October 2012

Arts & Letters

The Best of Australian Popular Music 2012

By Richard Guilliatt

In a more just universe, ‘Nothing Really Matters’, a sun-kissed paean to Australian indolence by the Pigram Brothers and Alex Lloyd, would have been a global hit to rival Gotye’s ‘Somebody That I Used To Know’, and the seven Pigram brothers would all have bought beachfront mansions in Broome by now. But life rarely works that way, so instead you’ll have to seek it out on the soundtrack album to Brendan Fletcher’s Kimberley blackfella drama Mad Bastards.

The song opens with a strummed ukulele, an instrument I always thought should be banned under the Geneva Convention, and it’s co-written by Alex Lloyd, whose power ballad ‘Amazing’ never fails to make me feel homicidal. But putting Lloyd together with the Pigrams in Broome’s Pearl Shell Studios turns out to have been a stroke of genius: when Lloyd’s gift for pop melody meets the brothers’ languorous subtropical rumba, resistance is futile.

The Pigrams rarely leave the Kimberley, and thus have managed to invent a genre all their own, weaving country, reggae and islander music into a breezy hybrid that’s the flip side of the dark social-realist school of indigenous songwriting. They didn’t change their tune for the Mad Bastards soundtrack, which sounds like it was recorded on their back porch, and exalts the joys of fishing, the play of moonlight on the ocean and the scent of frangipani.

‘Nothing Really Matters’ is about a guy on the run from the cops, but he’s chilling by a billabong, crashed out “on a cyclone bed … in the season of the lullin’”. Stephen Pigram sings it in his husky, careworn croak over uke, mandolin and a bassline that rolls along like the swell hitting the sand. Then Lloyd’s high voice rides in on the chorus, for a sweet moment of black–white harmony. Being a fugitive never sounded so good.

Richard Guilliatt
Richard Guilliatt is a Walkley Award–winning journalist. His work has appeared in the Independent, the New York Times and the Los Angeles Times. His books include Talk of the Devil: Repressed Memory and the Ritual Abuse Witch-Hunt.

The Pigram Brothers. © Helen Jedwab
Cover: October 2012

October 2012

From the front page

Black Is the New White

Welcome to The Summer Library: selected extracts from the best new books this summer

An Orchestra of Minorities

Welcome to The Summer Library: selected extracts from the best new books this summer

Close to Home: Selected Writings

Welcome to The Summer Library: selected extracts from the best new books this summer

Climate Justice

Welcome to The Summer Library: selected extracts from the best new books this summer


In This Issue

'Lore' by Cate Shortland (director)

'Silent House', Orhan Pamuk, Hamish Hamilton; $29.99

'Silent House' by Orhan Pamuk

'Questions of Travel', Michelle de Kretser,
Allen and Unwin; $39.99

'Questions of Travel' by Michelle de Kretser

'Montebello', Robert Drewe, Hamish Hamilton; $29.99

'Montebello' by Robert Drewe


More in Arts & Letters

Image of Les Murray

Les Murray’s magisterial ‘Collected Poems’

How to approach a 736-page collection by Australia’s greatest poet?

Image of a bushfire

Fair judgement without surrender: Chloe Hooper’s ‘The Arsonist’

The author of ‘The Tall Man’ tries to understand the motivations of a Black Saturday firebug

Still from Cold War

Pawel Pawlikowski’s perfectly formed ‘Cold War’

Not a moment is wasted in what could be the Polish director’s masterpiece

Still from I Used to be Normal

Female fandom and Jessica Leski’s ‘I Used to be Normal’

They’ve been dismissed and patronised, but Beatlemaniacs, Directioners and other fangirls are very self-aware about their boy band ‘affliction’


More in The Best of Australian Art 2012

The Best of Australian Arts 2012

Patrick White at Cambridge in the early 1930s. National Library of Australia

The Best of Australian Literature 2012

'Hail', Amiel Courtin-Wilson, 2011. Image supplied.

The Best of Australian Film 2012

Plain tobacco packaging, Australian Government, 2012. Image supplied.

The Best of Australian Design 2012


Read on

Image from ‘The Beehive’

The lady vanishes: ‘The Beehive’ at Sydney Festival

Zanny Begg and Philippa Bateman on their enigmatic film that explores the unsolved disappearance of Juanita Nielsen

Image from ‘Primavera’ at the Museum of Contemporary Art

‘Primavera 2018: Young Australian Artists’ at the MCA

This exhibition of the up-and-coming asks complex questions about who we are

Fusion

Welcome to The Summer Library: selected extracts from the best new books this summer

Zebra and Other Stories

Welcome to The Summer Library: selected extracts from the best new books this summer


×
×