September 2017


‘Home Fire’ by Kamila Shamsie

By Helen Elliott
Cover of Home Fire
Shamsie’s seventh novel puts a modern spin on an Ancient Greek tragedy

Kamila Shamsie doesn’t write to entertain. She writes to explore the way the world functions, with a keen eye on that ancient Greek idea of everything being in flux. Home Fire (Bloomsbury; $22.49), her seventh novel, re-engineers Sophocles’ Antigone, the political drama that pits the state against the individual. What is morally right for one might not be right for the other. Right can legitimately belong to both sides.

Home Fire is told in four parts, each detailing the actions, the deliberated performance, of the four connected characters. Isma, a brilliant student, left university to care for her young twin siblings, Aneeka and Parvaiz, following their mother’s death. After working in a dry-cleaning business for years she has been offered a chance to continue a PhD in the United States, and although she believes that the twins, now 19, can look after themselves, she is anxious. The novel opens with a gruelling scene at the airport, where, because she is a Muslim woman and the daughter of a long-dead but known terrorist, Isma is abused by the authorities and misses her plane.

In the US, Isma finds contentment in her work, in her friendship with her supervisor, and in a casual new friend, Eamonn. Beautiful, sweet-natured Eamonn is the son of a British politician famous for his rigid policies on terrorists, a man who consistently puts the state before the personal. Isma, plain, sensible, rational, falls violently in love with Eamonn, with no expectation that it will be requited. At their last meeting in her austere flat he picks up a photo of the ravishing Aneeka. Back in London, Parvaiz becomes radicalised and leaves to join ISIS. Soon he realises his foolishness and, with Aneeka’s help, tries to return. The state has other ideas.

Shamsie, who was born in Karachi and has spent much of her life between London and Pakistan, presents the impossibilities of trying to live within and between two increasingly conflicted cultures. Each character has good reasons for their extreme positions, including Eamonn’s father, a Muslim who grew up poor in Bradford. This is not a subtle novel; everything is inevitable as it builds towards its tragic but unmoving end. Shamsie is great at detail and research but is lost for any psychological depth. Aneeka, who needs to centre the book, behaves like a maniacal robot, and the radicalisation of Parvaiz, with sexual overtones, verges on silly. But perhaps robot-like behaviour and sheer silliness are as relevant as anything else in a Trumpian world of constant flux?

The book is dedicated to Gillian Slovo. If you enjoy the solemnity and instruction of her work, you will also enjoy the work of Kamila Shamsie.

Helen Elliott
Helen Elliott is a literary journalist and writer.

In This Issue

Jeff Fisher Illustration

Canberra needs a watchdog

Who is keeping an eye on our federal politicians?

Torch songs

Lana Del Rey gets a little happier on ‘Lust for Life’


Tents in the city

The controversy over Martin Place’s homeless community became a political power struggle

Cover of Forest Dark

‘Forest Dark’ by Nicole Krauss

Bloomsbury; $24.99

Online exclusives

Image of Australian Army Cadets on parade. Image via Alamy

Ghosts in the war machine

Does the military attract violent misanthropists, or are they forged in murky theatres of war?

Composite image showing John Hughes (image via Giramondo Publishing) and the cover of his novel The Dogs (Upswell Publishing)

A dog’s breakfast

Notes on John Hughes’s plagiarism scandal

Image of Erin Doherty as Becky Green in Chloe. Image supplied

App trap: ‘Chloe’

‘Sex Education’ writer Alice Seabright’s new psychological thriller probing social media leads this month’s streaming highlights

Pablo Picasso, Figures by the sea (Figures au bord de la mer), January 12, 1931, oil on canvas, 130.0 × 195.0 cm, Musée national Picasso-Paris. © Succession Picasso/Copyright Agency, 2022. Photo: © RMN - Grand Palais - Mathieu Rabeau

‘The Picasso Century’ at the NGV

The NGV’s exhibition offers a fascinating history of the avant-garde across the Spanish artist’s lifetime