June 2011

Arts & Letters

‘Iphigenia in Forest Hills: Anatomy of a Murder Trial’ By Janet Malcolm

By Michelle de Kretser

Courtrooms, like theatres, draw on claustrophobia to compel. The closed-door atmosphere, sealed off from the quotidian, lends contrived outcomes the inevitability of fate. If Iphigenia in Forest Hills offered no more than courtroom drama, Janet Malcolm’s instinct for story would still enthral. But it’s her instinct for literature that electrifies here.

In lucid, rhythmic sentences, Malcolm recounts the 2009 trial of Mazoltuv Borukhova and the man she was convicted of hiring to kill her ex-husband. The murder was spectacular in the strict sense: Daniel Malakov was shot in a playground in front of his four-year-old daughter. Michelle Malakov, the daughter, was the subject of a custody dispute, adduced as the motive for the murder.

“We take sides as we take breaths,” writes Malcolm. She acknowledges her sympathy for Borukhova, an Orthodox Jewish immigrant from Central Asia. Black-clad, with her long, dark hair bound in red, Borukhova looks “like a nineteenth-century woman-student revolutionary” – or a character conjured by Dostoevsky. And, as in the best novels, Borukhova is a complex figure. She can be mulish, grasping, aloof, “setting off serious allergic reactions”. Did she do it? The evidence is inconclusive, and the question secondary. What scandalises Malcolm is how unjustly the law dealt with this case.

The fiction of judicial impartiality is relentlessly unpicked. Borukhova’s judge has “the faux-genial manner American petty tyrants cultivate” and his hostility to her is egregious. Concerned about his upcoming holiday, he even rushes the final summations. Borukhova’s attorney is obliged to prepare his crucial speech overnight and turns in a sleep-deprived performance. Malcolm’s observation that trials are about “competing narratives” is chillingly endorsed when the jury finds against his client.

Though Borukhova had accused Malakov of molesting their daughter, a few weeks prior to the murder a family court had ordered her to hand over custody to him. Whatever the truth of her allegation – it’s one of the uncertainties of the affair – the decision to remove a happy child from her mother was astonishing. Malcolm detects the influence of David Schnall, Michelle’s court-appointed guardian, who detested Borukhova. When Malcolm talks to Schnall, his malevolence is so striking that she abandons journalistic convention and faxes her notes to Borukhova’s attorney – fruitlessly, as it happens.

Another extraordinary moment comes when Malcolm sees Michelle pedalling her tricycle vigorously along the street while laughing in a “forced and exaggerated manner”. There’s something shockingly disturbing about this small apparition. Previously, Malcolm has remarked that in life things are not always “this or that, but can be both”. Constrained to deal in innocence and guilt, courtroom discourse is always artificial. Literature, by contrast, complicates: it’s so entwined with not this or that, but both that ambiguity might be its precondition. Borukhova is flawed, possibly to the point of committing murder, but has also been appallingly treated. As for Michelle, she is the Iphigenia of the story: the innocent sacrificed to adult schemes. Her terrible laughter, which can neither be accounted for nor forgotten, reminds us that, unlike her mythic counterpart, she has yet to be avenged.

Michelle de Kretser
Michelle de Kretser is the author of The Rose Grower, The Hamilton Case and The Lost Dog, which won the NSW Premier’s Book of the Year Award and the Christina Stead Prize for Fiction.

'Iphigenia in Forest Hills: Anatomy of a Murder Trial', By Janet Malcolm, Yale University Press, 155pp; $32.95

June 2011

From the front page

Dead to us

The Liberal Party should look before it leaps to embrace Peter Dutton

Image of Peter Temple

Remembering Peter Temple

The acclaimed Australian crime writer had a deep appreciation for the folly of things

The death doula

Annie Whitlocke is helping to break the silence around grief and dying

Alt right on the night

One of the extreme right’s greatest harms may turn out to be opportunity cost


In This Issue

Words: Shane Maloney | Illustration: Chris Grosz

Barry Jones & Arthur Koestler

Shi Zhengrong and his wife, Vivienne, with Andrew Upton and Cate Blanchett, atop the Sydney Theatre Company, which is 70% powered by Suntech's Pluto technology, November 2010. © Brendon Thorne/Getty Images

The sun king

Shi Zhengrong

'The Origins of Political Order: From Prehuman Times to the French Revolution', By Francis Fukuyama, Profile Books, 585pp; $59.95

‘The Origins of Political Order: From Prehuman Times to the French’ By Francis Fukuyama

Women tend a garden under the gaze of history. FROM LEFT: Hu Jintao, Jiang Zemin, Mao Zedong and Deng Xiaoping. © Reuters/Stringer Shanghai

Bitter fruits

China’s twelfth five-year plan


More in Arts & Letters

Covers of Motherhood and Mothers

To have or not to have: Sheila Heti’s ‘Motherhood’ and Jacqueline Rose’s ‘Mothers’

Heti’s novel asks if a woman should have a child; Rose’s nonfiction considers how society treats her if she does

Image of Beyoncé and Jay-Z

The disappointment of The Carters’ ‘Everything Is Love’ and Kanye West’s ‘Ye’

New albums from Beyoncé and Jay-Z and Kanye West bare all yet share nothing

Image of Mike Parr, Underneath the Bitumen the Artist

Mike Parr’s invisible performance and Tasmania’s complex past

Underneath the bitumen in Hobart, history becomes art

Image of Ronan Farrow

The end of American diplomacy: Ronan Farrow’s ‘War on Peace’

The Pulitzer Prize winner explains how the State Department’s problems started long before Trump


More in Noted

Cover of Kudos

‘Kudos’ by Rachel Cusk

A masterful trilogy concludes

Image of Michael Cook, Court (2014), no. 7 from the Majority Rule series

‘Colony’ at NGV Australia

Twin exhibitions explore the very different experiences of settlement for European and Indigenous peoples

Cover of Axiomatic

‘Axiomatic’ by Maria Tumarkin

This collection of bracing essays interrogates how we view the past

‘The Lady and the Unicorn’ at the Art Gallery of New South Wales

Six exquisite tapestries form one of the great works of medieval art


Read on

Image of Peter Temple

Remembering Peter Temple

The acclaimed Australian crime writer had a deep appreciation for the folly of things

Image from BADFAITH Collective’s ‘Exquisite Corpse’

‘Exquisite Corpse’: reinventing a parlour game in immersive VR

BADFAITH Collective build a Surrealist body at the Melbourne International Film Festival

Image of Peter Dutton

Peter Dutton’s leadership ambitions

A reminder of why the minister’s recent dog-whistling should be of concern

Image from ‘Sharp Objects’

‘Sharp Objects’ blurs the edges

The cruel complexities of women’s lives propel this Amy Adams-led thriller


×
×