July 2014

Arts & Letters

‘All the Light We Cannot See’ by Anthony Doerr

By Ronnie Scott
HarperCollins; $29.99

Ronnie Scott

Ronnie Scott is the author of Salad Days and editor of The Best of The Lifted Brow.

@ronlddavidscott

July 2014

From the front page

Surveillance grates

The government’s response to the Richardson review needs close scrutiny

Image of Stephen Bram’s work, Untitled, 2019, acrylic on canvas, 210 x 390 cm.

Currents of joy: Stephen Bram and John Nixon

Overlapping exhibitions by the two abstract artists convey their shared radical modernism

In light of recent events

Shamelessly derivative summer puzzle!
Image of Earth from the Moon

Pale blue dot

The myth of the ‘overview effect’, and how it serves space industry entrepreneurs


In This Issue

Rolf Harris performing 'Jake the Peg' in 1966. © Bill Orchard / Rex Features

Inside the strange world of Rolf Harris

Behind the wobbleboard

Querulants

What makes a litigant turn vexatious?

Malcolm Turnbull, the prince of moderation

How the Liberal Party has exiled its last reasonable man

Hole in Los Angeles, December 1994. L-R: Melissa Auf der Maur, Courtney Love, Patty Schemel, Eric Erlandson. © KROQ-FM

What the future sounded like

1994 might be one of the best years popular music has ever had


More in Arts & Letters

Image of Dhambit Munuŋgurr's Bees at Gäṉgän, 2019

Blue is the colour

The idiosyncratic work of Yolngu artist Dhambit Mununggurr

Image of ‘Empire and the Making of Native Title’

Dividing the Tasman: ‘Empire and the Making of Native Title’

Historian Bain Attwood examines the different approaches to sovereignty in the New Zealand and Australian settlements

Image of Shirley Hazzard

Shirley Hazzard’s wider world

The celebrated Australian author’s ‘Collected Stories’ sets private desperation in the cosmopolitan Europe she revered

Image from ‘Mank’

Citizen plain: ‘Mank’

David Fincher’s biopic of Orson Welles’s collaborating writer favours technique over heart


More in Noted

Image of ‘Jack’

‘Jack’ by Marilynne Robinson

History and suffering matter in the latest instalment of the American author’s Gilead novels

Image from ‘The Dry’

‘The Dry’ directed by Robert Connolly

Eric Bana stars as a troubled investigator dragged back to his home town in a sombre Australian thriller

Image of ‘The Living Sea of Waking Dreams’

‘The Living Sea of Waking Dreams’ by Richard Flanagan

The Booker Prize winner’s allegorical new novel about the permanence of loss

Image from ‘Kajillionaire’

‘Kajillionaire’ directed by Miranda July

A family of con artists are the American writer-director’s latest offbeat protagonists in a surreal but heartfelt film


Read on

Image of Stephen Bram’s work, Untitled, 2019, acrylic on canvas, 210 x 390 cm.

Currents of joy: Stephen Bram and John Nixon

Overlapping exhibitions by the two abstract artists convey their shared radical modernism

What elitism looks like

Flagrant conflicts of interest abound at the top

Image of Anne Ferran, Scenes on the Death of Nature I, 1986

‘Know My Name’ at the National Gallery of Australia

An exhilarating exhibition considers a persistent gender bias in the visual arts

Image of Prime Minister Scott Morrison

Morrison’s climate flip

Australia has a lot of catching up to do on emissions reduction


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