COVID scars
Even JobKeeper 3.0 may not be enough
October 2011
Arts & Letters
20 Australian Masterpieces Since 2000
October 2011
America’s imperfect angels: Lin-Manuel Miranda’s ‘Hamilton’
Post Black Lives Matter, the hit musical already feels like a souvenir from a vanished pre-Trump America
Milk it: ‘First Cow’
Kelly Reichardt’s restrained frontier film considers the uneasy problems of money and resources
A unitary theory of cuts
The Morrison government is using the COVID-19 crisis to devastate the public service, the ABC, the arts and tertiary education
America’s imperfect angels: Lin-Manuel Miranda’s ‘Hamilton’
Post Black Lives Matter, the hit musical already feels like a souvenir from a vanished pre-Trump America
What are the odds?: Toby Ord’s ‘The Precipice’
The Australian philosopher’s rational exploration of existential risk is bracing but ultimately hopeful
Broadmeadows
Poetry from the author of ‘The Boat’
The death of cool: Michel Piccoli, 1925–2020
Re-watching the films of the most successful screen actor of the 20th century
Milk it: ‘First Cow’
Kelly Reichardt’s restrained frontier film considers the uneasy problems of money and resources
The summer’s tale: On Ali Smith’s seasonal quartet
Addressing climate crisis and global pandemic, the concluding book in Ali Smith’s quartet reminds us that an ending is also a beginning
Political maverick
Joel Fitzgibbon is starting to resemble Barnaby Joyce in his deliberate departure from the political mainstream
MIFF 68 ½ at home
Films by Kelly Reichardt, Ulrike Ottinger, Ja’Tovia Gary and Djibril Diop Mambéty captivate, despite a radically different festival format
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