ season three

Jeremy Strong’s performance in the HBO drama’s third season is masterful

Image of a tampon and a sanitary pad viewed from above

A bloody shame: Paid period leave should be law

Australia’s workplace laws must better accommodate the reproductive body