April 2007

Encounters

Shane Maloney and Chris Grosz

Robert Menzies & Winston Churchill

Words: Shane Maloney | Illustration: Chris Grosz

Robert Menzies' first trip to England was a profoundly emotional experience. At 41, Jeparit-born Bob had finally come "home". It was 1935, the Silver Jubilee of George V, and pilgrims from the Empire were converging on London for the pomp and circumstance.

For Menzies, it was a happy convergence for a number of reasons. As the attorney-general and a member of Prime Minister Joe Lyons' entourage, he could contribute to negotiations with British trade officials. And as a barrister in private practice, he could appear for a client, Paper Sacks Pty Ltd, in its appeal to the Privy Council.

But above all, the Anglophile colonial could drink deep from the nurturing fount of English tradition and culture. There were silk knee breeches and cocked hats to be worn, Buckingham Palace and Gray's Inn to be visited. In the green and pleasant landscape, Ming discovered "the secret springs of English poetry". One Saturday afternoon in Kent, he paid a call on Winston Churchill.

For Churchill, these were the wilderness years. Past 60, politically isolated and living beyond his means, he was at his nadir. When not thundering in the House of Commons against Indian self-rule, he retreated to his country house, Chartwell, to write, paint and indulge in a little light bricklaying.

Menzies was received courteously by Mrs Churchill. Winston was in the swimming pool, Clementine explained. "It was a splendid sight," Menzies recalled in his memoir, Afternoon Light. The pool was large, circular and heated, and sited on a grassy slope with panoramic views. In the middle was "a jutting form rather reminiscent of the Rock of Gibraltar". The rock stirred, removed the cotton wool from its ears and waded ashore.

Tea was served and Bob listened, unimpressed, while Churchill banged on about the menace of Hitler. His host was a remarkable man, Menzies concluded, but he had a one-track mind and lacked discipline. This opinion was reinforced shortly after, when he observed Churchill in the House of Commons. "Feet of clay", he recorded in his diary.

Six years later, now the prime minister of Australia, Menzies was back in England. In response to Menzies' warnings about Japan, Churchill, now the prime minister of Great Britain, offered nothing but "blood, toil, tears and sweat".

For all his imperial rhetoric, Winnie had little interest in the Dominions, much less the views of their politicians. His opinion of Menzies is nowhere recorded. But in one sense at least, Bob was his enthusiastic follower. On Sir Winston's death, Sir Robert succeeded him as the Lord Warden of the Cinque Ports.

Shane Maloney and Chris Grosz

Shane Maloney is a writer and the author of the award-winning Murray Whelan series of crime novels. His 'Encounters', illustrated by Chris Grosz, have been published in a collection, Australian Encounters.

Chris Grosz is a book illustrator, painter and political cartoonist. He has illustrated newspapers and magazines such as the Age, the Bulletin and Time.

Cover: April 2007

April 2007

From the front page

Mourning Tim Fischer

Today’s crop of Nats are an affront to the legacy of the former leader

Book covers

Robot love: Ian McEwan’s ‘Machines Like Me’ and Jeanette Winterson’s ‘Frankissstein’

Literary authors tackle sentience and rationality in AI, with horrific results

Image from ‘The Loudest Voice'

‘The Loudest Voice’: a nightmarish portrait of a monster

The sheer scale of Roger Ailes’s wrongs defies the medium of television

Photo of Adam Goodes

Swan song: Documenting the Adam Goodes saga

Two documentaries consider how racism ended the AFL star’s career


In This Issue

Illustration by Jeff Fisher.

Kuru awareness week

‘Bobby’

Illustration by Jeff Fisher.

Corrosion of character

Resisting the tide

‘BA Santamaria: Your Most Obedient Servant’

More in Encounters

Words: Shane Maloney | Illustration: Chris Grosz

Rupert Murdoch & Kamahl

Mark Oliphant & J Robert Oppenheimer

John Monash & King George V

John Howard & Uri Geller


Read on

Image from ‘The Loudest Voice'

‘The Loudest Voice’: a nightmarish portrait of a monster

The sheer scale of Roger Ailes’s wrongs defies the medium of television

Image of Peter Drew bike stencil

A meme is born: Real Australians Say Welcome

How one artist’s posters about politics took on a life of their own – an extract

Image of Nigel Farage at CPAC in Sydney

Making sense of CPAC

Why the Conservative Political Action Conference should not be dismissed lightly

Image from ‘Midsommar’

Pagan poetry: the studied strangeness of Ari Aster’s ‘Midsommar’

The ‘Hereditary’ director micro-manages the mania in his new film


×
×