February 2009

Encounters

Shane Maloney and Chris Grosz

Helena Rubinstein & the Merino

Words: Shane Maloney | Illustration: Chris Grosz

More than a century after the event, it remains unclear exactly why Chaja Rubinstein, 23, fled her native Poland and took lodgings with her uncle Louis Silberfeld, a shopkeeper in the hamlet of Coleraine, in the west of Victoria. Some say it was to escape an unwelcome suitor. Whatever her reasons, it turned out to be a smart move for the “haughty and difficult” daughter of a Crakow egg merchant.

She arrived in 1894, with no money and little English. Her stylish clothes and milky complexion did not pass unnoticed among the town’s ladies, however, and she soon found enthusiastic buyers for the jars of beauty cream in her luggage. Spotting a market, she began to make her own. Fortunately, a key ingredient was readily to hand.

Coleraine might have been an “awful place” but it did not lack for lanolin. Sheep, some 75 million of them, were the wealth of the nation and the Western District’s vast mobs of merinos produced the finest wool in the land, secreting abundant grease in the process. To disguise the sheep oil’s pungent pong, Rubinstein experimented with pine bark, lavender and water lilies.

She also managed to fall out with her uncle. After a stint as a bush governess, she got a job as a waitress at the Winter Garden tearooms in Melbourne. There, she found an admirer willing to stump up the funds to launch her Crème Valaze, supposedly including herbs imported “from the Carpathian Mountains”. Costing ten pence and selling for six shillings, it walked off the shelves as fast as she could pack it in pots. Now calling herself Helena, Rubinstein could soon afford to open a salon in fashionable Collins Street, selling glamour as a science to clients whose skin was “diagnosed” and a suitable treatment “prescribed”.

Sydney was next, and within five years Australian operations were profitable enough to finance a Salon de Beauté Valaze in London. Then came Paris and New York.

Tiny in form, dictatorial in style and famed for her parsimony, Madame Rubinstein roamed the globe, directing her ever-expanding empire and feuding with Elizabeth Arden. When her portrait was painted by William Dobell, she thought it “rather too much of a caricature”, although that didn’t stop her endowing a travelling scholarship for Australian artists.

Chaja Rubinstein never returned to Coleraine. She died in 1965, Princess Gourielli-Tchkonia, her business valued at $60 million. Her initial associates, the merinos, are believed to have all been eaten.

Shane Maloney and Chris Grosz

Shane Maloney is a writer and the author of the award-winning Murray Whelan series of crime novels. His 'Encounters', illustrated by Chris Grosz, have been published in a collection, Australian Encounters.

Chris Grosz is a book illustrator, painter and political cartoonist. He has illustrated newspapers and magazines such as the Age, the Bulletin and Time.

Cover: February 2009

February 2009

From the front page

Litmus test

The US withdrawal from Syria is a turning point for Australian foreign policy

Afterwards, nothing is the same: Shirley Hazzard

On the splendour of the acclaimed author’s distinctly antipodean seeing

Action Comic cover

Len Lawson: Australia’s most infamous comic artist

The tragic story of the creator of the Lone Avenger

We will not be complete

The time for convenient denial of Australia’s brutal history is past


In This Issue

‘The Life You Can Save: Acting Now to End World Poverty’ by Peter Singer

Illustration by Jeff Fisher.

Looking sheepish

‘Outliers: The Story of Success’ by Malcolm Gladwell

Illustration by Jeff Fisher.

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Words: Shane Maloney | Illustration: Chris Grosz

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