John Setka quits Labor
Anthony Albanese gets a much-needed win… of sorts
August 2014
Arts & Letters
Virtually pointless
At the 14th Venice Architecture Biennale, ‘Augmented Australia’ fails to impress
The 'Augmented Australia' app in action. © Alexander Mayes Photography
August 2014
Must we choose between climate-change action and freedom of speech?
The science is clear, but the way forward is not
Art Gallery NSW’s Michael Brand
Adventures in the artefact business
Australia’s $60 billion submarine dilemma
A decision on our underwater fleet cannot be put off much longer
The women of Papua New Guinea’s village courts
Being a magistrate in the Eastern Highlands is not for the faint of heart
No one’s laughing now: Todd Phillips’ ‘Joker’
A gripping psychological study of psychosis offers a surprising change of pace in the superhero genre
‘Penny Wong: Passion and Principle’
Margaret Simons’ biography of one of the country’s most admired politicians
Patricia Cornelius: No going gently
‘Anthem’ marks the return of the Australian playwright’s working-class theatre
East Melbourne liturgy
Two worlds at the 16th Venice Architecture Biennale
The consumption of space, land and habitat is Australia’s focus at the world’s pre-eminent architecture event
Walking the Wukalina Walk
A new four-day tour in Tasmania is owned and guided by Aboriginal people
Murcutt’s mosque
The Australian Islamic Centre is notable for what it isn’t as much as for what it is
Twelve of a kind
Why is Australia planning so many new casinos?
Canon salute
Remembering Harold Bloom (July 11, 1930 – October 14, 2019)
Clang, clang, clang: ‘Judy’
The Judy Garland biopic confuses humiliation for homage
Climate of blame
Labor runs the risk of putting expediency over principle
Afterwards, nothing is the same: Shirley Hazzard
On the splendour of the acclaimed author’s distinctly antipodean seeing
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