July 2014

Arts & Letters

‘All the Light We Cannot See’ by Anthony Doerr

By Ronnie Scott
HarperCollins; $29.99

Ronnie Scott

Ronnie Scott is the author of Salad Days and editor of The Best of The Lifted Brow.

@ronlddavidscott

July 2014

From the front page

Mourning Tim Fischer

Today’s crop of Nats are an affront to the legacy of the former leader

Book covers

Robot love: Ian McEwan’s ‘Machines Like Me’ and Jeanette Winterson’s ‘Frankissstein’

Literary authors tackle sentience and rationality in AI, with horrific results

Image from ‘The Loudest Voice'

‘The Loudest Voice’: a nightmarish portrait of a monster

The sheer scale of Roger Ailes’s wrongs defies the medium of television

Photo of Adam Goodes

Swan song: Documenting the Adam Goodes saga

Two documentaries consider how racism ended the AFL star’s career


In This Issue

Rolf Harris performing 'Jake the Peg' in 1966. © Bill Orchard / Rex Features

Inside the strange world of Rolf Harris

Behind the wobbleboard

Querulants

What makes a litigant turn vexatious?

Malcolm Turnbull, the prince of moderation

How the Liberal Party has exiled its last reasonable man

Hole in Los Angeles, December 1994. L-R: Melissa Auf der Maur, Courtney Love, Patty Schemel, Eric Erlandson. © KROQ-FM

What the future sounded like

1994 might be one of the best years popular music has ever had


More in Arts & Letters

Photo of Adam Goodes

Swan song: Documenting the Adam Goodes saga

Two documentaries consider how racism ended the AFL star’s career

Book covers

Robot love: Ian McEwan’s ‘Machines Like Me’ and Jeanette Winterson’s ‘Frankissstein’

Literary authors tackle sentience and rationality in AI, with horrific results

Photo of Margot Robbie

Popcorn maker: Quentin Tarantino’s ‘Once Upon a Time… in Hollywood’

The tide may have turned against the director’s juvenile instincts and misogynist violence

Photo of Lil Nas X

Happy trails: Lil Nas X’s ‘Old Town Road’

The gay country-rapper exposes the complex play of identity, algorithms and capitalism


More in Noted

Cover of ‘The White Girl’ by Tony Birch

‘The White Girl’ by Tony Birch

An emotionally eloquent novel about the necessary inheritance of strength in Indigenous women

Impression, Sunrise (1872) by Claude Monet

‘Monet: Impression Sunrise’ at the National Gallery of Australia

Impressionism’s namesake painting is at the heart of a masterful collection from the Musée Marmottan Monet

Detail of 'Man, Eagle and Eye in the Sky: Two Eagles', by Cai Guo-Qiang

Cai Guo-Qiang’s ‘The Transient Landscape’ and the Terracotta Warriors at the National Gallery of Victoria

The incendiary Chinese artist connects contemporary concerns with cultural history

Cover image of ‘The Other Americans’ by Laila Lalami

‘The Other Americans’ by Laila Lalami

An accidental death in a tale of immigrant generations highlights fractures in the promise of America


Read on

Image from ‘The Loudest Voice'

‘The Loudest Voice’: a nightmarish portrait of a monster

The sheer scale of Roger Ailes’s wrongs defies the medium of television

Image of Peter Drew bike stencil

A meme is born: Real Australians Say Welcome

How one artist’s posters about politics took on a life of their own – an extract

Image of Nigel Farage at CPAC in Sydney

Making sense of CPAC

Why the Conservative Political Action Conference should not be dismissed lightly

Image from ‘Midsommar’

Pagan poetry: the studied strangeness of Ari Aster’s ‘Midsommar’

The ‘Hereditary’ director micro-manages the mania in his new film


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