December 2017 – January 2018

Arts & Letters

A space of one’s own

By Quentin Sprague

Detail of Helen Johnson, A Feast of Reason and a Flow of Soul, 2016, acrylic on canvas, velcro, 330 x 310 cm. Photograph by Mark Blower

Histories personal and national inform Helen Johnson’s large-scale canvases

Quentin Sprague

Quentin Sprague is a Geelong-based writer, and author of The Stranger Artist.

From the front page

Image of fans taking a selfie with a photo of tennis star Novak Djokovic ahead of first round matches at the Australian Open in Melbourne. Image © Hamish Blair / AP Photo

‘Health and good order’

If Novak Djokovic is “a talisman of anti-vaccination sentiment”, what does that make George Christensen?

Image of Kim Philby (left) and Phillip Knightley

On Her Majesty’s secret disservice

The reporter who uncovered the truth about Kim Philby, the 20th century’s most infamous spy, and his warnings for democratic society

Illustration by Jeff Fisher

Echidna poo has changed our understanding of human evolution

Citizen science is not only helping echidna conservation, but changing how we think about evolution

Image of sculpture by Jane Bamford

The artist making sculpture for penguins

How creating sculpture for animals is transforming wildlife conservation and the art world

In This Issue

Some days

Some days, nothing comes easy

Image of Björk

The possible future

Björk moves towards renewal on ‘Utopia’

Image of Noel Pearson

Betrayal

The Turnbull government has burned the bridge of bipartisanship

Still from Call Me By Your Name

The perfection of youth

Luca Guadagnino’s ‘Call Me By Your Name’ is a passionate, positive tale of first love


More in Arts & Letters

Bing Crosby and David Bowie on Bing Crosby’s Merrie Olde Christmas, circa 1977.

Oh, carols!

The music of Christmas, from the manger to the chimney

Image of Gerald Murnane

Final sentence: Gerald Murnane’s ‘Last Letter to a Reader’

The essay anthology that will be the final book from one of Australia’s most idiosyncratic authors

Image of The Kid Laroi

New kid on the block: The Kid Laroi

How Australia has overlooked its biggest global music star, an Indigenous hip-hop prodigy

Still from ‘No Time To Die’

The Bond market: ‘Dune’ and ‘No Time To Die’

Blockbuster season begins with a middling 007 and a must-see sci-fi epic


More in Art

Photo: “Breakfast at Heide” (from left: Sidney Nolan, Max Harris, Sunday Reed and John Reed), circa 1945

Artful lodgers: The Heide Museum of Modern Art

The story of John and Sunday Reed’s influence on Sidney Nolan and other live-in protégés

Detail from ‘Group IV, The Ten Largest, No. 2, Childhood’ by Hilma af Klint (1907)

A shock of renewal: ‘Hilma af Klint: The Secret Paintings’

The transcendent works of the modernist who regarded herself not an artist but a medium

Image of Claude Monet, ‘Poppy field in a hollow near Giverny’, 1885

Boston and Japan: ‘French Impressionism from the Museum of Fine Arts, Boston’

What connects Boston’s peerless collections of French Impressionism and historic Japanese art and design?

Image of ‘Untitled (Death Song)’, 2020. Artwork by Megan Cope.

Listening to country: ‘Fractures & Frequencies’ and ‘Infractions’

Elegiac installations from Megan Cope and Rachel O’Reilly at UNSW Galleries call for an understanding of the land as a living entity under threat


Online exclusives

Still from ‘The Worst Person in the World’, showing Anders Danielsen Lie as Aksel and Renate Reinsve as Julie. Image courtesy Everett Collection.

‘The Worst Person in the World’

Renate Reinsve is exceptional in Joachim Trier’s satisfying Nordic rom-com

Image of WA Premier Mark McGowan earlier this week announcing the state will reopen its border to the rest of the country on February 5, after almost two years of border closures. Image © Richard Wainwright / AAP Images

Family’s grief compounded by WA’s hard border

The awful predicament of a Melbourne family unable to bring home their son’s body shows the callousness of WA’s border policy

Image of Liliane Amuat and Henriette Confurius in Ramon and Sylvan Zürcher’s film The Girl and the Spider. Image supplied

The best of 2021 on screen

This year may have been difficult to live through, but it produced an extraordinary crop of films

Image of Rob Collins as Tyson in ‘Firebite’. Image supplied

Raising the stakes: ‘Firebite’

Warwick Thornton’s magnificently pulpy Indigenous vampire-hunter drama leads the pack of December streaming highlights