July 2017

Arts & Letters

What must be said

By Julie Ewington
Australia’s Tracey Moffatt leads the way at the 57th Venice Biennale

Julie Ewington

Julie Ewington is an independent writer, curator and broadcaster, now living in Sydney.

Rock Shadow from the series Body Remembers, 2016, Tracey Moffatt, © / Courtesy of the artist and Roslyn Oxley9 Gallery, Sydney and Tyler Rollins Fine Art, New York
 

July 2017

From the front page

Victoria forges ahead

Voluntary assisted dying laws won’t please the religious right

Image of Costume at Dark Mofo

Dark Mofo 2019: Costume

The Tasmanian electro-orchestral pop artist makes a beguiling debut in Hobart

Illustration

Aged care in crisis

Stories of neglect and abuse from the royal commission

Image of Blanche d’Alpuget and Sophie Taylor-Price

What Bob Hawke meant by aspiration

Last week’s memorial was a fitting send-off for an inspirational leader


In This Issue

Illustration

To walk in two worlds

The Uluru Statement is a clear and urgent call for reform

Her eloquent heart

Arundhati Roy’s ‘The Ministry of Utmost Happiness’ was worth the 20-year wait

Illustration

The handshake

Could Donald Trump finally force Australia to critically examine its feudal obligations to the US?

Politics gets personal

Laura Poitras’ ‘Risk’ sidesteps the biggest question about Julian Assange


More in Arts & Letters

Photo of Blackpink at Coachella

Seoul trained: K-pop and Blackpink

Trying to find meaning in the carefully formulated culture of K-pop

Cover image of Underland by Robert Macfarlane

The chthonic realms explored in Robert Macfarlane’s ‘Underland’

Cave systems, mines, urban sewers, mycelial networks, moulins and more

Still image from 'High Life'

A master’s misstep: Claire Denis’ ‘High Life’

The French auteur chooses a sci-fi film to start over-explaining things

Photo of Leonard French underneath his stained glass ceiling at the National Gallery of Victoria.

Leonard French’s Balzacian life

Reg MacDonald’s biography may return this Australian artist to the national imagination


More in Art

Photo of Leonard French underneath his stained glass ceiling at the National Gallery of Victoria.

Leonard French’s Balzacian life

Reg MacDonald’s biography may return this Australian artist to the national imagination

Image of Mike Parr, Underneath the Bitumen the Artist

Mike Parr’s invisible performance and Tasmania’s complex past

Underneath the bitumen in Hobart, history becomes art

Image of Khvay Samnang, Human Nature, 2010–11,

The 21st Biennale of Sydney

This latest edition offers a contemporary take on elemental balance

Installation view of Mass by Ron Mueck, 2016–17

The NGV Triennial

A new exhibition series’ first instalment delivers a heady mix of populism and politics


Read on

Image of Costume at Dark Mofo

Dark Mofo 2019: Costume

The Tasmanian electro-orchestral pop artist makes a beguiling debut in Hobart

Image of Blanche d’Alpuget and Sophie Taylor-Price

What Bob Hawke meant by aspiration

Last week’s memorial was a fitting send-off for an inspirational leader

Image of Julian Assange

The Assange project

The WikiLeaks founder faces life in prison due to the actions of the US and the UK, and the inaction of Australia

Image of Israel Folau

Testing faith

On Israel Folau, free speech and the problem with religious fundamentalism


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