October 2011

Arts & Letters

Video art masterpiece

By Juliana Engberg
Shaun Gladwell - ‘Storm Sequence’, 2000

Iconic, mesmerising, atmospheric and in a zone of its own, Storm Sequence is compelling in its use of place, pace and proposition. As the sea swells, the wind agitates and large droplets of the pending storm start to splatter, a lone skateboarder – the artist – pirouettes, hotdogs and glides along the dampening concrete of a Sydney boardwalk as the storm behind him builds. Slow, graceful, yet charged with a kind of erotic, body electric, Gladwell’s performance recalls the mannerist, Prussian blue raptures of El Greco, twisted into street cred.

Gladwell’s project has been to harness and make apparent the poetry of movement enacted by urban performers – outsider athletes such as skaters, breakdancers, bikers and traceurs. This work captures an essential Australian mood – that moment of release, which comes at the end of a hot summer’s day, when the petulant dark sky opens up and the tense, sun-stiffened body loosens and obtains its languid sensuality again. This is a raw and primal work. Universal and yet utterly particular in its character, it is unmistakably Australian and contemporary. But it is also arcane and libidinous, and travels from a larger human psyche that gives it a mythic quality.

—Juliana Engberg

Cover: October 2011

October 2011

From the front page

Treasurer Josh Frydenberg

Cold comfort

The Morrison government gave us a recession we didn’t have to have

What elitism looks like

Flagrant conflicts of interest abound at the top

Image of Guy Sebastian and Prime Minister Scott Morrison, June, 2020

And now for something completely indifferent

The Morrison government is yet to fully realise that sidelining the arts hurts the economy

Image of Anne Ferran, Scenes on the Death of Nature I, 1986

‘Know My Name’ at the National Gallery of Australia

An exhilarating exhibition considers a persistent gender bias in the visual arts


In This Issue

Scene from 'The Theft of Sita'. Image courtesy of Melbourne Festival.

Music theatre masterpiece

An Australian–Indonesian production - ‘The Theft of Sita’, 2000

Words: Shane Maloney | Illustration: Chris Grosz

Robert Helpmann & Anna Pavlova

Theatre masterpiece

Tom Wright & Benedict Andrews - ‘The War of the Roses’, 2009

The incendiary Meow Meow, 2011. © Magnus Hastings

Queen of the night

Meeting Meow Meow


More in Arts & Letters

Image of Dhambit Munuŋgurr's Bees at Gäṉgän, 2019

Blue is the colour

The idiosyncratic work of Yolngu artist Dhambit Mununggurr

Image of ‘Empire and the Making of Native Title’

Dividing the Tasman: ‘Empire and the Making of Native Title’

Historian Bain Attwood examines the different approaches to sovereignty in the New Zealand and Australian settlements

Image of Shirley Hazzard

Shirley Hazzard’s wider world

The celebrated Australian author’s ‘Collected Stories’ sets private desperation in the cosmopolitan Europe she revered

Image from ‘Mank’

Citizen plain: ‘Mank’

David Fincher’s biopic of Orson Welles’s collaborating writer favours technique over heart


More in Masterpieces

Poetry masterpiece

Jennifer Maiden - ‘Friendly Fire’, 2005

© Sergio Dionisio/Getty Images

Design masterpiece

Marc Newson - ‘Qantas A380 Economy Seat’, 2008

Fiction masterpiece

JM Coetzee - ‘Summertime’, 2009

© Chris Harvey

Architecture masterpiece

Lindsay & Kerry Clare - ‘Gallery of Modern Art’, Queensland, 2006


Read on

What elitism looks like

Flagrant conflicts of interest abound at the top

Image of Anne Ferran, Scenes on the Death of Nature I, 1986

‘Know My Name’ at the National Gallery of Australia

An exhilarating exhibition considers a persistent gender bias in the visual arts

Image of Prime Minister Scott Morrison

Morrison’s climate flip

Australia has a lot of catching up to do on emissions reduction

Image of album artwork for Brazen Hussies soundtrack

Song sisters

The soundtrack to documentary ‘Brazen Hussies’ shows a breadth of feeling about women’s liberation in Australia


×
×