Cannes Film Festival 2022 highlights: part one
Mia Hansen-Løve’s ‘One Fine Morning’, Charlotte Le Bon’s ‘Falcon Lake’ and Dmytro Sukholytkyy-Sobchuk’s ‘Pamfir’ were bright spots in an otherwise underwhelming line-upJuly 2014
Arts & Letters
‘All the Light We Cannot See’ by Anthony Doerr
The art of the teal
Amid the long decline of the major parties, have independents finally solved the problem of lopsided campaign financing laws?
The end of Liberal reign in Kooyong
At the Auburn Hotel on election night, hope coalesces around Monique Ryan
OnlyFans and the adults in the room
The emerging OnlyFans community offering training and support to adult-content creators
Inside the strange world of Rolf Harris
Behind the wobbleboard
Querulants
What makes a litigant turn vexatious?
The destruction of the Triabunna mill and the fall of Tasmania's woodchip industry
How the end of Gunns cleared a new path for Tasmania
Power corrupts
How network companies lined their pockets and drove electricity prices through the roof
The quip and the dead: Steve Toltz’s ‘Here Goes Nothing’
A bleakly satirical look at death and the afterlife from the wisecracking author of ‘A Fraction of the Whole’
Ghost notes: Simon Tedeschi’s ‘Fugitive’
A virtuoso memoir of music and trauma, and his experiences as a child prodigy, from the acclaimed Australian pianist
One small step: ‘Apollo 10½: A Space Age Childhood’ and ‘Deep Water’
Richard Linklater’s rotoscoped film evokes the optimism of late-1960s America, while Patricia Highsmith’s thriller gets another disappointing adaptation
A writer unfolded: Elena Ferrante’s ‘In the Margins’
In an essay collection, the mysterious author of the Neapolitan novels pursues the “excessive” to counter patriarchal literature’s dominance
‘Loveland’
Robert Lukins’ second novel takes a Brisbane woman to Nebraska, where an inheritance sparks a change in character as well as in fortune
‘We Own This City’
David Simon, creator of ‘The Wire’, returns to Baltimore for a present-day examination of rapacious police corruption
‘Slow Horses’
A sardonic Gary Oldman heads a misfit branch of MI5 in Apple TV+’s thrilling exploration of personal motivation and political expedience
‘The Golden Cockerel’
Barrie Kosky’s Adelaide production of Rimsky-Korsakov’s opera satirising the Russo-Japanese War came with uneasy resonancesCannes Film Festival 2022 highlights: part one
Mia Hansen-Løve’s ‘One Fine Morning’, Charlotte Le Bon’s ‘Falcon Lake’ and Dmytro Sukholytkyy-Sobchuk’s ‘Pamfir’ were bright spots in an otherwise underwhelming line-upThe art of the teal
Amid the long decline of the major parties, have independents finally solved the problem of lopsided campaign financing laws?The end of Liberal reign in Kooyong
At the Auburn Hotel on election night, hope coalesces around Monique Ryan
The avoidable war
Kevin Rudd on China, the US and the forces of history
