October 2021

Arts & Letters

The life solipsistic: ‘The French Dispatch’

By Shane Danielsen

Wes Anderson’s film about a New Yorker–style magazine is simultaneously trivial and exhausting

Shane Danielsen

Shane Danielsen is a screenwriter and former artistic director of the Edinburgh International Film Festival.

Cover of The Monthly, October 2021
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From the front page

Image of Prime Minister Scott Morrison and Deputy Prime Minister Barnaby Joyce. Images via ABC News

Morrison’s mandate

Barnaby Joyce acknowledges that a net-zero target is cabinet’s call. But what exactly is their mandate?

Image of ‘Scary Monsters’

‘Scary Monsters’ by Michelle de Kretser

Two satirical stories about fitting in, from the two-time Miles Franklin–winner

Image of Jeremy Strong as Kendall Roy in HBO’s Succession season 3. Photograph by David Russell/HBO

Ties that bind: ‘Succession’ season three

Jeremy Strong’s performance in the HBO drama’s third season is masterful

Image of a tampon and a sanitary pad viewed from above

A bloody shame: Paid period leave should be law

Australia’s workplace laws must better accommodate the reproductive body


In This Issue

Friday prayers at Pul-e Khishti mosque in Kabul soon after the Taliban took control on August 15, 2021

War of error

US failures in Afghanistan and the folly of Australia’s unquestioning support

Image of theatre stage with empty chairs

Drama in hell

The descent of creative arts at Australia’s universities

A spiral galaxy in the Coma Berenices constellation. Photographed at Lick Observatory, California, in the late 1800s.

The search for extraterrestrial minds

That we understand the nature of the cosmos has profound implications in the search for life

Image of hands

Helen Garner’s lockdown diaries, 2021

Notes from Melbourne as the pandemic persists


More in Arts & Letters

Photo: “Breakfast at Heide” (from left: Sidney Nolan, Max Harris, Sunday Reed and John Reed), circa 1945

Artful lodgers: The Heide Museum of Modern Art

The story of John and Sunday Reed’s influence on Sidney Nolan and other live-in protégés

Still from ‘Nitram’

An eye on the outlier: ‘Nitram’

Justin Kurzel’s biopic of the Port Arthur killer is a warning on suburban neglect and gun control

Still from Steven Soderbergh’s ‘No Sudden Move’

True to form: ‘No Sudden Move’

Steven Soderbergh’s Detroit crime movie is another formal experiment with commercial trappings

Detail from ‘Group IV, The Ten Largest, No. 2, Childhood’ by Hilma af Klint (1907)

A shock of renewal: ‘Hilma af Klint: The Secret Paintings’

The transcendent works of the modernist who regarded herself not an artist but a medium


More in Film

Still from ‘Nitram’

An eye on the outlier: ‘Nitram’

Justin Kurzel’s biopic of the Port Arthur killer is a warning on suburban neglect and gun control

Still from Steven Soderbergh’s ‘No Sudden Move’

True to form: ‘No Sudden Move’

Steven Soderbergh’s Detroit crime movie is another formal experiment with commercial trappings

Image from ‘Shiva Baby’

Forebodings and a funeral: ‘Shiva Baby’

Emma Seligman’s funny but tense film is a triumph of writing and performance over spectacle

Still from ‘Nine Days’

Life in isolation: ‘Nine Days’ and ‘Bo Burnham: Inside’

A comedian’s isolated self-examination is more profound than Edson Oda’s confused film about what makes a good life


Read on

Image of Jeremy Strong as Kendall Roy in HBO’s Succession season 3. Photograph by David Russell/HBO

Ties that bind: ‘Succession’ season three

Jeremy Strong’s performance in the HBO drama’s third season is masterful

Image of a tampon and a sanitary pad viewed from above

A bloody shame: Paid period leave should be law

Australia’s workplace laws must better accommodate the reproductive body

Image of Gladys Berejiklian appearing before an ICAC hearing in October 2020. Image via ABC News

The cult of Gladys Berejiklian

What explains the hero-worship of the former NSW premier?

Cover image of ‘Bodies of Light’

‘Bodies of Light’ by Jennifer Down

The Australian author’s latest novel, dissecting trauma, fails to realise its epic ambitions