May 2020

Arts & Letters

Consolations in isolation: ‘The Platform’ and ‘Free in Deed’

By Shane Danielsen
What is the future of cinema without cinemas?

Shane Danielsen

Shane Danielsen is a screenwriter and former artistic director of the Edinburgh International Film Festival.

The Platform

May 2020

From the front page

‘The Time of Our Lives’ by Robert Dessaix

The memoirist’s latest, surprisingly unsettling instalment

683 deaths

The Morrison government is not taking the aged-care crisis seriously

Humphrey McQueen (Image © Karen Donnelly) and A New Britannia

‘A New Britannia’ turns 50

Humphrey McQueen’s influential book questioned the nation-building myths of the time

Image of NSW Premier Gladys Berejiklian and former Wagga Wagga MP Daryl Maguire

The personal is political

A closer inspection of Gladys Berejiklian’s relationship with Daryl Maguire and why it matters


In This Issue

Image of Parliament House, March 24, 2020

What lessons will we learn from the virus?

Hope is essential, but optimism can be deadly

Image of Cable Ties

The ripple effect: Cable Ties’ ‘Far Enough’

A big year turned on its head for the Melbourne band

Illustration by Jeff Fisher

Another month of plague

Voices from the coronavirus outbreak

Cover of ‘Fathoms’

‘Fathoms: The World in the Whale’ by Rebecca Giggs

The Australian writer’s lyrical consideration of our relationship with whales is a new and ambitious kind of nature writing


More in Arts & Letters

Listening to Roberta Flack

‘First Take’, released 50 years ago, still echoes through the present

Body politic: ‘Boys State’

American democracy is documented in all its gangly, acne-mottled glory

In our nature: ‘Vesper Flights’

Helen Macdonald explores how the study of animals reveals unknown aspects of ourselves

Image of OneFour rapper J Emz

The trenches of Mount Druitt: OneFour

Australia’s most infamous hip-hop act is an all-Pasifika group born of Western Sydney’s violent postcode wars


More in Film

Body politic: ‘Boys State’

American democracy is documented in all its gangly, acne-mottled glory

Image from ‘Hamilton’

America’s imperfect angels: Lin-Manuel Miranda’s ‘Hamilton’

Post Black Lives Matter, the hit musical already feels like a souvenir from a vanished pre-Trump America

Still from ‘Contempt’

The death of cool: Michel Piccoli, 1925–2020

Re-watching the films of the most successful screen actor of the 20th century

Still from ‘The Assistant’

Her too: ‘The Assistant’

Melbourne-born, New York–based filmmaker Kitty Green’s powerfully underplayed portrait of Hollywood’s abusive culture


Read on

Image of Yanis Varoufakis’s ‘Another Now’

Now, then: Yanis Varoufakis’s ‘Another Now’

The economist and author’s alternative future asks clarifying questions about the present

Humphrey McQueen (Image © Karen Donnelly) and A New Britannia

‘A New Britannia’ turns 50

Humphrey McQueen’s influential book questioned the nation-building myths of the time

Image of NSW Premier Gladys Berejiklian and former Wagga Wagga MP Daryl Maguire

The personal is political

A closer inspection of Gladys Berejiklian’s relationship with Daryl Maguire and why it matters

Image of Victorian Premier Daniel Andrews with screenshots from #IStandWithDan

Hopelessly devoted to Dan

The government is your servant, not your friend


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