July 2014

Arts & Letters

‘All the Light We Cannot See’ by Anthony Doerr

By Ronnie Scott
HarperCollins; $29.99

Ronnie Scott

Ronnie Scott is the author of Salad Days and editor of The Best of The Lifted Brow.

@ronlddavidscott

July 2014

From the front page

Image of Cardi B

Bodak moment: Pop’s decade of superstars

Cardi B delivered the song of the decade as a new league of superstars overcame the significance of bands

Tax take, and take

Big companies, especially multinationals, are still not paying their share

Big in Morocco

Australian cinema finds a new audience at the Marrakech International Film Festival

Conversion on the way to Damascus by Caravaggio

Damascene subversion: Christos Tsiolkas’s ‘Damascus’

The literary storyteller’s latest novel wrestles with the mythology of Christianity’s founder, Paul the Apostle


In This Issue

Rolf Harris performing 'Jake the Peg' in 1966. © Bill Orchard / Rex Features

Inside the strange world of Rolf Harris

Behind the wobbleboard

Querulants

What makes a litigant turn vexatious?

Malcolm Turnbull, the prince of moderation

How the Liberal Party has exiled its last reasonable man

Hole in Los Angeles, December 1994. L-R: Melissa Auf der Maur, Courtney Love, Patty Schemel, Eric Erlandson. © KROQ-FM

What the future sounded like

1994 might be one of the best years popular music has ever had


More in Arts & Letters

Image of Cardi B

Bodak moment: Pop’s decade of superstars

Cardi B delivered the song of the decade as a new league of superstars overcame the significance of bands

Photo of Liam Gallagher

Don’t look back in anger: Liam and Noel Gallagher

As interest in Oasis resurges, talking to the combative brothers recalls their glory years as ‘dirty chancers, stealing riffs instead of Ford Fiestas’

Conversion on the way to Damascus by Caravaggio

Damascene subversion: Christos Tsiolkas’s ‘Damascus’

The literary storyteller’s latest novel wrestles with the mythology of Christianity’s founder, Paul the Apostle

Cover of Peter Pomerantsev’s ‘This Is Not Propaganda’ [detail]

Agents of chaos: Peter Pomerantsev’s ‘This is Not Propaganda’

The Russian expat journalist wonders if democracy can survive the internet, as social media is used to promote feelings over facts


More in Noted

Utagawa Yoshimori, The Tongue-cut Sparrow [detail]

‘Japan supernatural’

The Art Gallery of NSW’s examination of Japan’s centuries-long artistic traditions depicting the spirit world and the macabre

Cover of ‘The Topeka School’

‘The Topeka School’ by Ben Lerner

The American author’s latest novel canvasses the seething hate speech of the burgeoning alt-right and white-boy rap battles in the Midwest

Image of ‘Wild River, Florida’

‘Civilization: The Way We Live Now’

The beautiful photographs of often grim subjects in NGV Australia’s exhibition raise questions over the medium’s power to critique

Cover of ‘The Testaments’

‘The Testaments’ by Margaret Atwood

The Booker Prize–winning sequel to ‘The Handmaid’s Tale’ is an exhilarating thriller from the “wiliest writer alive”


Read on

Image of a woman’s hands

Is elder abuse avoidable?

Our current aged-care system makes it difficult to deliver care in its truest sense

Big in Morocco

Australian cinema finds a new audience at the Marrakech International Film Festival

Image of Julian Barnes’s ‘The Man in the Red Coat’

Julian Barnes’s playfully incisive ‘The Man in the Red Coat’

This biography of a suave Belle Époque physician doubles as a literary response to Brexit

Image from ‘Atlantics’

Mati Diop’s haunting ‘Atlantics’

The French-Senegalese director channels ancient fables and contemporary nightmares in this ghostly love story


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