September 2010

Encounters

Shane Maloney and Chris Grosz

Doctor Who & Gai Waterhouse

Words: Shane Maloney | Illustration: Chris Grosz

Sadly, only one of Australia’s 114 official National Living Treasures has ever appeared in an episode of Doctor Who.

It happened in 1978 during the incarnation of the fourth Doctor, played by Tom Baker. Instantly identifiable from his curly hair, trademark long scarf, wide-brimmed hat, penchant for jelly babies and robotic dog called K-9, Baker appeared in 172 episodes over the seven years of his tenure of the role. But in only one of his TARDIS-propelled adventures did he share the small screen with Gai Smith, a young Australian actress who subsequently became Gai Waterhouse, racehorse trainer and ongoing ornament to the antipodean track.

‘The Invasion of Time’ begins with the Vardans, a shape-changing race of green-helmeted near-humans, asking the Doctor to help them take over Gallifrey, home planet of the Time Lords. The Doctor agrees, but only as a ploy designed to outwit an invasion by the Sontarans, a bulbous-headed, green-blooded, three-fingered species of sinister, war-obsessed aliens.

Exiled to the Gallifreyan wastelands, the Doctor’s female sidekick, Leela, is captured by a band of back-to-basics proto-ferals known as the Outsiders. One of these shaggy, pelt-wearing hunters is Presta, played by 23-year-old Gai. Togged out in headband and fur cape, Presta befriends Leela and a female Time Lord named Rodan, keeper of the transduction barrier. And when, in the final episode, Doctor Who re-enters the phone booth of destiny and departs, Presta is there to wave goodbye.

The only child of prominent Randwick trainer Tommy J Smith, Gai had already graduated from the University of Sydney, taken a walk around the modelling enclosure and appeared in an episode of The Young Doctors. Encouraged in her acting career by British actor James Mason, whose interest in racing had brought him into Tommy’s ambit, she headed to London. But apart from a run in the BBC’s premium sci-fi stakes, she failed to get out of the stalls.

Returning to Sydney, she became an apprentice at her father’s Tulloch Lodge stables and married into the Waterhouse bookmaking dynasty. When husband Robbie was ‘warned off’ as a result of the 1984 Fine Cotton ring-in scandal, his spouse was included in the ban. Showing her mettle, she battled the Australian Jockey Club and won her trainer’s licence in 1992. And when Tommy Smith became ill, he passed Tulloch Lodge on to her. Since then she has shaped some of Australia’s finest horseflesh into champions.

Doctor Who is currently in his eleventh incarnation. Tom Baker became the voice of Little Britain. Despite the best efforts of the tenth Doctor, the Sontarans continue to pose a heavy-gravity threat.

Shane Maloney and Chris Grosz

Shane Maloney is a writer and the author of the award-winning Murray Whelan series of crime novels. His 'Encounters', illustrated by Chris Grosz, have been published in a collection, Australian Encounters.

Chris Grosz is a book illustrator, painter and political cartoonist. He has illustrated newspapers and magazines such as the Age, the Bulletin and Time.

Cover: September 2010

September 2010

From the front page

Black Is the New White

Welcome to The Summer Library: selected extracts from the best new books this summer

An Orchestra of Minorities

Welcome to The Summer Library: selected extracts from the best new books this summer

Close to Home: Selected Writings

Welcome to The Summer Library: selected extracts from the best new books this summer

Climate Justice

Welcome to The Summer Library: selected extracts from the best new books this summer


In This Issue

Land of the long black cloud

'Into the Woods: The Battle for Tasmania's Forests' by Anna Krien, Black Inc., 304pp; $29.95

‘Into the Woods: The Battle for Tasmania’s Forests’ by Anna Krien

Illustration by Jeff Fisher.

Means of production

'Freedom' by Jonathan Franzen, Fourth Estate, 562pp; $32.99

‘Freedom’ by Jonathan Franzen


More in Arts & Letters

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Les Murray’s magisterial ‘Collected Poems’

How to approach a 736-page collection by Australia’s greatest poet?

Image of a bushfire

Fair judgement without surrender: Chloe Hooper’s ‘The Arsonist’

The author of ‘The Tall Man’ tries to understand the motivations of a Black Saturday firebug

Still from Cold War

Pawel Pawlikowski’s perfectly formed ‘Cold War’

Not a moment is wasted in what could be the Polish director’s masterpiece

Still from I Used to be Normal

Female fandom and Jessica Leski’s ‘I Used to be Normal’

They’ve been dismissed and patronised, but Beatlemaniacs, Directioners and other fangirls are very self-aware about their boy band ‘affliction’


More in Encounters

Words: Shane Maloney | Illustration: Chris Grosz

Rupert Murdoch & Kamahl

Mark Oliphant & J Robert Oppenheimer

John Monash & King George V

John Howard & Uri Geller


Read on

Image from ‘The Beehive’

The lady vanishes: ‘The Beehive’ at Sydney Festival

Zanny Begg and Philippa Bateman on their enigmatic film that explores the unsolved disappearance of Juanita Nielsen

Image from ‘Primavera’ at the Museum of Contemporary Art

‘Primavera 2018: Young Australian Artists’ at the MCA

This exhibition of the up-and-coming asks complex questions about who we are

Fusion

Welcome to The Summer Library: selected extracts from the best new books this summer

Zebra and Other Stories

Welcome to The Summer Library: selected extracts from the best new books this summer


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