May 2020

Arts & Letters

Consolations in isolation: ‘The Platform’ and ‘Free in Deed’

By Shane Danielsen

The Platform

What is the future of cinema without cinemas?

Shane Danielsen

Shane Danielsen is a screenwriter and former artistic director of the Edinburgh International Film Festival.

From the front page

Image of Clint Eastwood in Cry Macho. Image © Claire Folger / Warner Bros.

Slow motions: Clint Eastwood’s ‘Cry Macho’

Despite patient filmmaking, the 91-year-old director’s elegiac feature is unable to escape the legend of the man

Image of The Sea of Hands, representing support for reconciliation and the rights of Indigenous Australians

The truth about truth-telling

Revisiting trauma is not the road to justice for Aboriginal people

Image of Prime Minister Scott Morrison during Question Time today. Image © Lukas Coch / AAP Images

An epic troll

Who is the government’s “anti-troll” law actually designed to protect?

Image of coal for export, Newcastle, NSW

The fossil-fuel industry’s grip on Australian hearts and minds

Is there hope that public misconceptions of the importance of coal and gas can be overcome?

In This Issue

He is risen!

Keeping mum about the Easter Bunny

Rough draught

Keeping up appearances during periods of homelessness

Image of Parliament House, March 24, 2020

What lessons will we learn from the virus?

Hope is essential, but optimism can be deadly

Image of Cable Ties

The ripple effect: Cable Ties’ ‘Far Enough’

A big year turned on its head for the Melbourne band


More in Arts & Letters

Bing Crosby and David Bowie on Bing Crosby’s Merrie Olde Christmas, circa 1977.

Oh, carols!

The music of Christmas, from the manger to the chimney

Image of Gerald Murnane

Final sentence: Gerald Murnane’s ‘Last Letter to a Reader’

The essay anthology that will be the final book from one of Australia’s most idiosyncratic authors

Image of The Kid Laroi

New kid on the block: The Kid Laroi

How Australia has overlooked its biggest global music star, an Indigenous hip-hop prodigy

Still from ‘No Time To Die’

The Bond market: ‘Dune’ and ‘No Time To Die’

Blockbuster season begins with a middling 007 and a must-see sci-fi epic


More in Film

Still from ‘No Time To Die’

The Bond market: ‘Dune’ and ‘No Time To Die’

Blockbuster season begins with a middling 007 and a must-see sci-fi epic

Still from ‘The Power of the Dog’

Ranch dressing: ‘The Power of the Dog’

Jane Campion’s new film takes to a 1920s Montana ranch for its story of repressed sexuality

Still from ‘The French Dispatch’

The life solipsistic: ‘The French Dispatch’

Wes Anderson’s film about a New Yorker–style magazine is simultaneously trivial and exhausting

Still from ‘Nitram’

An eye on the outlier: ‘Nitram’

Justin Kurzel’s biopic of the Port Arthur killer is a warning on suburban neglect and gun control


Online exclusives

Image of Clint Eastwood in Cry Macho. Image © Claire Folger / Warner Bros.

Slow motions: Clint Eastwood’s ‘Cry Macho’

Despite patient filmmaking, the 91-year-old director’s elegiac feature is unable to escape the legend of the man

Image of Anthony Bourdain in Roadrunner. © Focus Features

End of the road: The Anthony Bourdain documentary ‘Roadrunner’

Morgan Neville’s posthumous examination of the celebrity chef hews close to the familiar narrative

Image of test cricket captain Tim Paine announcing his resignation. Image via ABC News

Cricketing institutions are on a sticky wicket

Tim Paine’s sexting scandal reveals more about institutional failures than personal ones

Craig Kelly addresses protestors outside Victoria's Parliament, 12 November 2021

At the end of our rope

The prime minister’s belated response to death threats against political leaders is a sign of our dangerously hollowed-out politics