October 2011

Arts & Letters

Television masterpiece

By Marieke Hardy
Chris Lilley - ‘Summer Heights High’, 2007

Note perfect, Summer Heights High searingly captures a slice of Australia’s psyche without mockery or judgement. It provides a sublime bridge between creator Chris Lilley’s sweet syrup of We Can Be Heroes and the more abrasive chip-on-shoulder of Angry Boys. Above all, it is funny. Show me any other short-run series that can simultaneously inspire sniggering teenagers to draw cocks on their backpacks and send menopausal women into sobbing spirals. Lilley dares to offer us flawed, self-involved, megalomaniac protagonists and then forces us to care for them – even to love them, in the long run. He marries the sort of jokes that have you looking at your companions in startled comradeship with beautiful, human storylines about love and loss and pain and hopelessness. Whatever you make of his more recent creative offerings (the vaguely controversial S.mouse giving faceless internet detractors something to bicker over for tedious months), Lilley’s is a carefully crafted, important, uniquely Australian voice. He knows us better than we know ourselves. I say we give him the key to the city and let him run wild.

—Marieke Hardy

Marieke Hardy

Marieke Hardy is a curator, screenwriter, artist, and producer.

There is nowhere quite like The Monthly. We are told that we live in a time of diminished attention spans; a time where the 24-hour-news-cycle has produced a collective desire for hot takes and brief summaries of the news and ideas that effect us. But we don’t believe it. The need for considered, reflective, long-form journalism has never been greater, and for almost 20 years, that’s what The Monthly has offered, from some of our finest writers.

That kind of quality writing costs money, and requires the support of our readers. Your subscription to The Monthly allows us to be the home for the best, most considered, most substantial perspectives on the state of the world. It’s Australia’s only current affairs magazine, an indispensable home for cultural commentary, criticism and reviews, and home to personal and reflective essays that celebrate and elevate our humanity.

The Monthly doesn’t just comment on our culture, our society and our politics: it shapes it. And your subscription makes you part of that.

Select your digital subscription

Month selector

From the front page

Kim Williams seen through window with arms half-raised

The interesting Mr Williams

At a time when the ABC faces more pressure than ever before, is its new chair the right person for the job?

Exterior of the Department of Treasury, Canberra

Tax to grind

Tax reform should not be centred on what we want, but on who we want to be

Rehearsal for the ABC TV show ‘Cooking with Wine’, March 13, 1956

Whose ABC?

Amid questions of relevance and culture war hostilities, the ABC’s charter clearly makes the case for a government-funded national broadcaster

Tony McNamara in New York City, January 2024

Pure things: Tony McNamara

How the Australian screenwriter of ‘Poor Things’, who cut his teeth on shows such as ‘The Secret Life of Us’, earnt his second Oscar nomination

In This Issue

20 Australian masterpieces since 2000

David Gulpilil in 'The Tracker'. Image courtesy of Rolf de Heer.

Film masterpiece

Rolf de Heer - ‘The Tracker’, 2002

'The Street Sweeper', By Elliot Perlman, Random House, 544pp; $32.95

‘The Street Sweeper’ by Elliot Perlman

Prescribing behaviour

The rush to diagnose ADHD


More in Arts & Letters

David Malouf, March 2015 in Sydney

An imagined life: David Malouf

Celebrating the literary great’s 90th birthday with a visit to his incongruous home of Surfers Paradise to discuss a life in letters

Tony McNamara in New York City, January 2024

Pure things: Tony McNamara

How the Australian screenwriter of ‘Poor Things’, who cut his teeth on shows such as ‘The Secret Life of Us’, earnt his second Oscar nomination

Jeffrey Wright in ‘American Fiction’

The dread of the author: ‘American Fiction’ and ‘Argylle’

Cord Jefferson’s satire about Black artists fighting white perceptions of their work runs out of ideas, while Matthew Vaughn’s spy movie parody has no ideas of its own

U2 performing in the Las Vegas Sphere

Where the feats have no name: ‘U2:UV’ at Sphere

It’s no surprise it took U2 to launch post-stadium rock via a spectacular immersive show within the technical marvel of Las Vegas’s newest venue


More in Masterpieces

Poetry masterpiece

Jennifer Maiden - ‘Friendly Fire’, 2005

© Sergio Dionisio/Getty Images

Design masterpiece

Marc Newson - ‘Qantas A380 Economy Seat’, 2008

Fiction masterpiece

JM Coetzee - ‘Summertime’, 2009

© Chris Harvey

Architecture masterpiece

Lindsay & Kerry Clare - ‘Gallery of Modern Art’, Queensland, 2006


Online latest

Osamah Sami with members of his local mosque

In ‘House of Gods’, Sydney’s Muslim community gets to be complicated

Plus, Barnaby Joyce shines in ‘Nemesis’, Emma Seligman and Rachel Sennott deliver ‘Bottoms’, and Chloë Sevigny and Molly Ringwald step up for ‘Feud: Capote vs. The Swans’.

International Film Festival Rotterdam highlights

Films from Iran, Ukraine and Bundaberg were deserving winners at this year’s festival

Two women on a train smile and shake hands

‘Expats’ drills down on Hong Kong’s class divide

Plus, Netflix swallows Trent Dalton, Deborah Mailman remains in ‘Total Control’ and ‘Vanderpump Rules’ returns for another season

Image of a man playing music using electronics and the kora (West African harp)

Three overlooked albums of spiritual jazz from 2023

Recent releases by kora player John Haycock, trumpeter Matthew Halsall and 14-piece jazz ensemble Ancient Infinity Orchestra feel like a refuge from reality