October 2018

The Monthly Awards

The Monthly Awards 2018

The Monthly invited a panel of 25 eminent critics, curators and practitioners to nominate the artistic works that they most admired and enjoyed over the past year. The resulting selection highlights the best of Australian arts and culture in 2018.

The Monthly thanks the members of its Arts Issue selection committee:
Alison Croggon, David Marr, Anna Goldsworthy, Wesley Enoch, Jonathan Holloway, Stephanie Bishop, Christos Tsiolkas, Benjamin Law, Delia Falconer, Terri-ann White, Jenny Valentish, Michael Williams, Alexie Glass-Kantor, Callum Morton, Katrina Sedgwick, Gideon Obarzanek, Lisa Havilah, Brian Ritchie, Julian Day, Claire G. Coleman, Deborah Conway, Shelley Lasica, Susan Cohn, Miriam Cosic, Helen Elliott

‘You Can’t Ask That’ (ABC)

In an age when both reality TV and comedy have trended towards people looking straight at the camera in declarative mode, often brutally narcissistic, the ABC’s You Can’t Ask That is like an apology for past misdemeanours. Each of its episodes, across three series now, is smart and savvy, humorous and heartbreaking. Each is the product of a deep understanding of the work of cultural representation, and the beauty of personal expression – in one’s own voice – and the act of listening.

Producers and directors Kirk Docker and Aaron Smith give “marginalised” people in our society the forum to introduce the features of their lives that have made them distinct from the “majority”. People who live with divergence, and possibly prejudice, by dint of the circumstances of their birth, their life choices, or what someone else has done to mark them out as “damaged”.

The format is simple: a set of questions collected from mainstream society – sometimes ignorant or aggressive in tone, sometimes merely curious – is posed to the reference group of each 30-minute episode (titles include “Eating Disorders”, “Survivors of Sexual Assault”, “Swingers”, “Refugees”, “Blind People”). The participants, set against plain backdrops as singles, pairs or trios, respond with remarkable generosity, sharing the real, often raw, experiences and issues they live with constantly.

As with life, even the most harrowing stories have lightness, resilience and, regularly, humour. There is a warm rapport, usually, between the people sitting together on camera, and a weirdly wonderful and subliminal-level score that nevertheless keeps the viewer focused on the talking. I’m a serial watcher, laughing and crying and in love with the extraordinary humanness and intimacy on display. Two quick tips: the episodes titled “Down Syndrome” and “Drag” are magnificently illuminating.

Terri-ann White


There is nowhere quite like The Monthly. We are told that we live in a time of diminished attention spans; a time where the 24-hour-news-cycle has produced a collective desire for hot takes and brief summaries of the news and ideas that effect us. But we don’t believe it. The need for considered, reflective, long-form journalism has never been greater, and for almost 20 years, that’s what The Monthly has offered, from some of our finest writers.

That kind of quality writing costs money, and requires the support of our readers. Your subscription to The Monthly allows us to be the home for the best, most considered, most substantial perspectives on the state of the world. It’s Australia’s only current affairs magazine, an indispensable home for cultural commentary, criticism and reviews, and home to personal and reflective essays that celebrate and elevate our humanity.

The Monthly doesn’t just comment on our culture, our society and our politics: it shapes it. And your subscription makes you part of that.

Select your digital subscription

Month selector

From the front page

Osamah Sami with members of his local mosque

In ‘House of Gods’, Sydney’s Muslim community gets to be complicated

Plus, Barnaby Joyce shines in ‘Nemesis’, Emma Seligman and Rachel Sennott deliver ‘Bottoms’, and Chloë Sevigny and Molly Ringwald step up for ‘Feud: Capote vs. The Swans’.

U2 performing in the Las Vegas Sphere

Where the feats have no name: ‘U2:UV’ at Sphere

It’s no surprise it took U2 to launch post-stadium rock via a spectacular immersive show within the technical marvel of Las Vegas’s newest venue

Grace Tame running in the 2023 Bruny Island Ultra Marathon

Running out of trouble

How long-distance running changed the life of the former Australian of the Year (and earnt her a record win in an ultramarathon)

Illustration by Jeff Fisher

Might as well face it

Lively discussions take place around the country every week on ethical non-monogamy, love addiction and how much sex is too much

In This Issue

Cover of ‘The End’

‘The End’ by Karl Ove Knausgaard

The ‘My Struggle’ series arrives at a typically exhausting conclusion


Blowing up the government to save it

The Coalition has learnt nothing from Labor’s leadership disaster


Performing the Anthropocene

Scientists, anthropologists and artists gather to make sense of the Earth’s new epoch


Feliks Zemdegs, Rubik’s champion

Meet the world’s fastest cuber

Online latest

Osamah Sami with members of his local mosque

In ‘House of Gods’, Sydney’s Muslim community gets to be complicated

Plus, Barnaby Joyce shines in ‘Nemesis’, Emma Seligman and Rachel Sennott deliver ‘Bottoms’, and Chloë Sevigny and Molly Ringwald step up for ‘Feud: Capote vs. The Swans’.

International Film Festival Rotterdam highlights

Films from Iran, Ukraine and Bundaberg were deserving winners at this year’s festival

Two women on a train smile and shake hands

‘Expats’ drills down on Hong Kong’s class divide

Plus, Netflix swallows Trent Dalton, Deborah Mailman remains in ‘Total Control’ and ‘Vanderpump Rules’ returns for another season

Image of a man playing music using electronics and the kora (West African harp)

Three overlooked albums of spiritual jazz from 2023

Recent releases by kora player John Haycock, trumpeter Matthew Halsall and 14-piece jazz ensemble Ancient Infinity Orchestra feel like a refuge from reality