October 2009

Encounters

Shane Maloney and Chris Grosz

Frank Sinatra & Bob Hawke

Words: Shane Maloney | Illustration: Chris Grosz

“A funny thing happened in Australia,” Frank Sinatra told a New York audience. “I made a mistake and got off the plane.”

The plane in question – the private jet of one of Sinatra’s Las Vegas casino connections – landed in Melbourne on 9 July 1974. Fresh out of self-imposed retirement, the 58-year-old Sinatra was visiting Australia for the first time in 15 years. His career was back on the upswing after a decade of poor record sales and crappy movies; his five shows, billed as the “Ol’ Blue Eyes Is Back” tour, were eagerly awaited.

Trouble began the moment he set foot on the ground. Nobody was waiting to pick him up. As he headed to his rehearsal in a borrowed car, he was pursued by a journalist, who was disguised as his then wife, the former Mrs Zeppo Marx. Finally, he sprinted through the rain to the venue with a media posse at his heels, only to find himself locked out. Photos splashed across the afternoon papers showed a very cranky Frankie pounding on the stage door “like a demented fan”.

That night when on stage, the Chairman of the Board let fly. In a prickly monologue, he described journalists as “bums”, and as for “the broads who work for the press”: “hookers” worth “a buck and a half” at best.

The crooner had bitten off more than he could chew.

When the journalists’ union demand for an apology was brushed aside, the ACTU slapped a ban on the tour. Its president, Bob Hawke, took personal charge of the campaign. The Silver Bodgie was then 45, a champion pisspot, notorious womaniser and the artful manager of Labor’s industrial wing. He declared that unless Sinatra could walk on water, he would be stuck in Australia until he said sorry.

With transport workers refusing to refuel his jet, Sinatra was forced to sneak onto a commercial flight to Sydney. Holed up in the Boulevard Hotel, he considered calling on the US Navy to rescue him. Eventually, he agreed to negotiate.

On 11 July, the two men met in Sinatra’s suite. Over four hours, an agreement was hammered out. In return for a statement that Sinatra “did not intend any general reflection upon the moral character of working members of the Australian media”, Hawke was prepared to green-light his remaining concerts.

Back in the US, it was joked that Sinatra was only allowed out of Australia because the union boss woke one morning with a kangaroo’s head on his pillow.

Hawkie, meanwhile, did it his way. Eschewing the booze and broads, he became Labor’s longest-serving prime minister, until upstaged by Placido Domingo.

Shane Maloney and Chris Grosz

Shane Maloney is a writer and the author of the award-winning Murray Whelan series of crime novels. His 'Encounters', illustrated by Chris Grosz, have been published in a collection, Australian Encounters.

Chris Grosz is a book illustrator, painter and political cartoonist. He has illustrated newspapers and magazines such as the Age, the Bulletin and Time.

Cover: October 2009

October 2009

From the front page

What Price the Pacific?

The environment minister’s gaffe exposes the Australian malaise

Image from ‘The Insult’

The personal is political in ‘The Insult’

Ziad Doueiri’s tense film excavates Lebanon’s violent past

Image from ‘A Star Is Born’

Lady Gaga mesmerises in the uneven ‘A Star Is Born’

After a beguiling first act, director Bradley Cooper struggles to maintain momentum

Image of ‘The Arsonist’ by Chloe Hooper

The Detectives

Inside the hunt for the Black Saturday arsonist – an extract


In This Issue

Illustration by Jeff Fisher.

Bad behaviour

‘Barley Patch’ by Gerald Murnane

Giramondo Publishing, 320pp; $27.95
Illustration by Jeff Fisher.

Death notice

‘Piano Lessons’ by Anna Goldsworthy

Black Inc., 224 pp; $27.95

More in Encounters

Words: Shane Maloney | Illustration: Chris Grosz

Rupert Murdoch & Kamahl

Mark Oliphant & J Robert Oppenheimer

John Monash & King George V

John Howard & Uri Geller


Read on

Image from ‘The Insult’

The personal is political in ‘The Insult’

Ziad Doueiri’s tense film excavates Lebanon’s violent past

Image from ‘A Star Is Born’

Lady Gaga mesmerises in the uneven ‘A Star Is Born’

After a beguiling first act, director Bradley Cooper struggles to maintain momentum

Image of ‘The Arsonist’ by Chloe Hooper

The Detectives

Inside the hunt for the Black Saturday arsonist – an extract

Image of Sydney Opera House

Promo ScoMo and commodifying public space

The crass commercialism of last week’s promotion on the Opera House was a step too far


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