July 2014

Arts & Letters

‘All the Light We Cannot See’ by Anthony Doerr

By Ronnie Scott
HarperCollins; $29.99

Ronnie Scott

Ronnie Scott is the author of Salad Days and editor of The Best of The Lifted Brow.

@ronlddavidscott

From the front page

Image of Joseph Engel and Sara Montpetit in Falcon Lake, directed by Charlotte Le Bon. Photo by Fred Gervais, courtesy of MK2 and Metafilms

Cannes Film Festival 2022 highlights: part one

Mia Hansen-Løve’s ‘One Fine Morning’, Charlotte Le Bon’s ‘Falcon Lake’ and Dmytro Sukholytkyy-Sobchuk’s ‘Pamfir’ were bright spots in an otherwise underwhelming line-up

Image of a man updating a board showing a tally of votes during independent candidate Zoe Daniel’s reception for the 2022 federal election. Image © Joel Carrett / AAP Images

The art of the teal

Amid the long decline of the major parties, have independents finally solved the problem of lopsided campaign financing laws?

Image of Monique Ryan and family on election night

The end of Liberal reign in Kooyong

At the Auburn Hotel on election night, hope coalesces around Monique Ryan

Illustration by Jeff Fisher

OnlyFans and the adults in the room

The emerging OnlyFans community offering training and support to adult-content creators

In This Issue

Rolf Harris performing 'Jake the Peg' in 1966. © Bill Orchard / Rex Features

Inside the strange world of Rolf Harris

Behind the wobbleboard

Querulants

What makes a litigant turn vexatious?

Ship-loading tower, Triabunna mill wharf. © Mike Bowers

The destruction of the Triabunna mill and the fall of Tasmania's woodchip industry

How the end of Gunns cleared a new path for Tasmania

Electricity workers in Brisbane. © Tim Marsden / Newspix

Power corrupts

How network companies lined their pockets and drove electricity prices through the roof


More in Arts & Letters

Image of Steve Toltz

The quip and the dead: Steve Toltz’s ‘Here Goes Nothing’

A bleakly satirical look at death and the afterlife from the wisecracking author of ‘A Fraction of the Whole’

Detail of cover of Simon Tedeschi’s ‘Fugitive’

Ghost notes: Simon Tedeschi’s ‘Fugitive’

A virtuoso memoir of music and trauma, and his experiences as a child prodigy, from the acclaimed Australian pianist

Still from ‘Apollo 10½: A Space Age Childhood’

One small step: ‘Apollo 10½: A Space Age Childhood’ and ‘Deep Water’

Richard Linklater’s rotoscoped film evokes the optimism of late-1960s America, while Patricia Highsmith’s thriller gets another disappointing adaptation

Detail from cover of Elena Ferrante’s ‘In the Margins’

A writer unfolded: Elena Ferrante’s ‘In the Margins’

In an essay collection, the mysterious author of the Neapolitan novels pursues the “excessive” to counter patriarchal literature’s dominance


More in Noted

Cover of Robert Lukins’ ‘Loveland’

‘Loveland’

Robert Lukins’ second novel takes a Brisbane woman to Nebraska, where an inheritance sparks a change in character as well as in fortune

Still from ‘We Own This City’

‘We Own This City’

David Simon, creator of ‘The Wire’, returns to Baltimore for a present-day examination of rapacious police corruption

Still from ‘Slow Horses’

‘Slow Horses’

A sardonic Gary Oldman heads a misfit branch of MI5 in Apple TV+’s thrilling exploration of personal motivation and political expedience

Image from ‘The Golden Cockerel’

‘The Golden Cockerel’

Barrie Kosky’s Adelaide production of Rimsky-Korsakov’s opera satirising the Russo-Japanese War came with uneasy resonances


Online exclusives

Image of Joseph Engel and Sara Montpetit in Falcon Lake, directed by Charlotte Le Bon. Photo by Fred Gervais, courtesy of MK2 and Metafilms

Cannes Film Festival 2022 highlights: part one

Mia Hansen-Løve’s ‘One Fine Morning’, Charlotte Le Bon’s ‘Falcon Lake’ and Dmytro Sukholytkyy-Sobchuk’s ‘Pamfir’ were bright spots in an otherwise underwhelming line-up

Image of a man updating a board showing a tally of votes during independent candidate Zoe Daniel’s reception for the 2022 federal election. Image © Joel Carrett / AAP Images

The art of the teal

Amid the long decline of the major parties, have independents finally solved the problem of lopsided campaign financing laws?

Image of Monique Ryan and family on election night

The end of Liberal reign in Kooyong

At the Auburn Hotel on election night, hope coalesces around Monique Ryan

Image of US President Joe Biden meeting virtually with Chinese President Xi Jinping from the Roosevelt Room of the White House, November 15, 2021. Image © Susan Walsh / AP Photo

The avoidable war

Kevin Rudd on China, the US and the forces of history