The Uluru Statement from the Heart is the blueprint for an Australian republic
By Megan Davis on the
Image of Janet Dawson’s ‘Rollascape’
Two exhibitions re-examine landmark Australian art
By Quentin Sprague on the
Image of Barnaby Joyce
Joyce is merely the most prominent of many embarrassments for the government
By Mungo MacCallum on the
Image from ‘Mystery Road’ on ABC TV
Aaron Pedersen brings detective Jay Swan to the small screen
By Rebecca Harkins-Cross on the
Image of ‘Remembering the Myall Creek Massacre’
An extract from the book marking the massacre’s 180th anniversary
By Mark Tedeschi on the
Image from ‘Tully’
Truth bombs are disarmed by the nuclear family in Diablo Cody’s latest film
By Lauren Carroll Harris on the
Image of Liberal MP Andrew Hastie
Why Andrew Hastie’s decision – taken without warning the PM – is unpardonable
By Mungo MacCallum on the
Image from ‘Solo: A Star Wars Story’
Ron Howard’s entertaining prequel is missing the looseness Han deserves
By Luke Goodsell on the
By Nick Feik on the
Image from ‘Long Day’s Journey into Night’
Despite an off-key start, this year’s event ended on a high
By Shane Danielsen on the
Image from ‘Blackie Blackie Brown’ at STC
Playwright Nakkiah Lui’s latest delivers comedy and carnage at a bracing pace
By Steve Dow on the
Image of sheep
Just how bad do things have to get before we declare the system broken?
By Mungo MacCallum on the
Image of ‘Ironbark’
A poetic account of adolescent alienation and masculinity in rural Australia
By Sophie Quick on the
Image from ‘Cold War’
An ever-so-slightly off-key event
By Shane Danielsen on the
Image of Treasurer Scott Morrison delivering 2018 budget
From Pig Iron Bob to Unbelieva-Bill: the trouble with nicknames in politics
By Mungo MacCallum on the
Image from ‘The Alienist’ on Netflix
Forensic psychology powers this lavish series, but is one of its less interesting features
By Harry Windsor on the
Image of ‘The Multiple Effects of Rainshadow’ by Thea Astley
On Thea Astley and her classic novel
By Chloe Hooper on the
Image from ‘Terrace House’
The highly addictive Japanese show returns to Netflix for another season
By Jessica Au on the