October 2011

Arts & Letters

Television masterpiece

By Marieke Hardy
Chris Lilley - ‘Summer Heights High’, 2007

Note perfect, Summer Heights High searingly captures a slice of Australia’s psyche without mockery or judgement. It provides a sublime bridge between creator Chris Lilley’s sweet syrup of We Can Be Heroes and the more abrasive chip-on-shoulder of Angry Boys. Above all, it is funny. Show me any other short-run series that can simultaneously inspire sniggering teenagers to draw cocks on their backpacks and send menopausal women into sobbing spirals. Lilley dares to offer us flawed, self-involved, megalomaniac protagonists and then forces us to care for them – even to love them, in the long run. He marries the sort of jokes that have you looking at your companions in startled comradeship with beautiful, human storylines about love and loss and pain and hopelessness. Whatever you make of his more recent creative offerings (the vaguely controversial S.mouse giving faceless internet detractors something to bicker over for tedious months), Lilley’s is a carefully crafted, important, uniquely Australian voice. He knows us better than we know ourselves. I say we give him the key to the city and let him run wild.

—Marieke Hardy

Cover: October 2011

October 2011

From the front page

Mourning Tim Fischer

Today’s crop of Nats are an affront to the legacy of the former leader

Book covers

Robot love: Ian McEwan’s ‘Machines Like Me’ and Jeanette Winterson’s ‘Frankissstein’

Literary authors tackle sentience and rationality in AI, with horrific results

Image from ‘The Loudest Voice'

‘The Loudest Voice’: a nightmarish portrait of a monster

The sheer scale of Roger Ailes’s wrongs defies the medium of television

Photo of Adam Goodes

Swan song: Documenting the Adam Goodes saga

Two documentaries consider how racism ended the AFL star’s career


In This Issue

Scene from 'The Theft of Sita'. Image courtesy of Melbourne Festival.

Music theatre masterpiece

An Australian–Indonesian production - ‘The Theft of Sita’, 2000

Words: Shane Maloney | Illustration: Chris Grosz

Robert Helpmann & Anna Pavlova

Theatre masterpiece

Tom Wright & Benedict Andrews - ‘The War of the Roses’, 2009

The incendiary Meow Meow, 2011. © Magnus Hastings

Queen of the night

Meeting Meow Meow


More in Arts & Letters

Photo of Adam Goodes

Swan song: Documenting the Adam Goodes saga

Two documentaries consider how racism ended the AFL star’s career

Book covers

Robot love: Ian McEwan’s ‘Machines Like Me’ and Jeanette Winterson’s ‘Frankissstein’

Literary authors tackle sentience and rationality in AI, with horrific results

Photo of Margot Robbie

Popcorn maker: Quentin Tarantino’s ‘Once Upon a Time… in Hollywood’

The tide may have turned against the director’s juvenile instincts and misogynist violence

Photo of Lil Nas X

Happy trails: Lil Nas X’s ‘Old Town Road’

The gay country-rapper exposes the complex play of identity, algorithms and capitalism


More in Masterpieces

Poetry masterpiece

Jennifer Maiden - ‘Friendly Fire’, 2005

© Sergio Dionisio/Getty Images

Design masterpiece

Marc Newson - ‘Qantas A380 Economy Seat’, 2008

Fiction masterpiece

JM Coetzee - ‘Summertime’, 2009

© Chris Harvey

Architecture masterpiece

Lindsay & Kerry Clare - ‘Gallery of Modern Art’, Queensland, 2006


Read on

Image from ‘The Loudest Voice'

‘The Loudest Voice’: a nightmarish portrait of a monster

The sheer scale of Roger Ailes’s wrongs defies the medium of television

Image of Peter Drew bike stencil

A meme is born: Real Australians Say Welcome

How one artist’s posters about politics took on a life of their own – an extract

Image of Nigel Farage at CPAC in Sydney

Making sense of CPAC

Why the Conservative Political Action Conference should not be dismissed lightly

Image from ‘Midsommar’

Pagan poetry: the studied strangeness of Ari Aster’s ‘Midsommar’

The ‘Hereditary’ director micro-manages the mania in his new film


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