December 2017 – January 2018

Arts & Letters

A space of one’s own

By Quentin Sprague
Histories personal and national inform Helen Johnson’s large-scale canvases

Quentin Sprague

Quentin Sprague is a writer and curator based in Geelong.

Detail of Helen Johnson, A Feast of Reason and a Flow of Soul, 2016, acrylic on canvas, velcro, 330 x 310 cm. Photograph by Mark Blower

December 2017 – January 2018

From the front page

Craig Kelly implodes

What was he thinking?

Image of Moreno Giovannoni’s ‘The Fireflies of Autumn’

‘The Fireflies of Autumn’: a bittersweet take on the Tuscan idyll

Moreno Giovannoni’s debut collection examines dislocation in a way rarely seen

Illustration

Crafting a ceramic habitat for a handfish

Hobart artist Jane Bamford is helping a critically endangered fish to spawn

Goat rodeo in Helsinki

As American diplomacy reaches a new low, perhaps it’s time to start looking for the upside


In This Issue

Illustration

We are all diminished

Australian politics is full of contradictions, double standards and gaping voids

Unfinished business: A short story

Can a young wartime couple pick up where they left off?

Illustration

The unflappable Finkel

Australia’s chief scientist talks energy alternatives and trying to elevate the narrative

The inland food bowl

A poem


More in Arts & Letters

Image of Ronan Farrow

The end of American diplomacy: Ronan Farrow’s ‘War on Peace’

The Pulitzer Prize winner explains how the State Department’s problems started long before Trump

Image of Australian pavilion at the Venice Architecture Biennale

Two worlds at the 16th Venice Architecture Biennale

The consumption of space, land and habitat is Australia’s focus at the world’s pre-eminent architecture event

Still from Brothers’ Nest

Dirty work in Clayton Jacobson’s ‘Brothers’ Nest’

The filmmakers behind ‘Kenny’ take a darker turn

Image of Angélique Kidjo

Angélique Kidjo reinvents Talking Heads’ ‘Remain in Light’

This remake of the 1980 classic insists on the connections between musical traditions


More in Art

Image of Khvay Samnang, Human Nature, 2010–11,

The 21st Biennale of Sydney

This latest edition offers a contemporary take on elemental balance

Installation view of Mass by Ron Mueck, 2016–17

The NGV Triennial

A new exhibition series’ first instalment delivers a heady mix of populism and politics

‘Rembrandt and the Dutch Golden Age’

Treasures from Amsterdam’s Rijksmuseum at the Art Gallery of New South Wales

Image of Gerhard Richter, September (Ed. 139)

Arresting time

Gerhard Richter’s GOMA exhibition finds beauty in banality, meaning in the arbitrary


Read on

Image of Moreno Giovannoni’s ‘The Fireflies of Autumn’

‘The Fireflies of Autumn’: a bittersweet take on the Tuscan idyll

Moreno Giovannoni’s debut collection examines dislocation in a way rarely seen

Image of Pauline Hanson, Mark Latham and David Leyonhjelm

The Three Stooges

Hanson, Latham and Leyonhjelm are reminiscent of an irritating comedy act

Image from ‘Counterpart’

Duals duel in ‘Counterpart’

J.K. Simmons goes through the looking glass in this science-fiction espionage series

Image of senator David Leyonhjelm

David Leyonhjelm: libertarian, or just vicious?

The movement for freedom and equality has a dubious record on gender


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