October 2011

Arts & Letters

Poetry masterpiece

By Lisa Gorton
Jennifer Maiden - ‘Friendly Fire’, 2005

Jennifer Maiden’s fourteenth poetry collection is a masterpiece in the original sense of that word: fantastical, intelligent, unassuming and conversational, it gives full expression to her talent. In this collection, there are few borrowed or conventional elements; to a remarkable degree, the style of these poems expresses her particular vision.

Maiden takes imaginative possession of all that presents itself – on TV, at home, in the news, out the window. Her poems zigzag from public events to small happenings: from George W Bush to the sight of clouds over the Monaro. In this way, her poems suggest how what we might describe as important finds its place in the everyday, haphazard and provisional. They test how we allocate pity, for instance, to some categories of experience and not others.

Friendly Fire is remarkable for its independence and for its approach to form – taken not as a technical exercise or traditional achievement, but as a shaping principle of thought. There aren’t many poets who bring together poetry’s lyric, confessional and satirical modes as deftly as Maiden. Her ambition is not to be impressive but to be true.

—Lisa Gorton

 

from ‘Reflected Hearth at Bowen Mountain’

                        … The primary colours
of someone’s neighbouring TV
dance in an upstairs pane, vast glass
where worlds juxtapose unmoved.
                        If I lean forward
I am in the window, but the fireplace
with its stove and chimney dominates
as if the outside bush were made to frame it,
not just its reflection.             The tree boles
lean on the wind fully-charactered
like those by a river, like firewood
in this fire.             The sky is not grey but
colourless-cold and vibrant-cold with power …

Cover: October 2011

October 2011

From the front page

Images of Kristy McBain and Fiona Kotvojs

Southern discomfort

Tomorrow’s result in Eden-Monaro is on a knife edge

Image of Defence Minister Linda Reynolds speaking at the Australian Strategic Policy Institute

Grey zone

Between war and peace, Australia’s defence strategy is evolving

Image of Patrick Allington's ‘Rise & Shine’

Shelf pity: ‘Rise & Shine’

Patrick Allington’s fable of a world in which perpetual war is staged to fuel compassion is too straightforward for its ambitions

Image of then treasurer Scott Morrison handing Barnaby Joyce a lump of coal during Question Time, February 9, 2017.

Coal cursed

The fossil-fuel lobby could not have created the climate wars so easily without the preceding culture wars


In This Issue

Scene from 'The Theft of Sita'. Image courtesy of Melbourne Festival.

Music theatre masterpiece

An Australian–Indonesian production - ‘The Theft of Sita’, 2000

Words: Shane Maloney | Illustration: Chris Grosz

Robert Helpmann & Anna Pavlova

Theatre masterpiece

Tom Wright & Benedict Andrews - ‘The War of the Roses’, 2009

The incendiary Meow Meow, 2011. © Magnus Hastings

Queen of the night

Meeting Meow Meow


More in Arts & Letters

Still from ‘Contempt’

The death of cool: Michel Piccoli, 1925–2020

Re-watching the films of the most successful screen actor of the 20th century

Image of Ziggy Ramo

The heat of a moment: Ziggy Ramo’s ‘Black Thoughts’

A debut hip-hop album that calls for a reckoning with Indigenous sovereignty and invites the listener to respond

Photograph of Malcolm Turnbull

Surrounded by pygmies: Malcolm Turnbull’s ‘A Bigger Picture’

The former PM’s memoir fails to reckon with his fatal belief that all Australians shared his vision

Still from ‘The Assistant’

Her too: ‘The Assistant’

Melbourne-born, New York–based filmmaker Kitty Green’s powerfully underplayed portrait of Hollywood’s abusive culture


More in Masterpieces

© Sergio Dionisio/Getty Images

Design masterpiece

Marc Newson - ‘Qantas A380 Economy Seat’, 2008

Fiction masterpiece

JM Coetzee - ‘Summertime’, 2009

© Chris Harvey

Architecture masterpiece

Lindsay & Kerry Clare - ‘Gallery of Modern Art’, Queensland, 2006

Opera masterpiece

Neil Armfield - ‘Peter Grimes’, 2009


Read on

Image of Patrick Allington's ‘Rise & Shine’

Shelf pity: ‘Rise & Shine’

Patrick Allington’s fable of a world in which perpetual war is staged to fuel compassion is too straightforward for its ambitions

Image of then treasurer Scott Morrison handing Barnaby Joyce a lump of coal during Question Time, February 9, 2017.

Coal cursed

The fossil-fuel lobby could not have created the climate wars so easily without the preceding culture wars

Image of library shelves

Learning difficulties

The Coalition’s political agenda is a gross infringement on academic freedom

Image from Monos

Belonging to no one: ‘Monos’

Like its teenage guerilla protagonists, Alejandro Landes’s dreamy, violent feature film is marked by a purposeful ambiguity


×
×