March 2019

by Helen Elliott

‘Zebra and Other Stories’ by Debra Adelaide
Difficult-to-grasp characters populate this new collection

The zebra, all sooty eyes and unthrifty lashes, is a charming animal. It shares a genus with the horse and is a favourite of artists and designers because of those stripes. So when, in Debra Adelaide’s long short story “Zebra”, the female prime minister receives a zebra as a gift, she is puzzled but pleased. The zebra has an enchantingly gentle demeanour. The PM, with similar personality characteristics, stables her round the back of the garden. They become companionable.

A fable about what it might be like to have another woman in The Lodge, “Zebra” is as beguiling as the animal itself. The PM, a knowledgeable gardener, a woman who reads, understands and can then precis even the most tedious reports, has a quality that causes every man she comes across to be eating out of her hand. Malcolm, her executive assistant, fancies her, although he would never be so bold as to let on. The PM runs the country very much as a benevolent lady of the manor would run her personal fiefdom. Just substitute a zebra for the unicorn. A domestic idyll à la ACT.

The domestic spins busily through all 14 of these stories (Picador; $29.99). Adelaide is in the great tradition of (mainly) female writers who map the psychological via quotidian detail. Styrofoam cups, beanbags, wardrobes that smell of old clothes, children that smell of children (or wardrobes), and dogs that just smell all feature. Spices, kitchens, food have particular places.

Behind all the stories is an imagination of tropical abundance. But something wilts after the initial impulse. These stories of people in various states of breakdown – parting, ill, grieving – never quite move further than the lovely imagination of their author. “I Am at Home Now”, a historical mini-drama featuring Bennelong and the Mrs Phillips he famously referenced in a 1796 letter, has impeccable intention, but it makes for uncomfortable reading not because it is a provocation but because it is patronising. The tone is false.

Except for the amiable PM and the zebra, these characters are difficult to grasp. Who are these self-obsessives? Where do they live? Why do they behave, speak like this? Didn’t I know them in the 1980s, these people who tinker with their emotions rather than engage? They still exist? To engage a busy reader, a short story should aim for containment and currency. All that crafted minutiae suffocates a short story and the imagination; the impulse can’t move under the weight. Unlike Debra Adelaide’s other works, these are not for me.

Still you might do worse than buy a book for the story named on the cover or for the cover itself, where the imagination flares into a performance of wit and beauty.

Helen Elliott
Helen Elliott is a literary journalist and writer.


March 2019

In This Issue


Trains, pains and Berejiklian

Will a big infrastructure spend help or hinder NSW’s Coalition government this election?

Image of Prime Minister Julia Gillard and Foreign Minister Kevin Rudd, 2010

Rats, heroes and Kevin Rudd’s ‘The PM Years’

This memoir answers some questions about his deposal and return but raises others


Tuckshop intervention

How did buying lunch in a Northern Territory school get so complicated?


Screen addiction

As more of our lives are lived online, more people aren’t coping

Read on

Image showing Sidney Flanigan as Autumn and Talia Ryder as Skylar

Quiet desperation: ‘Never Rarely Sometimes Always’

Eliza Hittman’s abortion drama is marked by the emotional solidarity of its teen protagonists

Image from Rebecca, with Kristin Scott Thomas as Mrs Danvers and Lily James as Mrs de Winter

Airbrushed horror: Ben Wheatley’s ‘Rebecca’

The new adaptation of Daphne du Maurier’s gothic tale is visually lush, but lacks the nuance and ambiguity of the novel

Former prime ministers Kevin Rudd and Malcolm Turnbull with a screenshot of Turnbull’s confirmation of signing the petition

The Corp’s bride

Despite a widely supported petition, the government is too scared to take on the Murdoch empire

Image of Yanis Varoufakis’s ‘Another Now’

Now, then: Yanis Varoufakis’s ‘Another Now’

The economist and author’s alternative future asks clarifying questions about the present