July 2014

Arts & Letters

‘Agostino’ by Alberto Moravia

By Kevin Rabalais
New York Review Books; $29.99

Kevin Rabalais

Kevin Rabalais is the author of The Landscape of Desire.

July 2014

From the front page

Taylor faces energy backlash

Public money for “fair dinkum” power could haunt the new minister

Image from ‘House of Cards’

The magnificently messy ‘House of Cards’

The show that made Netflix a major player comes to a satisfying and ludicrous end

How you are when you leave

This must be how it feels to retire

Image of Scott Morrison and the ScoMo Express

The ScoMo Express backfires

The PM’s farcical bus tour cements spin over substance as his brand


In This Issue

Rolf Harris performing 'Jake the Peg' in 1966. © Bill Orchard / Rex Features

Inside the strange world of Rolf Harris

Behind the wobbleboard

Querulants

What makes a litigant turn vexatious?

Malcolm Turnbull, the prince of moderation

How the Liberal Party has exiled its last reasonable man

Hole in Los Angeles, December 1994. L-R: Melissa Auf der Maur, Courtney Love, Patty Schemel, Eric Erlandson. © KROQ-FM

What the future sounded like

1994 might be one of the best years popular music has ever had


More in Books

Covers of Motherhood and Mothers

To have or not to have: Sheila Heti’s ‘Motherhood’ and Jacqueline Rose’s ‘Mothers’

Heti’s novel asks if a woman should have a child; Rose’s nonfiction considers how society treats her if she does

Image of Ronan Farrow

The end of American diplomacy: Ronan Farrow’s ‘War on Peace’

The Pulitzer Prize winner explains how the State Department’s problems started long before Trump

Image of Patrick White and Manoly Lascaris, Sydney, 1989

Patrick White’s immigrant language

White gained from his partner’s Greek Orthodoxy a sensibility that changed how he saw Australia

Image of Rhonda Deans exploring “the Squeeze”, Koonalda Cave, South Australia

‘Deep Time Dreaming’ by Billy Griffiths

This history of archaeology in Australia charts our changing relationship with the past


Read on

Image from ‘House of Cards’

The magnificently messy ‘House of Cards’

The show that made Netflix a major player comes to a satisfying and ludicrous end

Image of Scott Morrison and the ScoMo Express

The ScoMo Express backfires

The PM’s farcical bus tour cements spin over substance as his brand

Image from ‘Suspiria’

Twisted sisters: Luca Guadagnino’s ‘Suspiria’

Sentimentality ruins the magic of this otherwise unsettling and actively cruel film

Image from ‘The Other Side of the Wind’

Orson Welles’s ‘The Other Side of the Wind’ and Morgan Neville’s ‘They’ll Love Me When I’m Dead’

The auteur’s messy mockumentary and the documentary that seeks to explain it are imperfect but better together


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