October 2013

The Nation Reviewed

Looking for Lasseter’s lost treasure

By Michaela McGuire

Mark Twain observed in 1897 that Australian history “does not read like history, but like the most beautiful lies; and all of a fresh new sort, no mouldy old stale ones”. That same year, Harold Lasseter, a 17-year-old horseman en route from Queensland to the Kalgoorlie goldfields, supposedly discovered a 14-mile reef bulging with gold in Central Australia, at the western end of the MacDonnell Ranges. It took 33 years, however, before he went public with his find, which he was unable to locate again. Fellow explorers wrote him off as a charlatan, and left him to his own devices. In 1931 his body was found in the desert, along with his diary. “What good a [gold] reef worth millions?” he lamented. “I would give it all for a loaf of bread.” The dying Lasseter drew a map leading to the reef for his wife. “It’s a bonanza,” he claimed.

Despite general condemnation of Lasseter as a liar and a fraud, over the years dozens of expeditions to find the reef have been launched by cranks and professionals alike. In 2000, Luke Walker read about Lasseter in Bill Bryson’s travel book Down Under. Originally from Birmingham, Walker, who had starred in the British soap Crossroads, studied documentary making at the Victorian College of the Arts. His debut, Beyond our Ken (2008), raised claims of child sex abuse by the founder of the Kenja cult, who committed suicide ten days before the film was due to premiere. What followed was a string of abandoned projects – would-be documentaries about Japanese whaling ships, American exorcists and “the Loch Ness monster of eels living on a trout farm”. Says Walker: “It was in desperation that I remembered the Lasseter story.”

As it turned out, another man had also invested his hopes in the same legend: Bob Lasseter, Harold’s son. Bob, six years old when his father perished, has spent most of his adult life trying to locate the reef. Now 87, the retired engineer and inventor lives in southern Sydney, where his modest home doubles as something of a museum honouring his father. Bob has also kept a scrapbook of newspaper clippings, with articles such as ‘Lasseter’s Golden Folly’. “The way they’ve printed it makes him look a bit idiotic,” Bob’s wife, Elsie, told Walker when they first met, three years ago. “I sure hope you’re a bit nicer.” 

When that meeting took place, Bob was planning to head back into the desert. “I knew I had to go along with him,” Walker says. The two men set out for the Northern Territory in 2010, following Harold Lasseter’s map. Lasseter had described the reef as being near three hills that “look like women in sunbonnets talking to each other” and another that resembles “a Quaker’s hat”. But the thick mulga scrub made traversing the desert by vehicle almost impossible, inflicting puncture after puncture, and the men returned home defeated. 

By this point Walker had sunk a year of his life and a good chunk of his savings into the film, Lasseter’s Bones (in limited release this month), and he has since driven into the desert three more times. “I can’t say if the gold exists,” Walker says, “because I’ve never seen it. But I can’t say it doesn’t exist either.” 

Walker and Bob Lasseter are hardly alone. In 2011, Dick Smith, the businessman and aviator, conducted his own search based on a map he’d bought on eBay for $1500. There’s some strange sentiment, an almost theological streak, that makes people want to believe in lost treasure. Lasseter’s reef may be another beautiful lie but, as Twain went on, Australia’s history “is full of surprises and adventures, and incongruities, and contradictions, and incredibilities; but they are all true, they all happened.” 

Michaela McGuire

Michaela McGuire is a journalist and the author of Last Bets: A True Story of Gambling, Morality and the Law and the Penguin Special A Story of Grief. Visit her blog, Twirling Towards Freedom.

@michaelamcguire

October 2013

From the front page

Six years and counting

There is no hope in sight for hundreds of people on Manus Island and Nauru

The Djab Wurrung Birthing Tree

The highway construction causing irredeemable cultural and environmental damage

Detail of 'Man, Eagle and Eye in the Sky: Two Eagles', by Cai Guo-Qiang

Cai Guo-Qiang’s ‘The Transient Landscape’ and the Terracotta Warriors at the National Gallery of Victoria

The incendiary Chinese artist connects contemporary concerns with cultural history

Image of Opposition Leader Anthony Albanese and CFMEU Victoria secretary John Setka

Judge stymies Albanese’s plans to expel Setka from ALP

A protracted battle is the last thing the Opposition needs


In This Issue

Watching ‘Orange Is the New Black’

Pretty on the inside

Begging the Breaker’s pardon

Tim Winton’s ‘Eyrie’ and Richard Flanagan’s ‘The Narrow Road to the Deep North’

Light and shadow

The best of Australian arts 2013

Critics give their picks for the year’s top ten


More in The Nation Reviewed

Illustration

Tear gas returns to Don Dale

Rolling back the reforms since the youth detention royal commission

Illustration

The Russell Street Bomber in the High Court

The unlikely source of a critical case for the nation’s separation of powers

Illustration

You’re the voice

Helping trans and non-binary gendered people define their vocal identity

Illustration

Statement of origin

Indigenous rugby league players lead a silent revolt on the national anthem


Read on

Image of Opposition Leader Anthony Albanese and CFMEU Victoria secretary John Setka

Judge stymies Albanese’s plans to expel Setka from ALP

A protracted battle is the last thing the Opposition needs

Image from ‘Booksmart’

Meritocracy rules in ‘Booksmart’

Those who work hard learn to play hard in Olivia Wilde’s high-school comedy

Image of Prime Minister Scott Morrison and Treasurer Josh Frydenberg

The government’s perverse pursuit of surplus

Aiming to be back in black in the current climate is bad economics

Image of Blixa Bargeld at Dark Mofo

Dark Mofo 2019: Blixa Bargeld

The German musician presides over a suitably unpredictable evening


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