December 2017 – January 2018

Arts & Letters

A space of one’s own

By Quentin Sprague
Histories personal and national inform Helen Johnson’s large-scale canvases

Quentin Sprague

Quentin Sprague is a Geelong-based writer, and author of The Stranger Artist.

Detail of Helen Johnson, A Feast of Reason and a Flow of Soul, 2016, acrylic on canvas, velcro, 330 x 310 cm. Photograph by Mark Blower


View Edition

From the front page

Image showing installation view of Refik Anadol’s Quantum memories, 2020

NGV Triennial 2020

With a mix of eye-catching works, the second NGV Triennial blends the avant-garde with the populist

Bangarra’s Spirit. Photo © Lisa Tomasetti

Healing story

Bangarra Dance Theatre’s ‘Spirit’ pays tribute to collaborators

Image of ‘Jack’

‘Jack’ by Marilynne Robinson

History and suffering matter in the latest instalment of the American author’s Gilead novels

Image from ‘The Dry’

‘The Dry’ directed by Robert Connolly

Eric Bana stars as a troubled investigator dragged back to his home town in a sombre Australian thriller


In This Issue

Some days

Some days, nothing comes easy

Image of Björk

The possible future

Björk moves towards renewal on ‘Utopia’

Image of Noel Pearson

Betrayal

The Turnbull government has burned the bridge of bipartisanship

Still from Call Me By Your Name

The perfection of youth

Luca Guadagnino’s ‘Call Me By Your Name’ is a passionate, positive tale of first love


More in Arts & Letters

Image of ‘Empire and the Making of Native Title’

Dividing the Tasman: ‘Empire and the Making of Native Title’

Historian Bain Attwood examines the different approaches to sovereignty in the New Zealand and Australian settlements

Image of Shirley Hazzard

Shirley Hazzard’s wider world

The celebrated Australian author’s ‘Collected Stories’ sets private desperation in the cosmopolitan Europe she revered

Image from ‘Mank’

Citizen plain: ‘Mank’

David Fincher’s biopic of Orson Welles’s collaborating writer favours technique over heart

Image of Toots Hibbert, 1976

Ready steady gone

The passing of its figureheads underscores pop music’s waning influence on personal identity


More in Art

Image of Dhambit Munuŋgurr's Bees at Gäṉgän, 2019

Blue is the colour

The idiosyncratic work of Yolngu artist Dhambit Mununggurr

Photograph of Tennant Creek Brio artists by Jesse Marlow / Institute

Desert bloom: The Tennant Creek Brio

The brazen art movement born out of the troubled legacies of substance abuse and dispossession

Untitled (Pollo Frito), 1982, by Jean-Michel Basquiat

Stopped in the street: ‘Keith Haring | Jean-Michel Basquiat: Crossing Lines’

Early death meant the work of these renowned artists never fully emerged from ’80s New York subcultures

Photo of Leonard French underneath his stained glass ceiling at the National Gallery of Victoria.

Leonard French’s Balzacian life

Reg MacDonald’s biography may return this Australian artist to the national imagination


Read on

Image showing installation view of Refik Anadol’s Quantum memories, 2020

NGV Triennial 2020

With a mix of eye-catching works, the second NGV Triennial blends the avant-garde with the populist

Bangarra’s Spirit. Photo © Lisa Tomasetti

Healing story

Bangarra Dance Theatre’s ‘Spirit’ pays tribute to collaborators

Image of movie still from Mangrove

Deep cuts: ‘Small Axe’

Black solidarity is a palpable force throughout Steve McQueen’s five-film anthology

Distortion nation

Why are we more outraged by cheating cricketers than alleged war crimes in Afghanistan?


×
×