July 2017

Arts & Letters

What must be said

By Julie Ewington

Rock Shadow from the series Body Remembers, 2016, Tracey Moffatt, © / Courtesy of the artist and Roslyn Oxley9 Gallery, Sydney and Tyler Rollins Fine Art, New York
 

Australia’s Tracey Moffatt leads the way at the 57th Venice Biennale

Julie Ewington

Julie Ewington is an independent writer, curator and broadcaster, now living in Sydney.

From the front page

Composite image showing John Hughes (image via Giramondo Publishing) and the cover of his novel The Dogs (Upswell Publishing)

A dog’s breakfast

Notes on John Hughes’s plagiarism scandal

Image of Erin Doherty as Becky Green in Chloe. Image supplied

App trap: ‘Chloe’

‘Sex Education’ writer Alice Seabright’s new psychological thriller probing social media leads this month’s streaming highlights

Pablo Picasso, Figures by the sea (Figures au bord de la mer), January 12, 1931, oil on canvas, 130.0 × 195.0 cm, Musée national Picasso-Paris. © Succession Picasso/Copyright Agency, 2022. Photo: © RMN - Grand Palais - Mathieu Rabeau

‘The Picasso Century’ at the NGV

The NGV’s exhibition offers a fascinating history of the avant-garde across the Spanish artist’s lifetime

Cover image of Paul Dalla Rosa’s ‘An Exciting and Vivid Inner Life’

‘An Exciting and Vivid Inner Life’

Alienations and fantasies of escape unify the stories in Australian author Paul Dalla Rosa’s debut collection

In This Issue

Sweeping us up

Jennifer Peedom’s ‘Mountain’ is a meditation on the allure of the climb

Illustration

Beyond the notes

Venezuela’s Simón Bolívar String Quartet meet some of Melbourne’s youngest musicians

Parallel universes

With their two new other-worldly albums, Shabazz Palaces continue to evade categorisation

Illustration

A near-impossible sell

Sprout farmer Bruce Adams has created one of Australia’s more unlikely oversized highway attractions


More in Arts & Letters

Robert Fielding, Western Arrernte and Yankunytjatjara peoples, ‘Graveyards In Between’, 2017

Standing and ceremony: The 4th National Indigenous Art Triennial

Themed around ‘Ceremony’, the NGA exhibition provides a moving examination of what it means to be Indigenous in 2022

Image of James Joyce and publisher Sylvia Beach in Paris

The consecration: James Joyce’s ‘Ulysses’

A century after its publication, the difficult reputation of Joyce’s seminal novel has overshadowed its pleasures

Image of Tom Cruise, circa 1980

Sixty business: Tom Cruise

‘Top Gun: Maverick’ hits screens as its ruthlessly career-oriented star turns 60

Image of Steve Toltz

The quip and the dead: Steve Toltz’s ‘Here Goes Nothing’

A bleakly satirical look at death and the afterlife from the wisecracking author of ‘A Fraction of the Whole’


More in Art

Robert Fielding, Western Arrernte and Yankunytjatjara peoples, ‘Graveyards In Between’, 2017

Standing and ceremony: The 4th National Indigenous Art Triennial

Themed around ‘Ceremony’, the NGA exhibition provides a moving examination of what it means to be Indigenous in 2022

Mirdidingkingathi Juwarnda Sally Gabori, ‘Dibirdibi country’ (2008

Art heist: The landmark conviction of an Aboriginal art centre’s manager

The jailing of Mornington Island Art’s chief executive for dishonest dealing has shone a light on ethics and colonialism in the Indigenous art world

Detail of Anne Wallace’s ‘She is’ (2001)

A new kind of history: ‘Know My Name’

A radical exhibition of women artists at the NGA draws wondrous connections across time and between disciplines

Image of NFT monkey art by Mininyx Doodle

Market of the apes: NFTs and digital art

NFTs have transformed the art market, but artificial intelligence might transform art itself


Online exclusives

Composite image showing John Hughes (image via Giramondo Publishing) and the cover of his novel The Dogs (Upswell Publishing)

A dog’s breakfast

Notes on John Hughes’s plagiarism scandal

Image of Erin Doherty as Becky Green in Chloe. Image supplied

App trap: ‘Chloe’

‘Sex Education’ writer Alice Seabright’s new psychological thriller probing social media leads this month’s streaming highlights

Pablo Picasso, Figures by the sea (Figures au bord de la mer), January 12, 1931, oil on canvas, 130.0 × 195.0 cm, Musée national Picasso-Paris. © Succession Picasso/Copyright Agency, 2022. Photo: © RMN - Grand Palais - Mathieu Rabeau

‘The Picasso Century’ at the NGV

The NGV’s exhibition offers a fascinating history of the avant-garde across the Spanish artist’s lifetime

Composite image of Sydney Morning Herald editor Bevan Shields (image SMH/supplied) and actor Rebel Wilson (AP Photo/Chris Pizzello)

Two sides of the same Shields?

Editor Bevan Shields’ attempts to handle the backlash over his masthead’s treatment of Rebel Wilson points to the dismal and fragile state of news media