December 2017 – January 2018

Arts & Letters

A space of one’s own

By Quentin Sprague
Histories personal and national inform Helen Johnson’s large-scale canvases

Quentin Sprague

Quentin Sprague is a writer and curator based in Geelong.

Detail of Helen Johnson, A Feast of Reason and a Flow of Soul, 2016, acrylic on canvas, velcro, 330 x 310 cm. Photograph by Mark Blower

December 2017 – January 2018

From the front page

Pub test: the republic

First things first, say punters in Matt Thistlethwaite’s electorate

Image from ‘Westwood: Punk, Icon, Activist’

‘Westwood: Punk, Icon, Activist’, an incomplete portrait

This nostalgic documentary about the eminent designer raises more questions than it answers

Still from The Old Man and the Gun

‘The Old Man and the Gun’ and the outlaw Robert Redford

David Lowery’s new film pays too much tribute to the Sundance Kid

Image from ‘House of Cards’

The magnificently messy ‘House of Cards’

The show that made Netflix a major player comes to a satisfying and ludicrous end


In This Issue

Illustration

We are all diminished

Australian politics is full of contradictions, double standards and gaping voids

Unfinished business: A short story

Can a young wartime couple pick up where they left off?

Illustration

The unflappable Finkel

Australia’s chief scientist talks energy alternatives and trying to elevate the narrative

The inland food bowl

A poem


More in Arts & Letters

Still from The Old Man and the Gun

‘The Old Man and the Gun’ and the outlaw Robert Redford

David Lowery’s new film pays too much tribute to the Sundance Kid

Image of Eddie Perfect

Eddie Perfect goes to Broadway

The Australian composer has two musicals – ‘Beetlejuice’ and ‘King Kong’ – opening in New York

Image of Julia Holter

A bigger, shinier cage: Julia Holter’s ‘Aviary’

A classically schooled composer seeks shelter from the cacophony of modern life

Detail of a painting of Barron Field

Barron Field and the myth of terra nullius

How a minor poet made a major historical error


More in Art

Image of Mike Parr, Underneath the Bitumen the Artist

Mike Parr’s invisible performance and Tasmania’s complex past

Underneath the bitumen in Hobart, history becomes art

Image of Khvay Samnang, Human Nature, 2010–11,

The 21st Biennale of Sydney

This latest edition offers a contemporary take on elemental balance

Installation view of Mass by Ron Mueck, 2016–17

The NGV Triennial

A new exhibition series’ first instalment delivers a heady mix of populism and politics

‘Rembrandt and the Dutch Golden Age’

Treasures from Amsterdam’s Rijksmuseum at the Art Gallery of New South Wales


Read on

Image from ‘Westwood: Punk, Icon, Activist’

‘Westwood: Punk, Icon, Activist’, an incomplete portrait

This nostalgic documentary about the eminent designer raises more questions than it answers

Image from ‘House of Cards’

The magnificently messy ‘House of Cards’

The show that made Netflix a major player comes to a satisfying and ludicrous end

Image of Scott Morrison and the ScoMo Express

The ScoMo Express backfires

The PM’s farcical bus tour cements spin over substance as his brand

Image from ‘Suspiria’

Twisted sisters: Luca Guadagnino’s ‘Suspiria’

Sentimentality ruins the magic of this otherwise unsettling and actively cruel film


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