October 2011

Arts & Letters

Video art masterpiece

By Juliana Engberg
Shaun Gladwell - ‘Storm Sequence’, 2000

Iconic, mesmerising, atmospheric and in a zone of its own, Storm Sequence is compelling in its use of place, pace and proposition. As the sea swells, the wind agitates and large droplets of the pending storm start to splatter, a lone skateboarder – the artist – pirouettes, hotdogs and glides along the dampening concrete of a Sydney boardwalk as the storm behind him builds. Slow, graceful, yet charged with a kind of erotic, body electric, Gladwell’s performance recalls the mannerist, Prussian blue raptures of El Greco, twisted into street cred.

Gladwell’s project has been to harness and make apparent the poetry of movement enacted by urban performers – outsider athletes such as skaters, breakdancers, bikers and traceurs. This work captures an essential Australian mood – that moment of release, which comes at the end of a hot summer’s day, when the petulant dark sky opens up and the tense, sun-stiffened body loosens and obtains its languid sensuality again. This is a raw and primal work. Universal and yet utterly particular in its character, it is unmistakably Australian and contemporary. But it is also arcane and libidinous, and travels from a larger human psyche that gives it a mythic quality.

—Juliana Engberg

Cover: October 2011

October 2011

From the front page

An Orchestra of Minorities

Welcome to The Summer Library: selected extracts from the best new books this summer

Close to Home: Selected Writings

Welcome to The Summer Library: selected extracts from the best new books this summer

Climate Justice

Welcome to The Summer Library: selected extracts from the best new books this summer

Pub test: 2018

The only way is up


In This Issue

Scene from 'The Theft of Sita'. Image courtesy of Melbourne Festival.

Music theatre masterpiece

An Australian–Indonesian production - ‘The Theft of Sita’, 2000

Words: Shane Maloney | Illustration: Chris Grosz

Robert Helpmann & Anna Pavlova

Theatre masterpiece

Tom Wright & Benedict Andrews - ‘The War of the Roses’, 2009

The incendiary Meow Meow, 2011. © Magnus Hastings

Queen of the night

Meeting Meow Meow


More in Arts & Letters

Image of Les Murray

Les Murray’s magisterial ‘Collected Poems’

How to approach a 736-page collection by Australia’s greatest poet?

Image of a bushfire

Fair judgement without surrender: Chloe Hooper’s ‘The Arsonist’

The author of ‘The Tall Man’ tries to understand the motivations of a Black Saturday firebug

Still from Cold War

Pawel Pawlikowski’s perfectly formed ‘Cold War’

Not a moment is wasted in what could be the Polish director’s masterpiece

Still from I Used to be Normal

Female fandom and Jessica Leski’s ‘I Used to be Normal’

They’ve been dismissed and patronised, but Beatlemaniacs, Directioners and other fangirls are very self-aware about their boy band ‘affliction’


More in Masterpieces

Poetry masterpiece

Jennifer Maiden - ‘Friendly Fire’, 2005

© Sergio Dionisio/Getty Images

Design masterpiece

Marc Newson - ‘Qantas A380 Economy Seat’, 2008

Fiction masterpiece

JM Coetzee - ‘Summertime’, 2009

© Chris Harvey

Architecture masterpiece

Lindsay & Kerry Clare - ‘Gallery of Modern Art’, Queensland, 2006


Read on

Image from ‘The Beehive’

The lady vanishes: ‘The Beehive’ at Sydney Festival

Zanny Begg and Philippa Bateman on their enigmatic film that explores the unsolved disappearance of Juanita Nielsen

Image from ‘Primavera’ at the Museum of Contemporary Art

‘Primavera 2018: Young Australian Artists’ at the MCA

This exhibition of the up-and-coming asks complex questions about who we are

Fusion

Welcome to The Summer Library: selected extracts from the best new books this summer

Zebra and Other Stories

Welcome to The Summer Library: selected extracts from the best new books this summer


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