December 2016 – January 2017

Arts & Letters


By Sarah Holland-Batt
A poem


for my school friends

I think of the luxury cars we drove as teenagers –
Audis, Mercedes, Lexus, Bimmers.
Brooks Brothers leather and cashmere sweaters.
Padlock Tiffany fobs. Kate Spade totes.
The knowing yearbook notes: il miglior fabbro,
see you in Belize! We got our tans at sophisticated lakes –
you could tell they were premium. The water
was pretty much Evian. No more than we deserved:
silver service Cokes and lobster rolls, black diamond
weekends in Aspen. French lessons? Bien sûr, chérie, you bet.
Après ski, sophomore trips to Paris and the Met.
A Harvard woman in Wayfarers and a trench
came to recruit our brains, which were the size of the state
she said, fast and sleek as Corvettes. They opened doors,
were plush as debutante balls, cost a bomb.
But we nailed our vitae: honour roll, choir, varsity tennis.
Gridiron? God, no; soccer. (Our sports were European.)
Philosophy class: Kant, Camus, absurdism.
Our teacher we called by his given name (Jim).
Jim showed us Ubu Roi, the sad wrong jaguars of Rousseau.
We aced trig and calculus, everything you could know
from Lincoln to Clinton. Blue dress, log cabin.
No cheer team. We were leaders. We fed the homeless
foiled burritos like silver bullets and started not-for-profits,
partied in our parents’ boardrooms and drank Everclear
from ironic red dixie cups. We showered every penny
of our college years on worthy NGOs. Our empires
could come later, after the consulting years; we had time
at our disposal, and after all, we could afford it:
we had generously upholstered souls, and everybody knows
America was beautiful at the end of the century
and charity begins with our kind of beautiful money.

Sarah Holland-Batt

Sarah Holland-Batt is a poet. Her most recent book is The Hazards.


December 2016 – January 2017

From the front page

Pub Test: Bad News for Turnbull

Media moguls did not knife the PM, his party did

Paul Feig’s sophisticated ‘A Simple Favour’

This camp study of sociopathy is far from simple

Image of Ancestral Spirit Beings Collecting Honey, 1985-87

‘John Mawurndjul: I Am the Old and the New’ at the MCA, Sydney

The celebrated bark painter’s ethos guides this retrospective exhibition

In The Big House

The quintessential American cultural experience is still college football

In This Issue

Image of Patrick White

The art of biography

The author stays out of the picture, and other personal rules of writing

Image of Pauline Hanson

A pox on both your houses

How can the major parties address the rise of populism in Australia?


Australia divided

The electorate has fractured into three economic and cultural zones

Image of Ram’s Head, Blue Morning Glory by Georgia O’Keefe

A new world for the making

‘O’Keefe, Preston, Cossington Smith: Making Modernism’ brings together three giants of modernism

More in Arts & Letters

Image of Leonard Bernstein

Leonard Bernstein: show tunes and symphonies

Centenary celebrations highlight the composer’s broad ambitions and appeal

Still from Leave No Trace

The hermitic world of Debra Granik’s ‘Leave No Trace’

The ‘Winter’s Bone’ director takes her exploration of family ties off the grid

Image of Low

Low’s ‘Double Negative’: studies in slow transformation

Twelve albums in, the Minnesota three-piece can still surprise in their unique way

Covers of Motherhood and Mothers

To have or not to have: Sheila Heti’s ‘Motherhood’ and Jacqueline Rose’s ‘Mothers’

Heti’s novel asks if a woman should have a child; Rose’s nonfiction considers how society treats her if she does

More in Poetry


A song cycle in 5 parts

The inland food bowl

A poem

Instructions for a lover

A poem

Playing cricket at Wheatlands

A poem

Read on

Paul Feig’s sophisticated ‘A Simple Favour’

This camp study of sociopathy is far from simple

Image of Vincent van Gogh’s ‘Portrait of Joseph Roulin’

‘MoMA at NGV: 130 Years of Modern and Contemporary Art’

An eye candy-laden, educational treasure hunt of an exhibition

Image of Malcolm Turnbull and Peter Dutton

Turnbull fires back

Unlike Tony Abbott, Malcolm Turnbull never promised ‘no wrecking’

Image from ‘In Fabric’

Toronto International Film Festival 2018 (part one)

A British outlier and a British newcomer are among the stand-outs in the first part of the festival