May 2020

Arts & Letters

Consolations in isolation: ‘The Platform’ and ‘Free in Deed’

By Shane Danielsen
What is the future of cinema without cinemas?

Shane Danielsen

Shane Danielsen is a screenwriter and former artistic director of the Edinburgh International Film Festival.

The Platform


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From the front page

Image of Industry, Science and Technology Minister Christian Porter and Prime Minister Scott Morrison. Image © Richard Wainwright / AAP Image

Porter’s complaint

Christian Porter wants his defamation case to run on his terms

Still from Shane Meadows’ ‘The Virtues’

Vice grip: ‘The Virtues’

Shane Meadows’ astonishing series stems from a late reckoning with his own childhood abuse

Image of artwork by Sarah Goffman

The moment of reckoning

Any addressing of parliament’s abuse, misogyny and sexism must also tackle its racism

Cover image of ‘The Three Burials of Lotty Kneen’

Body language: ‘The Three Burials of Lotty Kneen’

Echoing folktales and fables, Krissy Kneen’s memoir contemplates the body’s visceral knowledge of inherited trauma


In This Issue

Cover of ‘Kim Jiyoung, Born 1982’

‘Kim Jiyoung, Born 1982’ by Cho Nam-Joo (trans. Jamie Chang)

The coldly brilliant, bestselling South Korean novel describing the ambient harassment and discrimination experienced by women globally

Illustration by Jeff Fisher

Power outage

Athlete Claire Keefer trains for a Paralympics now postponed

Illustration by Jeff Fisher

Quiet life

The acoustic ecologists documenting our quieted world

Image of Press conference at Parliament House, March 24, 2020.

The ministry of pandemics

How the spread of the virus revealed our leaders to us


More in Arts & Letters

Image of Patricia Lockwood

Mind over meta: ‘No One Is Talking About This’

The debut novel from the extremely online Patricia Lockwood considers how the virtual invades the real

Image from ‘Supernova’

Lodestar: ‘Supernova’

Stanley Tucci and Colin Firth star in Harry Macqueen’s quiet elegy to a loving relationship in its twilight

Image of Pharaoh Sanders and Sam Shepherd

Always tomorrow: ‘Promises’

Legendary saxophonist Pharoah Sanders joins electronic musician Floating Points and the London Symphony Orchestra for a compositionally minimalist album

Girls don’t cry: Arlo Parks and Phoebe Bridgers

Two young musicians spark the old double standard of judging female artists who demonstrate their pain


More in Film

Image from ‘Supernova’

Lodestar: ‘Supernova’

Stanley Tucci and Colin Firth star in Harry Macqueen’s quiet elegy to a loving relationship in its twilight

Amorality tale: ‘Judas and the Black Messiah’

Told from an unexpected perspective, Shaka King’s film is one of the best recent-historical dramas

Still from ‘Nomadland’

Drawn to the drift: Chloé Zhao’s ‘Nomadland’

The award-winning film about America’s itinerants steers away from the darker stories of the working poor

Still from ‘High Ground’

Once upon a time in the north: ‘High Ground’

Stephen Maxwell Johnson’s foray into Australia’s violent colonial history is a visually spectacular, if overfamiliar, revisionist Western


Read on

Still from Shane Meadows’ ‘The Virtues’

Vice grip: ‘The Virtues’

Shane Meadows’ astonishing series stems from a late reckoning with his own childhood abuse

Cover image of ‘The Three Burials of Lotty Kneen’

Body language: ‘The Three Burials of Lotty Kneen’

Echoing folktales and fables, Krissy Kneen’s memoir contemplates the body’s visceral knowledge of inherited trauma

Cartoon image of man standing on chess board

Reality is irreversible

The systems game and the need for global regime change

Image of Cristin Milioti as Hazel Green-Gogol in Made for Love

Can’t get you out of my head: ‘Made for Love’

Leading April’s streaming highlights is a subversive black comedy that takes coercive control to its digital extreme