July 2014

Arts & Letters

‘All the Light We Cannot See’ by Anthony Doerr

By Ronnie Scott

HarperCollins; $29.99

Ronnie Scott

Ronnie Scott is the author of Salad Days and editor of The Best of The Lifted Brow.

@ronlddavidscott


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From the front page

Image of former industry minister Christian Porter in the House of Representatives, August 24, 2021. Image © Mick Tsikas / AAP Image

Protecting Porter

Why does the government keep doing this?

Cover image for Karl Ove Knausgaard’s ‘The Morning Star’

Hell’s kitchen: Karl Ove Knausgaard’s ‘The Morning Star’

The ‘My Struggle’ author’s first novel in 17 years considers the mundanity of everyday acts amid apocalyptic events

Image of ‘Bewilderment’

‘Bewilderment’ by Richard Powers

The Pulitzer winner’s open-hearted reworking of Flowers for Algernon, updated for modern times

Image of ‘Scary Monsters’

‘Scary Monsters’ by Michelle de Kretser

Two satirical stories about fitting in, from the two-time Miles Franklin–winner


In This Issue

Rolf Harris performing 'Jake the Peg' in 1966. © Bill Orchard / Rex Features

Inside the strange world of Rolf Harris

Behind the wobbleboard

Querulants

What makes a litigant turn vexatious?

Ship-loading tower, Triabunna mill wharf. © Mike Bowers

The destruction of the Triabunna mill and the fall of Tasmania's woodchip industry

How the end of Gunns cleared a new path for Tasmania

Electricity workers in Brisbane. © Tim Marsden / Newspix

Power corrupts

How network companies lined their pockets and drove electricity prices through the roof


More in Arts & Letters

Photo: “Breakfast at Heide” (from left: Sidney Nolan, Max Harris, Sunday Reed and John Reed), circa 1945

Artful lodgers: The Heide Museum of Modern Art

The story of John and Sunday Reed’s influence on Sidney Nolan and other live-in protégés

Still from ‘The French Dispatch’

The life solipsistic: ‘The French Dispatch’

Wes Anderson’s film about a New Yorker–style magazine is simultaneously trivial and exhausting

Still from ‘Nitram’

An eye on the outlier: ‘Nitram’

Justin Kurzel’s biopic of the Port Arthur killer is a warning on suburban neglect and gun control

Detail from ‘Group IV, The Ten Largest, No. 2, Childhood’ by Hilma af Klint (1907)

A shock of renewal: ‘Hilma af Klint: The Secret Paintings’

The transcendent works of the modernist who regarded herself not an artist but a medium


More in Noted

Image of ‘Bewilderment’

‘Bewilderment’ by Richard Powers

The Pulitzer winner’s open-hearted reworking of Flowers for Algernon, updated for modern times

Image of ‘Scary Monsters’

‘Scary Monsters’ by Michelle de Kretser

Two satirical stories about fitting in, from the two-time Miles Franklin–winner

Image of Colson Whitehead's ‘Harlem Shuffle’

‘Harlem Shuffle’ by Colson Whitehead

The author of ‘The Underground Railroad’ offers a disappointingly straightforward neo-noir caper set in the early ’60s

Image of Charif Majdalani’s ‘Beirut 2020’

‘Beirut 2020’ by Charif Majdalani

The Lebanese writer’s elegiac journal captures the city’s devastating port explosion


Read on

Cover image for Karl Ove Knausgaard’s ‘The Morning Star’

Hell’s kitchen: Karl Ove Knausgaard’s ‘The Morning Star’

The ‘My Struggle’ author’s first novel in 17 years considers the mundanity of everyday acts amid apocalyptic events

Image of Jeremy Strong as Kendall Roy in HBO’s Succession season 3. Photograph by David Russell/HBO

Ties that bind: ‘Succession’ season three

Jeremy Strong’s performance in the HBO drama’s third season is masterful

Image of a tampon and a sanitary pad viewed from above

A bloody shame: Paid period leave should be law

Australia’s workplace laws must better accommodate the reproductive body

Image of Gladys Berejiklian appearing before an ICAC hearing in October 2020. Image via ABC News

The cult of Gladys Berejiklian

What explains the hero-worship of the former NSW premier?