October 2011

Arts & Letters

Poetry masterpiece

By Lisa Gorton
Jennifer Maiden - ‘Friendly Fire’, 2005

Jennifer Maiden’s fourteenth poetry collection is a masterpiece in the original sense of that word: fantastical, intelligent, unassuming and conversational, it gives full expression to her talent. In this collection, there are few borrowed or conventional elements; to a remarkable degree, the style of these poems expresses her particular vision.

Maiden takes imaginative possession of all that presents itself – on TV, at home, in the news, out the window. Her poems zigzag from public events to small happenings: from George W Bush to the sight of clouds over the Monaro. In this way, her poems suggest how what we might describe as important finds its place in the everyday, haphazard and provisional. They test how we allocate pity, for instance, to some categories of experience and not others.

Friendly Fire is remarkable for its independence and for its approach to form – taken not as a technical exercise or traditional achievement, but as a shaping principle of thought. There aren’t many poets who bring together poetry’s lyric, confessional and satirical modes as deftly as Maiden. Her ambition is not to be impressive but to be true.

—Lisa Gorton

 

from ‘Reflected Hearth at Bowen Mountain’

                        … The primary colours
of someone’s neighbouring TV
dance in an upstairs pane, vast glass
where worlds juxtapose unmoved.
                        If I lean forward
I am in the window, but the fireplace
with its stove and chimney dominates
as if the outside bush were made to frame it,
not just its reflection.             The tree boles
lean on the wind fully-charactered
like those by a river, like firewood
in this fire.             The sky is not grey but
colourless-cold and vibrant-cold with power …

Lisa Gorton

Cover: October 2011

October 2011

From the front page

Image of Scott Morrison

Backing in a backflip

Thank the Wentworth by-election for this outbreak of good sense

Image of Sydney Opera House

Promo ScoMo and commodifying public space

The crass commercialism of last week’s promotion on the Opera House was a step too far

Cover of ‘The End’

‘The End’ by Karl Ove Knausgaard

The ‘My Struggle’ series arrives at a typically exhausting conclusion

Image from ‘Watt’

‘Watt’ at the Melbourne International Arts Festival

Beckett’s knotty novel is masterfully interpreted for stage by Barry McGovern


In This Issue

Scene from 'The Theft of Sita'. Image courtesy of Melbourne Festival.

Music theatre masterpiece

An Australian–Indonesian production - ‘The Theft of Sita’, 2000

Words: Shane Maloney | Illustration: Chris Grosz

Robert Helpmann & Anna Pavlova

Theatre masterpiece

Tom Wright & Benedict Andrews - ‘The War of the Roses’, 2009

The incendiary Meow Meow, 2011. © Magnus Hastings

Queen of the night

Meeting Meow Meow


More in Arts & Letters

Detail of a painting of Barron Field

Barron Field and the myth of terra nullius

How a minor poet made a major historical error

Still from Christopher Robin

A man and his bear: Marc Forster’s ‘Christopher Robin’

Adults will find this new tale of Winnie the Pooh surprisingly moving

Image of Cher in 1979

Eternally Cher

The queen of reinvention turns her attention to the works of ABBA

Image of Leonard Bernstein

Leonard Bernstein: show tunes and symphonies

Centenary celebrations highlight the composer’s broad ambitions and appeal


More in Masterpieces

© Sergio Dionisio/Getty Images

Design masterpiece

Marc Newson - ‘Qantas A380 Economy Seat’, 2008

Fiction masterpiece

JM Coetzee - ‘Summertime’, 2009

© Chris Harvey

Architecture masterpiece

Lindsay & Kerry Clare - ‘Gallery of Modern Art’, Queensland, 2006

Opera masterpiece

Neil Armfield - ‘Peter Grimes’, 2009


Read on

Image of Sydney Opera House

Promo ScoMo and commodifying public space

The crass commercialism of last week’s promotion on the Opera House was a step too far

Image from ‘Watt’

‘Watt’ at the Melbourne International Arts Festival

Beckett’s knotty novel is masterfully interpreted for stage by Barry McGovern

Image of Abdul Aziz Muhamat in Lorengau

‘How are you today’ at the Ian Potter Museum of Art

Audio messages from Manus Island reveal what it sounds like to live in limbo

Image of Scott Morrison

Morrison looks the other way

Mental health is taken seriously in Australia, but not for those incarcerated on Nauru


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