October 2011

Arts & Letters

Theatre masterpiece

By Alison Croggon
Tom Wright & Benedict Andrews - ‘The War of the Roses’, 2009

'Masterpiece’ is a chilly word: it takes a work out of the flux of creation and pins it in the gallery of cultural regard. When speaking of performance, it seems especially fishy. Still, put to the question, I’d nominate Tom Wright and Benedict Andrews’ adaptation of Shakespeare’s history plays.

The final work of the STC Actors Company, this eight-hour epic presented in two parts demonstrated the depth and breadth an empowered ensemble can bring to performance. It was bookended by Richard II, with Cate Blanchett in the title role, and Richard III, led by Pamela Rabe. A naked stage adorned with a single visual gesture – endlessly falling gold foil or grey ash, an electric guitar or a field of broken flowers – became a metaphor for an Orwellian state of total war.

It featured astonishing performances from a brilliant cast, including Ewen Leslie’s breakthrough performance as Prince Hal. The austerity of Andrews’ direction foregrounded the power of Shakespeare’s language, excavating the visceral truths of its poetry through gruelling physical demands on the actors. It was desolatingly beautiful, as exhilarating an act of theatre as I have seen.

—Alison Croggon

Alison Croggon

Alison Croggon is a Melbourne poet, novelist, librettist and critic. 

@alisoncroggon

Cover: October 2011

October 2011

From the front page

Adani repeater

Another deadline, another argument

Photo of Leonard French underneath his stained glass ceiling at the National Gallery of Victoria.

Leonard French’s Balzacian life

Reg MacDonald’s biography may return this Australian artist to the national imagination

Book cover of Choice Words

The desperate, secretive drama: ‘Choice Words’ edited by Louise Swinn

Personal stories consider questions of choice, legality and stigma surrounding abortion

Fair gone

The Coalition’s aspirational pitch worked a treat


In This Issue

Scene from 'The Theft of Sita'. Image courtesy of Melbourne Festival.

Music theatre masterpiece

An Australian–Indonesian production - ‘The Theft of Sita’, 2000

Words: Shane Maloney | Illustration: Chris Grosz

Robert Helpmann & Anna Pavlova

The incendiary Meow Meow, 2011. © Magnus Hastings

Queen of the night

Meeting Meow Meow

Contemporary dance masterpiece

Tanja Liedtke - ‘construct’, 2007


More in Arts & Letters

Photo of Leonard French underneath his stained glass ceiling at the National Gallery of Victoria.

Leonard French’s Balzacian life

Reg MacDonald’s biography may return this Australian artist to the national imagination

Book cover of Choice Words

The desperate, secretive drama: ‘Choice Words’ edited by Louise Swinn

Personal stories consider questions of choice, legality and stigma surrounding abortion

Still image from John Wick Chapter 3 – Parabellum

Killer instincts: The ‘John Wick’ franchise

Keanu Reeves hones his stardom in the hyperreal violence of an assassin’s tale

Image of Michael Jackson and James Safechuck.

Starstruck: Reckoning with Michael Jackson’s legacy

What do we do with the music after ‘Leaving Neverland’?


More in Masterpieces

Poetry masterpiece

Jennifer Maiden - ‘Friendly Fire’, 2005

© Sergio Dionisio/Getty Images

Design masterpiece

Marc Newson - ‘Qantas A380 Economy Seat’, 2008

Fiction masterpiece

JM Coetzee - ‘Summertime’, 2009

© Chris Harvey

Architecture masterpiece

Lindsay & Kerry Clare - ‘Gallery of Modern Art’, Queensland, 2006


Read on

Image of former prime minister Bob Hawke

Remembering the Silver Bodgie

Bob Hawke’s ability to build consensus reshaped Australia

Doomsday is nigh

The ALP’s policies are mild – why are they being treated as a mortal threat?

Image of Prime Minister Scott Morrison

Our distorted politics

Why is the Coalition even competitive under Morrison?

Image of the News Corp Australia office in Sydney

When journalists revolt

New Corp’s influence is being tested this election


×
×