October 2011

Arts & Letters

Design masterpiece

By Alan Saunders
Marc Newson - ‘Qantas A380 Economy Seat’, 2008

Most designers like to design a chair or two in their career. Marc Newson began his with the famous Lockheed Lounge in 1986 and went on to create the quirky Embryo Chair a couple of years later, with which he thought he had achieved a discernible style. He’s done quite a few more but perhaps the most sat upon will be the economy seat he designed for the new Qantas A380 (and which won the 2009 Australian International Design Award of the Year). It’s a beautiful piece of work, very Newson in its retro-futurist look and curvaceous sculpted carbon-fibre backshell.

He designed the fabrics too, in hues of red, green and terracotta to represent the Australian landscape. The ergonomics are particularly inviting for the long-haul passenger: plenty of leg room and cushioning designed for side-sleep (the position passengers are most likely to adopt). The electronics include PC power, USB and internet ports, an in-seat phone and a wide-screen monitor. Newson has touched nearly every aspect of the A380 interior – from cabin layout to cutlery – so this beautiful seat contributes to a very cohesive design. It almost makes you want to spend 20 hours in the air.

—Alan Saunders

Alan Saunders
Alan Saunders was a writer, philosopher and broadcaster who contributed to the Sydney Morning Herald, the Bulletin and other publications. He was a presenter on ABC Radio National for 25 years where his programs included The Philosopher’s Zone and By Design.

© Sergio Dionisio/Getty Images
Cover: October 2011

October 2011

From the front page

Coalition comedy hour

The PM’s “victory” on energy didn’t last a week

Image of Peter Temple

Remembering Peter Temple

The acclaimed Australian crime writer had a deep appreciation for the folly of things

The death doula

Annie Whitlocke is helping to break the silence around grief and dying

Alt right on the night

One of the extreme right’s greatest harms may turn out to be opportunity cost


In This Issue

Scene from 'The Theft of Sita'. Image courtesy of Melbourne Festival.

Music theatre masterpiece

An Australian–Indonesian production - ‘The Theft of Sita’, 2000

Words: Shane Maloney | Illustration: Chris Grosz

Robert Helpmann & Anna Pavlova

Theatre masterpiece

Tom Wright & Benedict Andrews - ‘The War of the Roses’, 2009

The incendiary Meow Meow, 2011. © Magnus Hastings

Queen of the night

Meeting Meow Meow


More in Arts & Letters

Covers of Motherhood and Mothers

To have or not to have: Sheila Heti’s ‘Motherhood’ and Jacqueline Rose’s ‘Mothers’

Heti’s novel asks if a woman should have a child; Rose’s nonfiction considers how society treats her if she does

Image of Beyoncé and Jay-Z

The disappointment of The Carters’ ‘Everything Is Love’ and Kanye West’s ‘Ye’

New albums from Beyoncé and Jay-Z and Kanye West bare all yet share nothing

Image of Mike Parr, Underneath the Bitumen the Artist

Mike Parr’s invisible performance and Tasmania’s complex past

Underneath the bitumen in Hobart, history becomes art

Image of Ronan Farrow

The end of American diplomacy: Ronan Farrow’s ‘War on Peace’

The Pulitzer Prize winner explains how the State Department’s problems started long before Trump


More in Masterpieces

Poetry masterpiece

Jennifer Maiden - ‘Friendly Fire’, 2005

Fiction masterpiece

JM Coetzee - ‘Summertime’, 2009

© Chris Harvey

Architecture masterpiece

Lindsay & Kerry Clare - ‘Gallery of Modern Art’, Queensland, 2006

Opera masterpiece

Neil Armfield - ‘Peter Grimes’, 2009


Read on

Image of Peter Temple

Remembering Peter Temple

The acclaimed Australian crime writer had a deep appreciation for the folly of things

Image from BADFAITH Collective’s ‘Exquisite Corpse’

‘Exquisite Corpse’: reinventing a parlour game in immersive VR

BADFAITH Collective build a Surrealist body at the Melbourne International Film Festival

Image of Peter Dutton

Peter Dutton’s leadership ambitions

A reminder of why the minister’s recent dog-whistling should be of concern

Image from ‘Sharp Objects’

‘Sharp Objects’ blurs the edges

The cruel complexities of women’s lives propel this Amy Adams-led thriller


×
×