December 2017 – January 2018

Arts & Letters

A space of one’s own

By Quentin Sprague
Histories personal and national inform Helen Johnson’s large-scale canvases

Quentin Sprague

Quentin Sprague is a writer and curator based in Geelong.

Detail of Helen Johnson, A Feast of Reason and a Flow of Soul, 2016, acrylic on canvas, velcro, 330 x 310 cm. Photograph by Mark Blower

December 2017 – January 2018

From the front page

Image from ‘All Auras Touch’

True colours: ‘All Auras Touch’ at Carriageworks

Work matters in artist Kate Mitchell’s exploration of the fundamental connections between people

Bad news on bad

The economic headwinds are getting stronger

Image of the Invasion Day rally in Melbourne, January 26, 2020

Change the date… but to when?

The time to celebrate Australia will be when it has recognised its First Nations people and become a republic

NSW Police Commissioner Mick Fuller

The prevention state: Part four

In the face of widespread criticism of strip-searches, NSW Police offers a candid defence of preventative policing: You are meant to fear us.


In This Issue

Illustration

We are all diminished

Australian politics is full of contradictions, double standards and gaping voids

Unfinished business: A short story

Can a young wartime couple pick up where they left off?

Illustration

The unflappable Finkel

Australia’s chief scientist talks energy alternatives and trying to elevate the narrative

The inland food bowl

A poem


More in Arts & Letters

Image of Cardi B

Bodak moment: Pop’s decade of superstars

Cardi B delivered the song of the decade as a new league of superstars overcame the significance of bands

Photo of Liam Gallagher

Don’t look back in anger: Liam and Noel Gallagher

As interest in Oasis resurges, talking to the combative brothers recalls their glory years as ‘dirty chancers, stealing riffs instead of Ford Fiestas’

Conversion on the way to Damascus by Caravaggio

Damascene subversion: Christos Tsiolkas’s ‘Damascus’

The literary storyteller’s latest novel wrestles with the mythology of Christianity’s founder, Paul the Apostle

Cover of Peter Pomerantsev’s ‘This Is Not Propaganda’ [detail]

Agents of chaos: Peter Pomerantsev’s ‘This Is Not Propaganda’

The Russian expat journalist wonders if democracy can survive the internet, as social media is used to promote feelings over facts


More in Art

Photo of Leonard French underneath his stained glass ceiling at the National Gallery of Victoria.

Leonard French’s Balzacian life

Reg MacDonald’s biography may return this Australian artist to the national imagination

Image of Mike Parr, Underneath the Bitumen the Artist

Mike Parr’s invisible performance and Tasmania’s complex past

Underneath the bitumen in Hobart, history becomes art

Image of Khvay Samnang, Human Nature, 2010–11,

The 21st Biennale of Sydney

This latest edition offers a contemporary take on elemental balance

Installation view of Mass by Ron Mueck, 2016–17

The NGV Triennial

A new exhibition series’ first instalment delivers a heady mix of populism and politics


Read on

Image from ‘All Auras Touch’

True colours: ‘All Auras Touch’ at Carriageworks

Work matters in artist Kate Mitchell’s exploration of the fundamental connections between people

Image of the Invasion Day rally in Melbourne, January 26, 2020

Change the date… but to when?

The time to celebrate Australia will be when it has recognised its First Nations people and become a republic

Image of Scott Morrison

A Pentecostal PM and climate change

Does a belief in the End Times inform Scott Morrison’s response to the bushfire crisis?

Image of Scott Morrison

A national disaster

On the PM’s catastrophically inept response to Australia’s unprecedented bushfires


×
×