July 2017

Arts & Letters

What must be said

By Julie Ewington
Australia’s Tracey Moffatt leads the way at the 57th Venice Biennale

Julie Ewington

Julie Ewington is an independent writer, curator and broadcaster, now living in Sydney.

Rock Shadow from the series Body Remembers, 2016, Tracey Moffatt, © / Courtesy of the artist and Roslyn Oxley9 Gallery, Sydney and Tyler Rollins Fine Art, New York
 

July 2017

From the front page

Image of Malcolm Turnbull from ALP ad

Envying the PM

Malcolm Turnbull’s wealth is a matter of public interest

Image of ABC managing director Michelle Guthrie

Picking on Aunty

Why the latest push to privatise the ABC is not new or surprising

Illustration

Walking the Wukalina Walk

A new four-day tour in Tasmania is owned and guided by Aboriginal people

Image from Dark Mofo 2018

Dark Mofo: an easy cell

Incarceration is a recurring theme at Mona’s 2018 winter arts festival


In This Issue

Illustration

To walk in two worlds

The Uluru Statement is a clear and urgent call for reform

Her eloquent heart

Arundhati Roy’s ‘The Ministry of Utmost Happiness’ was worth the 20-year wait

Illustration

The handshake

Could Donald Trump finally force Australia to critically examine its feudal obligations to the US?

Politics gets personal

Laura Poitras’ ‘Risk’ sidesteps the biggest question about Julian Assange


More in Arts & Letters

Collingwood

A song cycle in 5 parts

Image of The Cure in Brazil, 1987

The Cure’s permanent twilight

Robert Smith and co. are celebrating 40 years of the band. Why do they still inspire such love?

The elevated horror of Ari Aster’s ‘Hereditary’

This debut feature will test the mettle of even the most hardened genre fans

Image of Rhonda Deans exploring “the Squeeze”, Koonalda Cave, South Australia

‘Deep Time Dreaming’ by Billy Griffiths

This history of archaeology in Australia charts our changing relationship with the past


More in Art

Image of Khvay Samnang, Human Nature, 2010–11,

The 21st Biennale of Sydney

This latest edition offers a contemporary take on elemental balance

Installation view of Mass by Ron Mueck, 2016–17

The NGV Triennial

A new exhibition series’ first instalment delivers a heady mix of populism and politics

‘Rembrandt and the Dutch Golden Age’

Treasures from Amsterdam’s Rijksmuseum at the Art Gallery of New South Wales

Image of Gerhard Richter, September (Ed. 139)

Arresting time

Gerhard Richter’s GOMA exhibition finds beauty in banality, meaning in the arbitrary


Read on

Image of ABC managing director Michelle Guthrie

Picking on Aunty

Why the latest push to privatise the ABC is not new or surprising

Image from Dark Mofo 2018

Dark Mofo: an easy cell

Incarceration is a recurring theme at Mona’s 2018 winter arts festival

Image of ‘Miss Ex-Yugoslavia’ by Sofija Stefanovic

Storyteller Sofija Stefanovic’s ‘Miss Ex-Yugoslavia’

A vivid account of growing up in a time of war, between two worlds

Image of North Korean leader Kim Jong-un and US president Donald Trump

Seriously scary times

What are the implications of the Trump-Kim summit for America’s allies?


×
×