Media unites
Legislation is needed urgently to protect the public’s right to know
August 2014
Arts & Letters
Virtually pointless
At the 14th Venice Architecture Biennale, ‘Augmented Australia’ fails to impress
The 'Augmented Australia' app in action. © Alexander Mayes Photography
August 2014
Must we choose between climate-change action and freedom of speech?
The science is clear, but the way forward is not
Art Gallery NSW’s Michael Brand
Adventures in the artefact business
Australia’s $60 billion submarine dilemma
A decision on our underwater fleet cannot be put off much longer
The women of Papua New Guinea’s village courts
Being a magistrate in the Eastern Highlands is not for the faint of heart
Seoul trained: K-pop and Blackpink
Trying to find meaning in the carefully formulated culture of K-pop
The chthonic realms explored in Robert Macfarlane’s ‘Underland’
Cave systems, mines, urban sewers, mycelial networks, moulins and more
A master’s misstep: Claire Denis’ ‘High Life’
The French auteur chooses a sci-fi film to start over-explaining things
Leonard French’s Balzacian life
Reg MacDonald’s biography may return this Australian artist to the national imagination
Two worlds at the 16th Venice Architecture Biennale
The consumption of space, land and habitat is Australia’s focus at the world’s pre-eminent architecture event
Walking the Wukalina Walk
A new four-day tour in Tasmania is owned and guided by Aboriginal people
Murcutt’s mosque
The Australian Islamic Centre is notable for what it isn’t as much as for what it is
Twelve of a kind
Why is Australia planning so many new casinos?
Flat-earthers
The Australian’s crusade on free speech in universities
Everymen don’t exist
On the campaign trail with Scott Morrison and Bill Shorten – a Quarterly Essay extract
Falling for ‘Fleabag’
On the problematic hotness of Andrew Scott’s Hot Priest
Dark Mofo 2019: Costume
The Tasmanian electro-orchestral pop artist makes a beguiling debut in Hobart
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